Te-Chih Lo ᱨᱮᱱᱟᱜ Modern Kingdom Residential Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021
Modern Kingdom Residential Interior Design
Te-Chih Lo ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Ideas Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#119746 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Modern Kingdom Residential Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ
Modern Kingdom kana Taiwan reyaʼ New Taipei City reʼ mena 66.1 square meter oṛakko lagitʼ residential interior design. Black, white ar grey rang-koleʼ jayga ko čhande do rasika ar modern rūp emaʼ akadea. Powder coating leketeʼ tayar akaʼ import tiles-ko natural marble bodoleteʼ pʼonoʼ ejadaʼwa, čhikaʼteʼ marble do bar-bar bebharaʼ badge iyanaʼ tetaʼ materials nuiʼ. Wooden geometric forms-ko plaster ar metallic molding reʼ mesaoʼ akana, ar do iron ar stone-ge contrast ar visual layer-ko sedaʼ ejadaʼwa. Bačhaoʼ akaʼ cabinets-ko renewable materials bebharaʼ akadea ar woodwork do low formaldehyde paint teʼ finish akana. Neaʼ project do May 2020 reʼ pura akana.
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Modern Kingdom Residential Interior Design ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Modern Kingdom Residential Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The designer values the taste of life, the peaceful sense of mind and the rhythm of lines; the cleanliness and succinctness of the overall space demonstrate modern simplicity, yet the designers ingenious thoughts can be seen in very fine detail, just like the accessories to artworks.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project is 66.1 square meter.
- ᱴᱮᱜ ᱠᱚ
- Residential, House, Interior Design, Space, Home
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Blended amongst the rich modern contours are the imported tiles with powder coating, the wooden geometric forms with Lotos plaster and metallic molding, as well as contrasting black and white lines, demonstrating several cold and hard elements with distinctive layers.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Dignified iron pieces, elegant stone materials, and wooden forms interact to create abundant visual layers, while the accurate professional segmentation techniques allow for distinctive spatial functions without being monotonous, thereby creating a vivid and well-executed depth-of-field effect. Moreover, the implementation of sustainable eco-friendly principle is accomplished, as marble is non-renewable, therefore natural marble is replaced with imported tiles and parts of the space selected systematic cabinet with renewable green materials, while the woodwork selected eco-friendly paint which is hazardous-free and has low formaldehyde to persist in the core values of patience and devotion to paint such gorgeous paintings right here.
- ᱯᱨᱮᱨᱚᱱᱟ
- The elegant spatial tone is accentuated by the modern luxury of black, white and grey colors, deconstructing the beauty of luxury via ultimately modern craftsmanship and skills and applying dark colors to create spatial tranquility, providing different views with each step such that different observations can be experienced between the dynamic and the static.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in May 2020 in New Taipei City, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- To create a comfortable space conforming to living habits, the designer carefully observed the house owners life experience and living details, listened attentively to the inner needs, as even though the contemporary space of life is limited, the existing space can be expanded due to the extension of the spirit, thereby allowing ones spirit to find a place to rest and the life to be settled.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Te-Chih Lo
Designer: Jia-Ru Chen
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
