Zhao Fang Chen and Yong Jun Ma ᱨᱮᱱᱟᱜ Manila ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱥᱯᱟ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2021
Manila ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱥᱯᱟ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ
Zhao Fang Chen and Yong Jun Ma ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Xiamen GANGLONG Decoration Engineering Co., Ltd
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#107363 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Manila ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱥᱯᱟ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱢᱟᱱᱤᱞᱟ ᱫᱚ ᱯᱷᱤᱞᱤᱯᱤᱱᱥ ᱨᱮᱭᱟᱜ ᱢᱟᱱᱤᱞᱟ ᱨᱮ ᱛᱟᱦᱮᱱ ᱠᱟᱱ ᱢᱤᱫ ᱥᱯᱟ ᱵᱷᱤᱛᱤᱨ ᱠᱟ�noᱟ, ᱡᱟᱦᱟᱸ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱫᱚ ᱸᱸᱸᱸ ᱮᱥᱠᱟᱨ ᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱥᱚᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱠᱞᱟᱥᱤᱠ ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ ᱨᱮᱭᱟᱜ ᱫᱚ ᱪᱤᱱᱤ ᱟᱸᱜᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱥᱟᱶᱛᱮ ᱢᱮᱥᱟᱜ ᱮᱫᱟ ᱟᱨ ᱯᱩᱨᱟᱹᱱ ᱟᱨ ᱱᱟᱶᱟ ᱛᱚᱨᱚᱦᱟ ᱠᱚ ᱡᱚᱲᱟᱣ ᱮᱫᱟ ᱾ ᱦᱚᱭ ᱨᱮ ᱰᱟᱜ ᱟᱰᱤ ᱜᱮ ᱛᱟᱦᱮᱱ ᱠᱟᱛᱮ, ᱫᱟᱲᱮ ᱥᱟᱠᱟᱢ ᱵᱚᱫᱚᱞ ᱛᱮ ᱠᱚᱢᱯᱚᱥᱤᱴ ᱰᱟᱨᱩ ᱯᱞᱟᱥᱴᱤᱠ ᱵᱮᱵᱷᱟᱨ ᱮᱱᱟ ᱾ ᱵᱚᱞᱚᱱ ᱢᱩᱦᱟᱸ ᱫᱚ ᱡᱟᱹᱫᱟᱱ ᱮᱱ ᱰᱟᱨᱩ ᱪᱷᱟᱛ ᱛᱟᱞᱟ ᱨᱮ ᱱᱟᱶᱟ ᱠᱷᱟᱢᱵᱷᱟ ᱠᱚ ᱥᱟᱶᱛᱮ ᱢᱤᱫ ᱴᱨᱟᱯᱮᱡᱚᱭᱮᱰᱟᱞ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱮᱫᱟ ᱾ ᱟᱜᱩᱣᱟᱱ ᱡᱟᱭᱜᱟ ᱫᱚ ᱢᱟᱨᱵᱚᱞ, ᱦᱮᱸᱫᱮ ᱰᱟᱨᱩ, ᱠᱟᱯᱟᱥ ᱟᱨ ᱞᱤᱱᱮᱱ ᱠᱟᱯᱚᱲ ᱠᱚ ᱢᱤᱫᱛᱟᱸ ᱨᱮ ᱟᱜᱩ ᱮᱫᱟ ᱾ ᱦᱮᱸᱫᱮ ᱰᱟᱨᱩ ᱵᱷᱩᱭ ᱟᱨ ᱠᱩᱨᱩᱢ ᱜᱟᱨ ᱥᱟᱶᱛᱮ ᱟᱥᱵᱟᱵ ᱠᱚ ᱢᱤᱫ ᱨᱟᱹᱵᱟᱝ ᱟᱨ ᱟᱲᱟᱝ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱮᱫᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Manila ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱥᱯᱟ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Manila ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱥᱯᱟ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The Manila Spa of the Philippines is a leisure and entertainment space which integrates the complex functions of culture and recreation. Designers attempt to use the classic architecture of Manila and Chinese elements with the traditional and modern design techniques to brings a sense of relaxation needed for a spa area.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Total Area : 8000 square meters
- ᱴᱮᱜ ᱠᱚ
- SPA, Space, Interior, Manila, Wood
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Since the spa has high air humidity, the designers replace the solid wood with new composite wood plastics to create a comfortable experience space, save energy and protect the environment. The spa suites are designed to look private and elegant. The dark wood floor with sharp lined furniture creates a comfortable and warm living space.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Since, the first floor is 4.3 meters high after deducting the beam. The designers add the traditional ancient Chinese roof modeling element to the design of the ceiling, adding a sense of components and space to the area.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- To ensure that the design concept is viable, designers do a lot reseach of the local culture features, and the relationship between traditional and modern design methods to creat a special ambience in this spa. For example,various forms of space in the first floor are connected by a carefully designed walkway. The wooden ceiling, exquisite railings and plant landscape make visitors feel as if they are walking in a courtyard.
- ᱯᱨᱮᱨᱚᱱᱟ
- This project is inspired by Chinese style courtyards, the designers create an ideal place for relaxation with regional characteristics by making full use of the open space in the middle of the building, combining traditional Chinese style courtyard with the local features and culture of Manila, as well as other Chinese elements, while integrating traditional and modern design techniques.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project was located in Manila,Philippines.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- At the entrance of the spa, the designers create a trapezoidal space with laterally modern pillars under the extended wooden eaves to deliver a sense of ritual in greeting visitors. The reception center is designed in a plain way for a natural atmosphere by integrating marbles, dark wood, cotton and linen textiles.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Yong Jun Ma, Zhao Fang Chen
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Zhao Fang Chen
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
