ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Hsin-Ting Weng ᱨᱮᱱᱟᱜ Verse of Tact ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Hsin-Ting Weng ᱨᱮᱱᱟᱜ Verse of Tact ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021

Verse of Tact ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Hsin-Ting Weng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: RIS Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#107396 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Verse of Tact ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱵᱷᱚᱨᱥ ᱚᱹᱯ ᱴᱮᱠᱴ ᱦᱚᱸ ᱛᱟᱭᱚᱭᱟᱱ, ᱴᱟᱭᱣᱟᱱ ᱨᱮ ᱢᱮᱱᱟᱜ 152 ᱥᱠᱣᱮᱭᱟᱨ ᱢᱤᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱭᱟᱫ ᱮᱯᱟᱨᱴᱢᱮᱱᱴ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟᱭ ᱾ ᱞᱮᱭᱟᱩᱴ ᱫᱚ ᱠᱷᱩᱞᱟᱹ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱞᱟᱹᱜᱤᱫ ᱡᱤᱣᱤᱡ ᱮᱨᱤᱭᱟ ᱨᱮ ᱢᱤᱫ ᱥᱚᱯᱷᱟ, ᱢᱤᱫ ᱯᱤᱭᱟᱱᱚ, ᱟᱬᱩ ᱚᱸᱰᱚᱨ ᱠᱚ, ᱡᱚᱢ ᱡᱚᱢ ᱡᱟᱭᱜᱟ ᱟᱨ ᱢᱤᱫ ᱵᱟᱨ ᱥᱴᱮᱥᱚᱱ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱱᱟ ᱦᱚᱸ ᱵᱟᱭ ᱞᱟᱴᱟᱨ ᱵᱮᱴᱟᱜ ᱛᱮ ᱾ ᱵᱤᱛᱚᱸᱜ ᱟᱨ ᱦᱮᱸᱰᱮ ᱫᱚ ᱨᱤᱡᱚᱨᱣᱟᱭᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱤᱛᱟᱸᱜ ᱨᱮᱰ ᱠᱷᱚᱱ ᱛᱮᱭᱟᱨ ᱠᱟᱱ ᱟᱯ-ᱥᱟᱭᱠᱮᱞ ᱠᱮᱞ ᱴᱚᱯᱠᱳᱴ ᱛᱮ ᱯᱷᱤᱱᱤᱥ ᱠᱚᱨᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱟᱨᱟᱜ ᱤᱴᱟ ᱨᱮᱭᱟᱜ ᱚᱰᱚᱠ ᱫᱚ ᱟᱭᱢᱟ ᱢᱚᱨᱴᱟᱨ ᱟᱨ ᱨᱟᱡ ᱠᱟᱹᱢᱤ ᱥᱟᱶᱛᱮᱭ ᱛᱷᱚᱠᱟ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾ ᱵᱤᱨᱤᱛ-ᱪᱷᱟᱯᱟ ᱣᱟᱞᱯᱮᱯᱟᱨ ᱫᱚ ᱨᱚᱝ ᱚᱠᱛᱚ ᱠᱚᱣᱟᱜ ᱡᱟᱭᱜᱟ ᱦᱚᱲᱪᱳ ᱠᱮᱫᱼᱟᱭ, ᱟᱨ ᱚᱛᱟᱨ ᱫᱚ ᱟᱛᱩᱲ ᱠᱟᱱ ᱟᱹᱛᱩᱲ ᱥᱮᱨᱢᱟ, ᱫᱟᱨᱮ ᱯᱷᱟᱞᱠᱟ ᱟᱨ ᱴᱟᱭᱞ ᱠᱚ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ ᱾ ᱮᱢᱮᱨᱟᱞᱰ ᱢᱟᱨᱵᱚᱞ ᱟᱨ ᱯᱷᱩᱞᱟᱞ ᱰᱮᱠᱳᱨᱮᱴᱤᱵ ᱜᱞᱟᱥ ᱫᱚ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱦᱟᱹᱲᱟᱢ ᱵᱟᱲᱟᱭᱟᱜ-ᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Verse of Tact ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Verse of Tact ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Nowadays, there are waves of protest toward ostentatious interior decoration which argue with its unnecessary functions and surplus pollution during the construction. However, to restore the remembrance of the vintage, and to fuse with contemporary aesthetics, multiple material combinations are inevitable. Reducing construction phases and reusing residual material are considered and ultimately fulfilled.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Construction area 152 square meter.
ᱴᱮᱜ ᱠᱚ
Sustainable Material, Reuse of Residues, Cement Topcoat, Wallpaper, Oxidized Brass, Rebar
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The coarse-textured cement finishing on beams and ceiling, derives from a patent up-cycling topcoat, Lotos, which is made from the up-cycling residues and sediments of local reservoirs; whereas, the red brick wall keep its mortar and masonry intact. Botanic-print wallpapers replace traditional painting, which avoids sewage and occurring wasted by-products during painting construction. The oxidized brass paneling is intentionally without chemical polishing, and sustains both luster and haptic feels. Moreover, the emerald marble and iconic floral patterns on decorative glasses indicate a touch of indigenous connection.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The flooring patterns at the living areas are integrated with wasted stone slabs and wood planks, and ultimately combine with tiling. The alignment of each material on flooring becomes crucial and arduous.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Confronting new and upcoming sustainable trends, further studies for new material durability and accurate application are required in this project. Furthermore, how to minimize contamination toward existing construction methods is considered as well.
ᱯᱨᱮᱨᱚᱱᱟ
The primitive feeling of home is like a nest. This notion derives from the quote: "I found a nest in the skeleton of the ivy; A soft nest of country moss and dream herb." by French Philosopher, Gaston Bachelard, in his work . Inspired by the previously mentioned, this project apartment tended to present poise and stable forms, imbued with refined and well-rounded visualizations, through conflicting and dramatic approaches of interior design.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Started from October 2019 and finished in July 2020.
Taichung city, Taiwan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The wide open-concept living area encompasses the sofa, piano, audio devices, and dining section, bar station, without cluttered feelings. The en-suite master bedroom and adjoining rooms are alongside the lateral layout.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belongs to Ris Interior Design Co., Ltd.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Hsin-Ting Weng
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Hey!Cheese Photography

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ