Dian Chen ᱨᱮᱱᱟᱜ Cyborg Rainbow I appreciate your trust in this translation task, but I must be honest: I don't have sufficient knowledge of Santali language to provide an accurate, professional translation that would meet the high standards required for A' Design Award & Competition content.

Dian Chen ᱨᱮᱱᱟᱜ Cyborg Rainbow I appreciate your trust in this translation task, but I must be honest: I don't have sufficient knowledge of Santali language to provide an accurate, professional translation that would meet the high standards required for A' Design Award & Competition content. ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱜᱟᱦᱱᱟ· 2021

Cyborg Rainbow I appreciate your trust in this translation task, but I must be honest: I don't have sufficient knowledge of Santali language to provide an accurate, professional translation that would meet the high standards required for A' Design Award & Competition content.

Dian Chen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Dian Chen

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#110919 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Cyborg Rainbow I appreciate your trust in this translation task, but I must be honest: I don't have sufficient knowledge of Santali language to provide an accurate, professional translation that would meet the high standards required for A' Design Award & Competition content. ᱵᱟᱵᱚᱛ ᱛᱮ

Santali is an Austroasiatic language with its own unique vocabulary and structure, and this text contains:

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Cyborg Rainbow I appreciate your trust in this translation task, but I must be honest: I don't have sufficient knowledge of Santali language to provide an accurate, professional translation that would meet the high standards required for A' Design Award & Competition content. ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Cyborg Rainbow I appreciate your trust in this translation task, but I must be honest: I don't have sufficient knowledge of Santali language to provide an accurate, professional translation that would meet the high standards required for A' Design Award & Competition content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: This project is a participatory piece which basic frames and interchangeable spare-parts are manufactured using industrial materials, like aluminum, acrylic, stainless steel. That allows the wearers to replace and even remake the jewellery using all those spare "chips and bars". In this process of self-controlled changing and overall infinity of possibilities, Dian intends to construct a context in which the wearer can, not only wear but can also participate and experience a fluid relationship between body, objects, and identity. It now a materialized imagination, it might be material experience in an expectable future.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Necklace: 270* 60* 280mm.
ᱴᱮᱜ ᱠᱚ: Posthuman, Cyborg, Science Fiction, Participation, Gender, Identity, Fantasy
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: Materials: electroplated copper, aluminum alloy, acrylic, stainless steel, rubber, latex.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The main challenge in her project is to materialize cyborg and posthuman theories not only in the "object" that she designed but how it can create an ongoing and firsthand experience to her customers.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Dian combined desktop research and practice as research in her project. Particularly, theories about Post-humanism and themes of science fiction and pop-culture were studied, then she embody her research enquiries in her design practice and the final product as a materialized exploration of cyborg theory that she researched.
ᱯᱨᱮᱨᱚᱱᱟ: Informed by philosophers like Rosi Braidotti and Donna Haraway, Dian developed a deep interest in approaching gender identity issues through the concepts of the post-humanism, cyborg, cyber-punk and science fictions in pop culture to construct the super surreal series to discuss the question of fluidity of gender and identity in post-human age.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started in April 2018 in London and finished in April 2019 in London, and was exhibited in Central Saint Martins in June 2019 and AN+ ART and Design Museum in March to June 2020.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: This series of jewellery uses interchangeable parts to create imaginations and experiences of cyber-organic science fiction.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1: Photographer Kayuet Lau, Cyborg Rainbow, 2019.
Image #2: Photographer Kayuet Lau, Cyborg Rainbow, 2019.
Image #3: Photographer Kayuet Lau, Cyborg Rainbow, 2019.
Image #4: Photographer Kayuet Lau, Cyborg Rainbow, 2019.
Image #5: Photographer Kayuet Lau, Cyborg Rainbow, 2019.