Kozo Asada ᱨᱮᱱᱟᱜ Cats In The Bag ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ: ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱜᱨᱟᱯᱷᱤᱠ· 2021
Cats In The Bag ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ: ᱪᱤᱛᱟᱹᱨ
Kozo Asada ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Kozo Asada
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#112319 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Cats In The Bag ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ: ᱪᱤᱛᱟᱹᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱦᱨᱤ: Cats In The Bag ᱢᱮᱱᱛᱮ ᱢᱤᱫ ᱯᱷᱨᱮᱢ ᱠᱟᱱ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱠᱟᱛᱷᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱯᱤᱲᱤ ᱠᱚ ᱡᱚᱢᱟᱠ ᱛᱮ ᱵᱮᱜ ᱛᱟᱞᱟ ᱨᱮ ᱰᱟᱸᱰᱮ ᱟᱠᱟᱱ ᱠᱚ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ ᱾ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱠᱟᱹᱢᱤ ᱨᱮ ᱢᱤᱫ ᱫᱚ ᱯᱤᱲᱤ ᱡᱤᱵᱚᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱞᱚᱜᱚᱱ ᱫᱚᱦᱲᱟ ᱫᱮᱠᱷᱟᱣ ᱠᱟᱛᱮ ᱛᱟᱹᱦᱮᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱨᱮ ᱫᱤᱨᱭᱟᱹ ᱩᱯ, ᱦᱟᱹᱴᱤᱡ ᱩᱯ ᱟᱨ ᱩᱯ ᱵᱟᱝ ᱠᱟᱱ ᱯᱤᱲᱤ ᱠᱚ ᱩᱫᱩᱜ ᱮᱱᱟ, ᱟᱨ ᱴᱷᱮᱱ ᱴᱷᱮᱱ ᱨᱮᱭᱟᱜ ᱵᱮᱜ ᱠᱚ ᱛᱮᱭᱟᱜ ᱡᱚᱲᱟᱣ ᱦᱚᱸ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱰᱤᱡᱤᱴᱟᱞ ᱴᱷᱮᱱ ᱨᱮ ᱨᱮᱭᱟᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱥᱤᱞᱠ ᱥᱠᱨᱤᱱ ᱫᱟᱜ ᱮᱠᱨᱤᱞᱤᱠ ᱯᱮᱴ ᱨᱮ ᱪᱷᱟᱯᱟᱭ ᱮᱱᱟ ᱾ ᱟᱡᱟᱜ ᱟᱡᱟᱜ ᱪᱷᱟᱯᱟᱭ ᱠᱟᱱ ᱯᱮᱴ ᱠᱚ ᱢᱤᱫ ᱠᱚᱥᱴᱚᱢ ᱯᱷᱨᱮᱢ ᱨᱮ ᱚᱲᱟᱜ ᱚᱲᱟᱜ ᱡᱟᱹᱦᱟᱨ ᱪᱷᱚᱭ ᱠᱟᱱᱟ, ᱟᱨ ᱢᱮᱰ ᱨᱮ ᱠᱟᱜᱚᱡᱽ ᱟᱨ ᱨᱮᱸᱫ ᱠᱟᱱ ᱥᱤᱴ ᱫᱚᱦᱲᱟᱣ ᱟᱠᱟᱱᱟ, ᱚᱱᱟ ᱫᱮᱠᱟ ᱠᱟᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱡᱟᱦᱟᱸ ᱠᱷᱚᱱ ᱧᱮᱞ ᱮ ᱟᱡ ᱠᱷᱟᱛᱟᱜ ᱩᱱᱟᱜ ᱨᱟᱜ ᱨᱮᱛᱮ ᱛᱤᱱ-ᱰᱟᱭᱢᱮᱱᱥᱚᱱᱟᱞ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱠᱟᱱᱟ ᱾ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱪᱚᱠᱚᱨ ᱴᱩᱠᱨᱮ ᱫᱚ ୪୨୨ ᱟᱨ ୪୨୨ ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Cats In The Bag ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ: ᱪᱤᱛᱟᱹᱨ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Cats In The Bag ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ: ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This is a project to bring the presence of cats into everyday life.
He drew a simple graphical representation of a cat and a bag, a scene that could exist in everyday life.
When you actually look at the work, it looks three-dimensional and therefore attracts your attention in your daily life.
The theme of the work is cats with a wide variety of hair, including long-haired, short-haired, and hairless cats.
She has also chosen to use bags with different appearances. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Height:422mm x Width:422mm x Depth:50mm (including the frame)
- ᱴᱮᱜ ᱠᱚ
- cat, bag, illustration, art, silkscreen
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- He examined what methods are appropriate for fixing digitally painted illustrations to the acrylic plates.
A silk-screening technique was employed. We also experimented with a method of creating a three-dimensional effect by layering the acrylic plates.
An original picture frame is made to fit two acrylic plates.
Materials used: acrylic plate, silk screen, acryl gouache. paper, cutting seat. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- When you see a painting in an actual gallery.
Which size of exhibit looks the most beautiful?
Because of the distance between you and the person viewing your work and the influence of the lighting.
Which size of picture is best suited to create
He created and considered a variety of sizes.
For the display of this piece, there was a need to create the minimalist and simple presence of the illustration, so I
He made it a primitive square. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- The first thing we did was to investigate what types of cats there are.
They have different lengths and patterns of hair depending on the type.
It also has its own unique pose and big changes in appearance.
He have examined those differences in combination with the bag and the way it looks attractive. - ᱯᱨᱮᱨᱚᱱᱟ
- This project was born from the essential relationship between cats and bags in daily life. It is common to see a cat sleeping in a bag or a plastic bag in daily life with a cat, which is a posterior neck.Cats are said to have always liked small spaces, and it is said that they used to protect themselves from enemies and to rest in small spaces. For cats kept in modern houses, the bag seemed to be used as a single nest for them.Watching them resting in their bags, as if the two had been that way from the beginning. I felt that the relationship was complementary to each other.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project began in Tokyo in April 2016.
Solo exhibitions have been held in Tokyo and Hiroshima. - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Multiple silkscreened acrylic boards are stacked on top of each other, and paper and cutting sheets are placed at the bottom to create a single painting.
Between the acrylic boards, He put them in a special frame.
It is made to produce a three-dimensional effect by shifting the viewfinder's perspective from a few millimeters away. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Kozo, 2016
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Art Director: Kozo Asada, Illustrator: Kozo, Photographer: Arisa Kasai
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image 1: Illustration Kozo, Photographer Arisa Kasai, 2016 .
Optional Image 1: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 2: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 3: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 4: Illustration Kozo, Photographer Arisa Kasai, 2016.
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