Simone Hutsch ᱨᱮᱱᱟᱜ Fog ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ

Simone Hutsch ᱨᱮᱱᱟᱜ Fog ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱨᱩᱯᱟᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ· 2025

Fog ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ

Simone Hutsch ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Heysupersimi

ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#117093 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Fog ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱚᱶᱟ ᱥᱤᱨᱤᱡᱽ ᱫᱚ ᱟᱹᱰᱤ ᱜᱟᱺᱦᱤᱨ ᱫᱷᱩᱸᱫᱟᱹ ᱛᱟᱞᱟ ᱨᱮ ᱢᱟᱨᱟᱝ ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱠᱚ ᱪᱤᱛᱟᱹᱨ ᱮᱫᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱟᱹᱨᱤ ᱟᱨ ᱥᱩᱯᱱᱟᱹ ᱛᱟᱞᱟᱨᱮ ᱪᱮᱛᱟᱱ ᱮ ᱦᱟᱹᱥᱩᱨ ᱮᱫᱼᱟ᱾ ᱡᱟᱜᱟ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱫᱚ ᱠᱮᱞᱤᱯᱷᱚᱨᱱᱤᱭᱟ, ᱭᱩᱮᱥᱮ ᱨᱮ ᱟᱭᱯᱷᱚᱱ ᱑᱔ ᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱠᱚ ᱫᱚ ᱭᱩᱨᱚᱯ ᱨᱮᱭᱟᱜ ᱟᱭᱢᱟ ᱡᱟᱜᱟ ᱠᱚᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱟᱠᱟᱱᱟ᱾ ᱡᱚᱛᱚ ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱡᱟᱜᱟ ᱠᱷᱚᱱ ᱵᱷᱮᱜᱟᱨ ᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱟᱠᱟᱱᱟ᱾ ᱵᱟᱱᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱠᱚᱨᱮ ᱴᱷᱤᱠ ᱧᱮᱞ ᱫᱟᱲᱮ ᱫᱚᱦᱚ ᱞᱟᱹᱠᱛᱤ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱟᱨ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱪᱮᱞᱮᱧᱡᱽ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱵᱷᱟᱹᱜᱤ ᱡᱚᱲᱟᱣ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱵᱮᱱᱟᱣ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Fog ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fog ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: This series captures vast architectural pieces in surreal, foggy landscapes, blurring the line between reality and dreams.
All landscape images were taken in California, US, and shot on iPhone 14. The architectural pieces are taken in various places across Europe.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: The entire series contains 25 images. Each image is shot in portrait format with the following dimensions: 4961px × 7016px, 300dpi so that they can be printed as A2 posters.
ᱴᱮᱜ ᱠᱚ: Architecture photography, minimal, building, pastel colours, landscape, California, surreal world
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: iPhone 14 for landscape photography, Sony Alpah 7rll for architecture shots, Adobe Photoshop for compsoing
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The most challenging part of my work is always the perspective. Angles, pattern, and lines change when one changes the point of view, a good and interesting angle let every building look striking. Finding the right perspective in my existing architecture shot for my new landscape shot was quite challenging, as well as combining them seamlessly.
ᱜᱚᱵᱮᱥᱚᱱᱟ: I'm always looking for ways to improve my work/skills. I have a passion for surreal landscapes in a pastel colour scheme. With this series I finally combined my passion for architecture photography with some outstanding Californian landscape shots. I've used the photo editing program Photoshop.
ᱯᱨᱮᱨᱚᱱᱟ: I’m a passionate graphic designer and self-taught architecture photographer. Exploring geometry in architecture is really exciting to me. My work combines art and photography and lets people dive into a different world. I give the buildings a surreal touch in my retouching process.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: I've shot the architecture objects bewteen 2018 and 2024, the landscape shots are all taken in April 2024 and I composed them in August 2024.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The images can be used for a physical exhibition or in any digital format.