ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Wj Studio ᱨᱮᱱᱟᱜ The Osmanthus Grace ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ

Wj Studio ᱨᱮᱱᱟᱜ The Osmanthus Grace ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2021

The Osmanthus Grace ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ

Wj Studio ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Wj Studio

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#116217 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Osmanthus Grace ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱳᱥᱢᱟᱱᱛᱷᱟᱥ ᱜᱽᱨᱮᱥ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱣᱮᱱᱡᱷᱚᱣ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱔᱕᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱥᱚᱡᱷᱮ ᱚᱲᱟᱜ ᱫᱚ ᱪᱩᱭ ᱣᱮᱭ ᱵᱩᱨᱩ ᱟᱨ ᱳᱣ ᱜᱟᱰᱟ ᱛᱟᱞᱟ ᱨᱮ ᱛᱤᱸᱜᱩ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱟ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱦᱟᱹᱴᱤᱧ ᱫᱚ ᱫᱟᱜ ᱦᱟᱹᱵᱤᱡ ᱥᱮᱴᱮᱨ ᱟᱠᱟᱱᱟ ᱾ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱢᱟᱯ ᱨᱮᱭᱟᱜ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱ ᱦᱩᱰᱤᱧ ᱦᱩᱰᱤᱧ ᱡᱟᱭᱜᱟ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱧᱮᱞᱧᱚᱢᱤᱭᱟᱹ ᱠᱚ ᱫᱚ ᱧᱩᱛ ᱡᱟᱭᱜᱟ ᱠᱷᱚᱱ ᱢᱟᱨᱥᱟᱞ ᱡᱟᱭᱜᱟ ᱥᱮᱫ ᱠᱚ ᱟᱹᱛᱩᱨ ᱤᱫᱤᱭᱟ ᱾ ᱜᱮᱰᱮ ᱟᱠᱟᱱ ᱪᱮᱛᱟᱱ ᱪᱷᱟᱫ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱧᱮᱞ ᱫᱟᱲᱮ ᱫᱚ ᱫᱤᱥᱚᱢ ᱪᱷᱚᱵᱤ ᱥᱮᱫ ᱟᱹᱰᱤ ᱞᱟᱛᱟᱨᱚᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱢᱤᱫ ᱞᱟᱛᱟᱨ ᱡᱟᱭᱜᱟ ᱫᱚ ᱫᱩᱲᱩᱵ ᱡᱟᱭᱜᱟ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜᱚᱜ ᱠᱟᱱᱟ ᱾ ᱡᱤᱞᱤᱧ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱠᱟᱱ ᱚᱥᱟᱨ ᱚᱲᱟᱜ ᱢᱚᱪᱟ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱟᱨ ᱵᱟᱦᱨᱮ ᱛᱟᱞᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱮᱜᱟᱨ ᱫᱚ ᱠᱚᱢᱚᱜ ᱠᱟᱱᱟ ᱾ ᱠᱟᱴ, ᱫᱷᱤᱨᱤ ᱟᱨ ᱫᱟᱨᱮ ᱱᱟᱲᱦᱟᱹ ᱫᱚ ᱢᱩᱬᱩᱛ ᱡᱤᱱᱤᱥ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱱᱚᱠᱥᱟ ᱫᱚ ᱟᱜᱟᱢ ᱫᱤᱱ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱵᱚᱫᱚᱞ ᱦᱚᱸ ᱮᱢ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Osmanthus Grace ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Osmanthus Grace ᱟᱹᱠᱷᱨᱤᱧ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
By defining a series of sub-spaces which have various scales but interact with each other well, the architect establishes the episode of introduction, development, and bridge, passing out the atmosphere of simpleness Time and space are evolved throughout the project, blurring the boundary of architecture, and combining humanity and nature. Therefore, the project is a perfect response to traditional Chinese gardens.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Site Area: 450 sqm.
ᱴᱮᱜ ᱠᱚ
interior design, nature, Sustainable, crystal clean
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The building is in linear shape, with a part sightly reaching the water. The inclined ceiling designed with directions lower the sights from visitors and guide them to nature. The sunken part in the building adds the independence and boundaries of meeting zone. The process of lowering sights draws visitors closer to the landscape, creating the dialogue between human and water, and setting resonance of reality and imagination. Façades with the shape of long paintings are crystal clean, eliminating the boundaries of indoor and outdoor. Time reveals its trace of flowing when four seasons are changing, and when days and nights are altering. Nature, becomes the main theme everywhere in the project.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Mixing into the scenery is the special attribute of traditional Jiang Nan gardens. The space is built according to water scenery, guiding visitors to interact with the nature and taking them to join the landscape. The entrance of the project is designed relatively narrow after the adjustment of the architect to create a calm atmosphere and to show the nature most.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The project is designed with great flexibility for renovation in the future. It also reserves space for kindergarten. In the future, this building can still fit into different scenarios even if its users and functions are not the same.
ᱯᱨᱮᱨᱚᱱᱟ
This project locates at the back of Cui Wei Mountain, facing Ou River. The owner would like to see an ideal residence being built here with the help of a quality urban lifestyle and great scenery with local culture.
'We wish every visitor can feel the calmness of time and interact with nature.' Walking circulation transforms from dark to bright, enriching light levels in the space, establishing atmosphere of great mountains in limited space.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in April 2020 and finished in September 2020 in Wenzhou, China
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Main materials are selected as wood, stone, and plant, for they are the elements of nature, to decorate the space. Simpleness are emphasized through various levels.

With unique characteristics, art pieces that reflect regions and history both represent different humanity themes and label themselves as signs of the space at the same time. The flexibility eliminates boundaries.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
WJ STUDIO
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
IMAGE by Zhuhai

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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