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Optics and Chromatics Imurikagurisha na Timea Andoka

Umushinga Optics and Chromatics Imurikagurisha wa Timea Andoka ni uwatsinze igihembo cyubahwa cyane 2018 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Amashusho.


IfezaAmashusho· 2018

Optics and Chromatics Imurikagurisha

na Timea Andoka

Umukiriya: Timea Andorka

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Amashusho

66,192

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #58492

Amabara

Imigereranyo

Ibyerekeye Optics and Chromatics Imurikagurisha

Umutwe Optics na Chromatic bivuga impaka hagati ya Goethe na Newton kumiterere yamabara. Iyi mpaka igaragazwa no guhangana kw'ibice bibiri bigize inyuguti: imwe irabaze, geometrike, hamwe na kontour ikarishye, indi ishingiye ku gukina impressionism igicucu cyamabara. Muri 2014 iki gishushanyo cyabaye igifuniko cya Pantone Plus Urutonde rwabahanzi.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Optics and Chromatics Imurikagurisha ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Optics and Chromatics Imurikagurisha biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Optics and Chromatics Imurikagurisha ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe
The title Optics and Chromatics refers to the debate between Goethe and Newton on the nature of colours. This debate is represented by the clash of the two letterform compositions, one is calculated, geometric, with sharp contours, the other relies on the impressionistic play of colourful shadows. In 2014 this design served as the cover for Pantone Plus Series Artist Covers. The Pantone Formula Guide and Pantone Solid Chips feature covers showcasing works of art from my project, Optics and Chromatics. (creative manager and designer at Pantone by Timothy Heyer, director of creative marketing at Pantone by Karen Lantelme)
Ibipimo n'Ipaki
original poster size: 70×100 cm
Ibibazo Fatizo
chromatics, optics, Goethe, light, colour, shadow, experimental typography, crafts
Ikoranabuhanga ryo Guteza Imbere
paper, coloured plastic sheet, light, shadow
Ikibazo cy'Ishusho
Two new font-designs had to be invented to express the nature of the polemy on colour theory. The two types of letter consist of different materials and form: one is made of paper and shadow, the other is of coloured foil and light. The symmetrical, geometric shapes of the white paper and the sharp shadows in the hard light make the word ’optics’ legible. The word ’cromatics’ is built from coloured foil sheets that create colourful, intertangled beams in different angles of light.
Ubushakashatsi
It is essential to know in detail the polemy on colour theory between Newton and Goethe when analyzing the relationship between light, shadow and colour. I consider Goethe’s Theory of Colours as one of the basic pieces of work when studying colour experience: it highlights the fact that the colour vision is a greatly changeful, resilient and impressionistic factor, thus not possible to give a description by some exact mathematical formulas – at least not in an adequate manner. The poster enters this several-century-long scientific debate with the resources of contemporary experimental typography. The project’s afterlife shows the timeliness of this inspection: Pantone published its first Limited-edition Artist Covers with this piece of work in 2014.
Ibyatumye Habaho
Goethe's Theory of Colours appeared in 1810. On the occasion of the bicentennial anniversary of the book the Society of Hungarian Graphic Designers and Typographers announces an international design competition entitled Goetheorie. The title of poster Optics and Chromatics refers to a place where Goethe points out that unlike Newton he is not so much interested in the science of sight (Optics) but rather in the theory of colours (Chromatics). He wants to demonstrate the way we actually experience colours, and not the way we are supposed to experience them according to the laws of mathematics.
Igihe cy'Umushinga
The poster was made at Budapest, Hungary, 2010.
It was exhibited at Design Terminal, Budapest, Hungary, 05 November 2010 – 09 January 2011, Donau Buro, Ulm, Germany, 04 July – 13 July 2014 and The World Paper Products, Jeonju, South Korea, 20 – 28 February 2017
Uburyo bw'Imikorere
Numerous photos have been taken of the two letterform compositions for the project. Changing the perspective and the light conditions meant plenty of possibilities for the visualization. The two pictures that were finally chosen for the poster are the ones which – complementing each other – accentuate the most the difference between the two colour theories.
Patente
all images © Tímea Andorka, 2017
Abagize Itsinda
Art director, graphic design, type design and paper craft: Tímea Andorka
Abafotoye
all images © Tímea Andorka, 2017

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