Emotion Protocol Inyubako Nyigishwa na Zhenglong Yang

Umushinga Emotion Protocol Inyubako Nyigishwa wa Zhenglong Yang ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cy'icyuma mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Ibigaragazwa.

IcyumaIbigaragazwa· 2025

Emotion Protocol Inyubako Nyigishwa

na Zhenglong Yang

Uwatsinze Igihembo cya A' Design Award cy'icyuma mu Cyiciro cya Ibigaragazwa

15,018

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #165874

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Emotion Protocol Inyubako Nyigishwa

Emotion Protocol ni inyubako nyigishwa igizwe n'imitwe ya Buda myinshi ifite amaraso ane yashyizwe ku bikoresho bizunguruka. Buri mutwe, wahumetswe ku mashusho gakondo ya Buda, ufite moteri ituma uzunguruka mu buryo bwateganijwe. Umuvuduko uhuriweho w'imitwe utanga igaragaza ry'amaso ryihuta, ryerekana itandukaniro riri hagati y'imiterere gakondo n'ikoranabuhanga rigezweho.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cy'icyuma

Emotion Protocol Inyubako Nyigishwa ni uwegukanye Igihembo cya A' Design Award cy'icyuma, ishimwe ry'agaciro ritangwa ku bishushanyo byiza bihuza ibyo umwuga n'inganda bikeneye ku bihangano byashushanyijwe neza. Abegukanye icyuma bagaragaza ubuhanga bukomeye, ubumenyi bwihariye, imyumvire y'inzobere n'ubushobozi bwo guhanga bw'ababikoze. Emotion Protocol Inyubako Nyigishwa biteganyijwe ko izaba igihangano cyubahwa, gishimwa kandi gikundwa, gifatika kandi gifite udushya. Iki gishushanyo cyegukanye icyuma gihuza uburyo bwiza bukoreshwa mu nganda kandi gifite ibiranga bya tekiniki bifite ubushobozi, bifatanye n'ubumenyi n'impano. Emotion Protocol Inyubako Nyigishwa yubahwa kubera gukora neza, kandi yashushanyijwe kugira ngo inoze ubuzima, ifashe gutuma isi iba nziza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: "Emotion Protocol" juxtaposes human nature's emotional complexity with the rigid, machine-like existence imposed by societal and familial expectations. The installation represents this contrast through rotating four-faced Buddha statues driven by a mechanical system.
Ibipimo n'Ipaki: 457.2(W), 457.2(D), 1100(H) cm
Ibibazo Fatizo: Kinetic, Installation, Buddhism, Four-face Buddha, Emotion
Ikoranabuhanga ryo Guteza Imbere: This project features 3D-printed Buddha heads crafted in resin, CNC-milled acrylic pedestals for elegant structural support, and a customized PCB(printed circuit board) for precise control of stepper motors. The algorithm, programmed and integrated into the control system, orchestrates the kinetic movements, embodying emotional narratives. Leveraging physical computing, the design merges technology and artistry, ensuring a seamless integration of hardware and conceptual intent.
Ikibazo cy'Ishusho: The biggest challenge was balancing the symbolic depth of the four-faced Buddha with the mechanical precision of the installation. Integrating spiritual iconography into a technological framework required extensive research into cultural narratives and emotional theory. Technical hurdles included designing custom PCBs and achieving seamless motor synchronization for dynamic storytelling. Limited resources for advanced fabrication and algorithm testing added complexity, pushing innovation in blending tradition with modern design methodologies.
Ubushakashatsi: The four-faced Buddha symbolizes the interconnectedness of human emotions—joy, anger, sorrow, and happiness. In this work, the rotating faces represent shifting emotional states, blending ancient philosophies with modern discussions on emotional suppression, societal expectations, and mechanized behavior. This reinterpretation highlights the universality of emotions, encouraging viewers to reflect on their own emotional landscapes.
Ibyatumye Habaho: Inspired by the Chinese saying "joy, anger, sadness, happiness," which poetically represents human emotions, and the Buddhist four-faced Buddha statues, this piece fuses traditional symbolism with programmed mechanisms. It reflects the tension between humanity's rich emotional landscape and the societal pressures, particularly in East Asian cultures, to suppress and eliminate subjective emotions. This conflict pushes individuals into a mechanized existence, where they become tiny parts of a vast collective machine, bound by rules and protocols to meet the expectations of family and society.
Igihe cy'Umushinga: The project started in September 2024 in New York and finished in December 2024 in New York, and was exhibited in RacketNYC in December 2024.
Uburyo bw'Imikorere: This project invites viewers to observe rotating Buddha heads, each with four faces representing different emotions. The heads rotate in pre-programmed patterns, symbolizing shifting emotional states. The interaction is passive yet thought-provoking, viewers reflect on the emotions represented. The synchronized motion creates a mesmerizing flow, highlighting the tension between human feelings and mechanical precision, making it uniquely engaging and impactful.
Abafotoye: Photo credits: Audrey Chou