Hsin Hung Wu ᱨᱮᱱᱟᱜ Nature Canvas ᱯᱨᱟᱭᱢᱟᱨᱤ ᱯᱷᱟᱸᱠᱥᱚᱱ: ᱰᱮᱸᱜ ᱜᱟᱫᱮᱞ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2021
Nature Canvas ᱯᱨᱟᱭᱢᱟᱨᱤ ᱯᱷᱟᱸᱠᱥᱚᱱ: ᱰᱮᱸᱜ ᱜᱟᱫᱮᱞ ᱠᱮᱸᱫᱽᱨᱚ
Hsin Hung Wu ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Evermore International Design
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#106788 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Nature Canvas ᱯᱨᱟᱭᱢᱟᱨᱤ ᱯᱷᱟᱸᱠᱥᱚᱱ: ᱰᱮᱸᱜ ᱜᱟᱫᱮᱞ ᱠᱮᱸᱫᱽᱨᱚ ᱵᱟᱵᱚᱛ ᱛᱮ
Nature Canvas ᱫᱚ Taichung ᱨᱮ ᱢᱤᱫ ᱰᱮᱸᱜ ᱜᱟᱫᱮᱞ ᱠᱮᱸᱫᱽᱨᱚ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸᱭ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱫᱚ 495.86 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱱ ᱫᱚ ᱚᱥᱴᱨᱮᱞᱤᱭᱟ ᱨᱮᱱᱟᱜ Uluru ᱟᱨ ᱢᱟᱨᱮ ᱡᱩᱜ ᱨᱮᱱᱟᱜ ᱜᱟᱰᱟ-ᱠᱩᱸᱰᱤ ᱛᱟᱦᱮᱸᱱ ᱡᱟᱭᱜᱟ ᱠᱷᱚᱱ ᱚᱛᱟᱣ ᱠᱟᱛᱮᱫ-ᱟ ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱫᱚ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱫᱷᱤᱨᱤ ᱞᱮᱠᱟᱱ ᱨᱩᱯ ᱢᱮ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱷᱟᱭᱵᱟᱨ ᱥᱤᱢᱮᱱᱴ ᱵᱚᱨᱰ ᱛᱮ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱᱟ ᱟᱨ ᱥᱤᱨᱟᱢᱤᱠ ᱨᱚᱝ ᱛᱮ ᱨᱚᱝ ᱮᱢ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱨᱚᱠᱷᱟ ᱫᱷᱤᱨᱤ ᱛᱟᱦᱮᱸᱱ ᱞᱮᱠᱟ ᱞᱟᱰᱮᱭᱟᱜ-ᱟ ᱟᱨ ᱚᱛ-ᱦᱚᱭ ᱟᱨ ᱫᱟᱜᱮ ᱠᱷᱚᱱ ᱨᱩᱠᱷᱤᱭᱟ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾ ᱯᱩᱸᱰ ᱨᱩᱯ ᱫᱚ ᱥᱤᱸᱜᱤ ᱵᱟᱦᱟ ᱟᱨ ᱩᱢᱩᱞ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱠᱮᱱᱵᱷᱟᱥ ᱞᱮᱠᱟ ᱠᱟᱹᱢᱤ ᱮᱫᱟ ᱾ ᱦᱮᱠᱥᱟᱜᱚᱱᱟᱞ ᱠᱷᱩᱞᱟᱹ ᱡᱟᱦᱟᱸ ᱨᱮ ᱫᱷᱟᱛᱩ ᱨᱮᱱᱟᱜ ᱯᱷᱨᱮᱢ ᱟᱨ ᱨᱷᱚᱢᱵᱚᱥ ᱞᱮᱴᱤᱥ ᱵᱚᱥᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱰᱤᱡᱤᱴᱟᱞ ᱰᱟᱭ ᱠᱟᱴᱤᱝ ᱛᱮ ᱢᱚᱰᱤᱭᱩᱞᱟᱨ ᱠᱟᱛᱮᱫ-ᱟ, ᱚᱱᱟ ᱫᱚ ᱵᱚᱫᱚᱞ ᱮᱫᱟᱜ ᱨᱩᱶᱟᱹᱠ ᱥᱟᱶ ᱨᱩᱯ ᱚᱴᱟᱝᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Nature Canvas ᱯᱨᱟᱭᱢᱟᱨᱤ ᱯᱷᱟᱸᱠᱥᱚᱱ: ᱰᱮᱸᱜ ᱜᱟᱫᱮᱞ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Nature Canvas ᱯᱨᱟᱭᱢᱟᱨᱤ ᱯᱷᱟᱸᱠᱥᱚᱱ: ᱰᱮᱸᱜ ᱜᱟᱫᱮᱞ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- As the designer holds the chance of planning the marketing reception center, the cogitation about how to correspond to the concept of construction from the perspective of figuration and imagery, so that the building volume would not shape as an icy concrete mass, but rather to bring about the humanistic implication and natural green of the space.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Total 495.86 square meters.
- ᱴᱮᱜ ᱠᱚ
- Sales center, Design, Nature, Building, Shadow
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The appearance of the building is clad with fiber cement board, and construct a huge stone shape, thence emit an image of living in the cave; painted with ceramic paint, which imitates the rough surface of rocks, and as well as having the affection of weather resistance and anti-fouling. The large-scale volume of pure white is just like a canvas, and the nature is its painter. By way of sunlight projection, delicately depicted light and shadow.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- There’s a challenge of module processing, which has to repeatedly test in order to control the deviation, and reserve enough space for each metal hanger, so as to create a vivid dynamic landscape.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The facade of the volume is assembled with rhombus lattice, which modularized via digital die cutting segmentation approach. The metal material glaring in the sunshine, which generate the delineation of staggered crown.
- ᱯᱨᱮᱨᱚᱱᱟ
- Initiate from the inspiration of "embracing and enjoying the nature".
The designer pulls space-time back to the cave dwelling patterns of the ancient times, which get back to the simple state that requires by modern people.
The notion of the design is originated from Uluru (Ayers Rock) in Australia. The figuration of the gigantic rock, which like the constructed appearance of caves that, symbolized the stability and reliability of home. Gently situated in the plantation of harmony and serenity. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in March 2019 in Taichung and finished in July 2019 in Taichung.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Reference to the land features and weather of Uluru, it would present different scenes s of depending on different seasons and climatic conditions, even at different times of a day, changing with the light.
Accordingly, the designer chiseling the hexagonal holes and inlaying the metal frame, while the sunlight shins and the clouds roam, and then it becomes a landscape of its own. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Hsin Hung Wu, 2019.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #2: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #3: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #4: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #5: Photographer LDK Photography Studio, Nature Canvas, 2019.
Main image is Image #1, Optional Image #1 is Image #2, Optional Image #2 is Image #3, Optional Image #3 is Image #4, Optional Image #4 is Image #5.
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ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
