Omid Amini and Fatemeh Salehi Amiri ᱨᱮᱱᱟᱜ Ice Cave Bikri Ñama Doftor ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2021
Ice Cave Bikri Ñama Doftor
Omid Amini and Fatemeh Salehi Amiri ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Sizan
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#107297 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Ice Cave Bikri Ñama Doftor ᱵᱟᱵᱚᱛ ᱛᱮ
Ice Cave do middle akan showroom kanaa jun middle do client ko besi ahlate gun sahit middle orom lagat akan tanhe̱n. Olre tehanka Tehran Eye Project ren alag alag gun do benaoleka daadeay bonaa. Project ren kaam anusaar, middle akan ramkoich ar neutral mahol lagat akana, jonte objects ar ghoṭona do jemonte lagar benao benaoleka daadeay bonaa. Minimal surface logic do hocho design hũṛ tanhen. Middle akan integrated mesh surface do joto orom re pasilao akana. Alag alag kaam laagit lagar orom do surface re uutaar ar laata disã reyag foreign forces ren buṛiyaad re benaolena. Fabrication laagit, neo surface do 329 panels re bhaag hoeykana.
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Ice Cave Bikri Ñama Doftor ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ice Cave Bikri Ñama Doftor ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The need for an exhibition space and the potential to provide features, details, and replicas of the Tehran Eye project. Also, this section's location on the first floor and the use of two skylights for natural light provided very exclusive conditions for the design of a cave space, which provided a ceiling property or a free form as opposed to neutral walls. The emphasis of the space design was focused on the roof and columns, elements that provided a suitable basis for the design of this space.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Ceiling: 290 m2
Ceiling Composite panels: 329
Floor: 200 m2 - ᱴᱮᱜ ᱠᱚ
- Minimal Surface, Digital fabrication, computational design, Digital design
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The logic of minimal surfaces was used according to the project's need for an attractive yet neutral atmosphere for showing the project's predicted function.
For Fabrication, this surface has been divided into several panels (329 double curve composite panels). The main constraint for products these panels is using a three-axis CNC machine (Styrofoam block with a density of 37 kg-m3, 1.1.2 m3). At the same time, the method of installing panels and details of connecting to the main structure has also been taken into consideration. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- construction, a few points, needed research, at least the change in the size of the parts based on climate change that sometimes reaches forty degrees Celsius, on the other hand, due to the general use of this project and the rapid flammability of the composite Need fire retardant or fire-retardant compounds.
facilities, due to the middle space between the shell and the structural roof, this section was used to reduce the energy required for air circulation.
green wall section, the use of the most suitable type of these walls, as well as plants and irrigation conditions and light required by plants, are among the items studied. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- Type of research: Use of current world articles and journals
Objectives of the research: Making a free-form shell with the least use of materials and in the shortest possible time, using the project facilities to save more energy consumption for the cooling and heating system, using green space with optimal irrigation in mind.
Due to the different parts of the project, several topics were important for initial research and studies.
-design section, what needed more research and study in this section was the optimization of consumables and construction stages according to local materials and devices. - ᱯᱨᱮᱨᱚᱱᱟ
- Icy cave project has been designed and built in order to presell commercial units of a commercial-recreational Tehran Eye complex. In its early years of operation, this space will be used for selling commercial units. Then, it will be transformed into an event hall. Therefore, this issue has been taken into consideration in the design of this project, and it's fixed as well as the mobile layout of the furniture.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in April 2016 in Tehran, Iran, and finished in June 2018, and was a sale office for selling stores of Tehran eye Commercial and entertainment complex.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Visitors are first confronted with a section that can personally use the provided tools to overview the different sections and general and technical information of the Tehran Eye.
then they introduced the project with the guidance of staff using wall-mounted displays. In the second part, customers can sit next to fixed and movable furniture, and listen to the sales manager's explanations. In the final stage, visitors face sitting or standing with a large screen that is projected. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- For copyrights: "Copyrights belong to Fatemeh Salehi Amiri, 2018."
For trademarks: "Sizan (2011) Fatemeh Salehi Amiri, Omid Amini, Avid Amini" - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Architecture Firm:
Omid Amini and Partners
Architects in charge:
Omid Amini
Fatemeh Salehi Amiri
Design Team:
Mehrad Mahnia
Fatemeh Salehi Amiri
Executive Manager:
Fatemeh Salehi Amiri
Omid Amini
Supervisor:
Fatemeh Salehi Amiri
Mehrad Mahnia
Contractor:
Sizan Company - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #2: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #3: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #4: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #5: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Other Images: Photographer Masih Mostajeran (Deed Studio)
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