ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Alvan Suen ᱨᱮᱱᱟᱜ Ricky's Kitchen ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Alvan Suen ᱨᱮᱱᱟᱜ Ricky's Kitchen ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2020

Ricky's Kitchen ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Alvan Suen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: The Food Story HK Limited

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#103901 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Ricky's Kitchen ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

Ricky's Kitchen ᱫᱚ ᱦᱚᱝᱠᱚᱝ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱨᱟᱸᱰ ᱪᱤᱱᱦᱟᱹ ᱫᱚᱦᱚ ᱠᱟᱛᱮ ᱥᱟᱦᱟᱨ ᱠᱮ ᱱᱟᱶᱟ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱢᱩᱬᱩᱛ ᱠᱟᱸᱛᱷ ᱨᱮ ᱡᱟᱦᱟᱸ ᱡᱤᱱᱤᱥ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ ᱚᱱᱟ ᱫᱚ ᱠᱚᱱᱠᱨᱤᱴ ᱵᱤᱨ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ, ᱡᱤᱭᱚᱢᱮᱴᱨᱤ ᱫᱚ ᱵᱟᱞᱠᱚᱱᱤ ᱢᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱢᱚᱪᱟ ᱠᱚ ᱞᱮᱠᱟ ᱟᱨ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱡᱚᱞᱚᱜ ᱠᱟᱱ ᱚᱲᱟᱜ ᱠᱚ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱥᱚᱡᱷᱮ LED ᱪᱮᱛᱟᱱ ᱫᱚ ᱩᱥᱩᱞ ᱚᱲᱟᱜ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱧᱮᱞᱚᱜ ᱠᱟᱱ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱦᱩᱰᱤᱧ ᱯᱟᱴᱤ ᱞᱮᱠᱟᱭ ᱩᱫᱩᱜᱼᱟ, ᱟᱨ ᱵᱟᱨᱮᱭᱟ ᱥᱮᱫ ᱨᱮ Leon ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱞᱚᱝ ᱮᱠᱥᱯᱚᱡᱟᱨ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱨᱮ ᱦᱟᱭᱣᱮ ᱨᱮᱭᱟᱜ ᱜᱟᱰᱤ ᱥᱮᱱᱚᱜ ᱞᱮᱠᱟᱭ ᱧᱮᱞᱚᱜᱼᱟ᱾ T-ᱨᱩᱯ ᱞᱮᱭᱟᱣᱴ ᱛᱮ ᱯᱩᱱᱭᱟ ᱟᱫᱷᱟ-ᱱᱤᱡᱮᱨ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨᱚᱜᱼᱟ, ᱟᱨ ᱟᱛᱷᱚᱨ ᱫᱟᱲᱮᱭᱟᱜ ᱴᱮᱵᱩᱞ ᱥᱟᱶᱛᱮ ᱵᱮᱸᱪ ᱠᱚ ᱫᱚ ᱟᱞᱜᱟ ᱟᱞᱜᱟ ᱢᱟᱯ ᱨᱮᱭᱟᱜ ᱜᱟᱶᱛᱟ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱴᱷᱤᱠ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Ricky's Kitchen ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ricky's Kitchen ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Reinterpreting “Hong Kong”, translating it into visualization while keeping the identity of the brand has become the challenge of designing the Ricky’s Kitchen branch. For the feature wall, the use of materials represents forest of concrete, the geometry renders the building facade with balconies as well as the density of the city, and the lighting mimics the households in the buildings. For the ceiling, the white LED in the center represents the “Linear Sky Exposure” of Hong Kong, the Leon light on both sides imitate the long exposure photography of highway, symbolizing prosperous Hong Kong and heavy traffic. In terms of futuristic touch, linear LED light, the floating-like portal with bamboo and infinity mirror are designed in respect of the original.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Area: 1358 sq.ft.
Capacity: 66
ᱴᱮᱜ ᱠᱚ
Hong Kong Style, Fusion, Lighting, Leon, Futuristic
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
For the feature wall, the blocks were not made and installed one by one but in a few prefabricated panels. The pattern was designed with the script, generated and calculated by the computer.
In order to make sure the final result is ideal and everything works and fits, the project was mainly created in the computer; rendering is heavily used for testing different materials and calculating lux as well as color temperature for all lightings throughout the entire design process. For communicating on-site with the contractor, besides the construction drawing set, a virtual reality walk-through was also created for the workers to quickly understand the project.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
To preserve the local elements of Hong Kong on one hand, whilst incorporating Japanese elements on the other has been a great challenge to us in the development of the design as both of these cultures are unique and significant in their own way. We experimented with various expressions on the traditions and cultures with representation in the spaces and choice of materials. For instance, in order to create a large sense of space in the relatively narrow site, a fair amount of mirrors has been implemented.
ᱯᱨᱮᱨᱚᱱᱟ
Advocating the spirit of fusion while reinterpreting and illustrating Hong Kong in the design is what the goal is, which parallels with the goal of the brand.
Inspiring by this unique scenery of the city of Hong Kong, illustrating a “one-line sky” scenery, that represents what people see overhead in the street while surrounded by high-rise buildings.
Contributing to the “one-line sky”, cantilever structure above the walkway is seen very often in the city to further narrowing the street due to highly valued land, which we try to create that feeling abstractly.
The feature wall was inspired by the night view of the city, the use of the material is symbolizing “concrete forest” the nickname of Hong Kong.
LEON light is also used due to the impression internationally, the way of representation is coming from the traffic of highway in the camera under long exposure.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project is located in K11 Art Mall, Kowloon, Hong Kong. The design was started in June 2019 and the construction was finished in November 2019.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The "T" layout creates four semi-private zones for different sizes of gathering, including the head, the two wings, and the middle. Bench with movable tables also allows flexibility in terms of operation to cater to different groups of guests.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Alvan Suen, 2020
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Director: Alvan Suen
Designer: Jesie Chan
Designer: Hazel Ching
Designer: Alan Tang
Designer: Bryan Hui
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer: Yui Zhu, Kaman Tjang
Video Credits: Yui Zhu, Kaman Tjang

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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