Chia-Hui Lien ᱨᱮᱱᱟᱜ Aesthetics and Chinese Poster Design ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱜᱨᱟᱯᱷᱤᱠ· 2020
Aesthetics and Chinese Poster Design
Chia-Hui Lien ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Chia-Hui Lien
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#102037 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Aesthetics and Chinese Poster Design ᱵᱟᱵᱚᱛ ᱛᱮ
ᱥᱩᱱᱡᱚᱨ ᱟᱨ ᱪᱟᱭᱱᱤᱡᱽ ᱮᱱᱟᱜ ᱱᱮᱭᱟ ᱢᱤᱫ ᱯᱚᱥᱴᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱥᱤᱨᱤᱡᱽ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱪᱟᱭᱱᱤᱡᱽ ᱚᱠᱛᱚ ᱠᱚ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱪᱮᱛᱟᱱ ᱛᱮᱭᱟᱨ ᱮᱱᱟ ᱾ ᱮᱠᱮᱛᱟ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱴᱷᱚᱨ ᱟᱨ ᱟᱠᱟᱱ ᱨᱮᱰᱤᱠᱟᱞ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱠᱷᱚᱱ ᱵᱟᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱚᱰᱚᱠ ᱮᱢ ᱟᱨ ᱛᱟᱦᱮᱸᱱ ᱠᱚ ᱛᱮ ᱯᱮᱥ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱥᱤᱨᱤᱡᱽ ᱚᱞ ᱠᱟᱱ ᱴᱮᱠᱥᱴ ᱠᱚ ᱫᱮᱠᱷᱟᱣ ᱪᱤᱱᱦᱟᱹ ᱛᱮ ᱵᱚᱫᱚᱞ ᱦᱚᱪᱚ ᱟᱨ ᱟᱡᱚ ᱡᱩᱜ ᱨᱮᱭᱟᱜ ᱫᱤᱥᱚᱢ ᱠᱚ ᱛᱮ ᱯᱷᱚᱸᱴ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ᱾ ᱚᱠᱛᱚ ᱨᱩᱯ ᱠᱚ ᱫᱮᱠᱷᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱯᱚᱥᱴᱟᱨ, ᱱᱤᱢᱛᱟ ᱠᱟᱰᱰ ᱟᱨ ᱢᱤᱫ ᱯᱩᱛᱷᱤ ᱪᱷᱟᱯᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱯᱚᱥᱴᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱢᱟᱯ ᱡᱟᱦᱟᱸ 70 ᱟᱨ 100 ᱥᱮᱸᱴᱤᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱪᱟᱭᱱᱤᱡᱽ ᱯᱟᱹᱨᱥᱤ ᱟᱨ ᱚᱠᱛᱚ ᱠᱚ ᱚᱨᱤᱭᱮᱱᱴᱟᱞ ᱥᱚᱸᱥᱠᱩᱨᱤᱛᱤ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱛᱟᱦᱮᱸᱱ ᱡᱚᱛᱚ ᱠᱟᱴᱷᱟ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱛᱮ ᱫᱮᱠᱷᱟᱣ ᱮᱫᱟᱭ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Aesthetics and Chinese Poster Design ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Aesthetics and Chinese Poster Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This series of works is based on the design of Chinese characters as the main visual design axis. The structure of the Chinese characters formed by the radical strokes of the Chinese characters is presented in a rotating and gradient manner.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- ●Poster design-W70XH100cm
●DM design-W21XH29.7cm
●Book design-W14.8XH21cm - ᱴᱮᱜ ᱠᱚ
- Chinese character design，Font design，poster design
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- In order to highlight the font design, the printed design is specially printed with posters and invitation cards.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The most difficult part of the design process is the design of Chinese fonts. The structural considerations and visual aesthetics in the fonts must be noted.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Chinese and Chinese characters are important assets for the long-term and continuous development of oriental culture. The work takes Chinese character design as the main design core, and reproduces this cross-border oriental style design energy in contemporary art and literature trends, and actively displays Chinese and Chinese character books. The art and culture are rich in design capacity.
- ᱯᱨᱮᱨᱚᱱᱟ
- 2019 Creative Poster Design Exhibition: A Crossover between Aesthetics and Chinese Characters” will employ “the beauty of Chinese language and characters” as the design elements to transform texts into visual symbols; “innovation” as the central idea, and font design as a brand new embodiment approach, through the design of posters, to probe the future possibilities which are in line with the beauty of "crossover", "aesthetics" and "Chinese characters”.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- October 2019 to complete the design.
The design was completed in November 2019. 2019.11.8 Exhibition and activities at Tung-Fang Design University, Kaohsiung, Taiwan - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The design of the structure of the Chinese character font using the strokes of the font line requires a lot of time and testing.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
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