Karina Frances Edmonds ᱨᱮᱱᱟᱜ Perception of the Eyes ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱯᱚᱥᱟᱜ

Karina Frances Edmonds ᱨᱮᱱᱟᱜ Perception of the Eyes ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱯᱚᱥᱟᱜ ᱫᱚ ᱯᱷᱮᱥᱚᱱ, ᱞᱤᱡᱟᱹ ᱟᱨ ᱵᱟᱥᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱠᱟᱥᱟᱯᱷᱮᱥᱚᱱ· 2020

Perception of the Eyes ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱯᱚᱥᱟᱜ

Karina Frances Edmonds ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Karina Frances

ᱯᱷᱮᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#102508 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Perception of the Eyes ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱯᱚᱥᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱩᱫᱩᱜ (Perception of the Eyes) ᱚᱠᱟ ᱢᱮᱫ ᱟᱨ ᱧᱮᱜᱮᱞ ᱠᱷᱚᱱ ᱯᱟᱴᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱯᱤᱸᱰᱷᱟᱹᱣ ᱠᱟᱹᱢᱤ ᱨᱮᱭᱟᱜ ᱯᱚᱥᱟᱜ ᱠᱟᱱᱟᱭ। ᱱᱚᱶᱟ ᱞᱤᱡᱟᱹᱣ ᱨᱮᱭᱟᱜ ᱵᱚᱰᱤᱥ ᱨᱮ ᱢᱤᱫ ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱛᱮ ᱫᱮᱠᱷᱟᱭ ᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱛᱟᱦᱮᱸᱫ ᱠᱚ ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱟᱠᱟᱨ ᱠᱚ ᱯᱟᱴᱟᱣ ᱠᱚ ᱮᱫᱟ ᱟᱨ ᱛᱟᱦᱮᱸᱫ ᱛᱟᱨᱚᱢ ᱠᱚ "ᱯᱩᱯᱤᱞ" (ᱢᱮᱫ ᱛᱟᱨᱟ) ᱛᱟᱦᱮᱸ ᱡᱟᱦᱟᱸᱭ ᱚᱠᱟᱭ ᱮᱫᱟ। ᱚᱱᱟ ᱴᱷᱟᱶ ᱠᱷᱚᱱ ᱯᱩᱴᱟᱹ ᱠᱚ ᱚᱛᱟᱭ ᱠᱟᱱᱟ ᱚᱛᱮ ᱥᱮᱛᱮᱨ ᱚᱰᱚᱠ, ᱟᱨ ᱡᱟᱦᱟᱸ ᱡᱟᱦᱟᱸ ᱴᱷᱟᱶ ᱨᱮ ᱩᱱᱠᱩ ᱫᱚ ᱫᱟᱶᱟᱦᱟᱲᱟᱣ ᱟ, ᱚᱱᱟ ᱛᱮ ᱢᱤᱫ ᱰᱤᱡᱟᱭᱤᱱ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱜᱮᱭᱟ ᱡᱟᱦᱟᱸ ᱲᱟᱸᱣ ᱟᱠᱟᱨ ᱨᱮ ᱚᱰᱚᱠ ᱟᱠᱟᱱᱟ। ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱡᱚᱛᱚ ᱨᱚᱥᱱᱟᱭ ᱠᱟᱛᱮ ᱧᱟᱹᱢ ᱟᱠᱟᱱ ᱢᱟᱨᱥᱟᱞ ᱫᱤᱭᱟᱜᱨᱮᱢ ᱠᱚ ᱛᱮ ᱛᱩᱞᱟᱹ ᱥᱟᱫᱷᱮᱨᱱᱟᱭ ᱠᱟᱱᱟ। ᱵᱚᱰᱤᱥ ᱫᱚ ᱠᱚᱨᱥᱮᱴ ᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱛᱟᱨ ᱟᱨ ᱠᱟᱴᱷᱚᱨ ᱱᱚᱠᱚᱞ-ᱪᱟᱢᱰᱟ ᱜᱟᱲ ᱛᱮ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱚᱰᱚᱠ ᱠᱚ ᱠᱟᱹᱴᱤᱡ ᱛᱮ ᱚᱛᱟᱭ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜ ᱠᱟᱱᱟ। ᱦᱤᱯ (ᱠᱟᱛᱷᱢᱟ) ᱨᱮᱭᱟᱜ ᱞᱟᱭᱤᱸᱡ ᱠᱚ ᱫᱚ ᱯᱩᱨᱟᱹᱱᱚ ᱟᱠᱟᱨ ᱠᱚ ᱚᱰᱚᱠ ᱟᱭ, ᱢᱮᱱᱠᱷᱟᱱ ᱱᱤᱛᱚᱜ ᱛᱮᱭᱟᱨ ᱨᱩᱯ ᱨᱮ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Perception of the Eyes ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱯᱚᱥᱟᱜ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Perception of the Eyes ᱢᱮᱫ ᱨᱮᱭᱟᱜ ᱯᱚᱥᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Size 6
ᱴᱮᱜ ᱠᱚ: wearable art, eyes, vision, perception, poetry
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
ᱜᱚᱵᱮᱥᱚᱱᱟ: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
ᱯᱨᱮᱨᱚᱱᱟ: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: N/A
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Tailor 15% work with patterns-( technical element).
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019