Chia-I Tsai ᱨᱮᱱᱟᱜ Profound ᱵᱟᱹᱠᱤ ᱴᱷᱤᱠᱬᱟᱹ ᱡᱟᱭᱜᱟ ᱡᱚᱠᱷᱚᱬ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2021
Profound ᱵᱟᱹᱠᱤ ᱴᱷᱤᱠᱬᱟᱹ ᱡᱟᱭᱜᱟ ᱡᱚᱠᱷᱚᱬ ᱰᱤᱡᱟᱭᱤᱱ
Chia-I Tsai ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Uzdesign
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#124143 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Profound ᱵᱟᱹᱠᱤ ᱴᱷᱤᱠᱬᱟᱹ ᱡᱟᱭᱜᱟ ᱡᱚᱠᱷᱚᱬ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
Profound ᱠᱚ ᱢᱤᱫ ᱯᱚᱸᱚᱱ ᱡᱚᱠᱷᱚᱬ ᱡᱟᱭᱜᱟ ᱨᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ, ᱟᱲ ᱤᱫᱤ ᱛᱟᱣᱭᱩᱭᱟᱱ, ᱮᱢ ᱡᱟᱦᱟᱸ 92.5 ᱨᱟᱠᱟᱵ ᱢᱤᱴᱚᱨ ᱠᱷᱚᱸᱰ ᱠᱟᱱᱟ, ᱟᱨ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ 2020 ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱦᱩᱭ ᱮᱱᱟ। ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱟᱠᱟᱴ ᱛᱮᱭᱟᱨ ᱠᱚ ᱱᱟᱶᱟ ᱛᱮ ᱵᱟᱝᱤ ᱦᱩᱭᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱟᱛᱮ Five Points of Architecture ᱟᱨᱠᱷᱤ ᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱯᱟᱰᱦᱟᱣᱚᱴ ᱚᱠᱛᱚ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱚ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱢᱩᱠᱛᱟᱹᱫ ᱨᱩᱯ, ᱢᱩᱠᱛᱟᱹᱫ ᱦᱚᱲᱚᱸ ᱯᱮᱴᱟ, ᱠᱳᱛᱟ ᱠᱟᱨᱟᱜ ᱡᱷᱤᱡᱷᱨᱤ ᱟᱨ ᱪᱚᱴ ᱨᱮᱭᱟᱜ ᱵᱟᱜᱟᱱ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱮᱱᱟ। ᱥᱴᱟᱰᱤ ᱨᱩᱢ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱥᱮᱸᱰᱨᱟᱹ ᱨᱮ ᱮᱢ ᱮᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱟᱨ ᱟᱲ ᱨᱮ ᱫᱤᱱ ᱨᱮᱭᱟᱜ ᱪᱟᱸᱫᱚ ᱟᱹᱢᱩ ᱛᱟᱦᱮᱸᱱᱟ। ᱦᱩᱰᱤᱧ ᱪᱟᱸᱫᱳ ᱟᱨ ᱦᱟᱹᱞᱠᱟ ᱟᱹᱲᱟᱹᱜ ᱨᱚᱝ ᱛᱮ ᱡᱟᱭᱜᱟ ᱮᱢ ᱠᱟᱛᱮ ᱥᱮᱨᱢᱟᱦᱟᱛ ᱟᱨ ᱞᱟᱛᱟᱨ ᱟᱠᱟᱛ ᱨᱮ ᱵᱟᱸᱴᱟ ᱟᱠᱟᱱᱟ। ᱫᱟᱨᱩ ᱟᱨ ᱵᱮᱛ ᱮᱢ ᱠᱟᱛᱮ ᱥᱟᱱᱛᱤ ᱨᱮᱭᱟᱜ ᱵᱚᱫ ᱚᱲᱚᱠ ᱦᱩᱭ ᱮᱱᱟ, ᱟᱨ ᱥᱚᱨᱛᱤᱯᱷᱟᱭᱮᱰ ᱟᱹᱰᱤ ᱵᱮᱥ ᱯᱚᱨᱤᱵᱮᱥ ᱵᱟᱸᱰᱷᱩ ᱦᱟᱹᱛᱤᱭᱟᱨ ᱠᱚ ᱛᱮ ᱠᱩᱲᱤ ᱨᱮᱭᱟᱜ ᱦᱟᱣᱟ ᱪᱟᱞᱟᱣ ᱟᱨ ᱥᱤᱛᱚᱞ ᱟᱠᱟᱱᱟ ᱨᱮᱭᱟᱜ ᱜᱚᱲᱚ ᱮᱢ ᱟᱠᱟᱱᱟ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Profound ᱵᱟᱹᱠᱤ ᱴᱷᱤᱠᱬᱟᱹ ᱡᱟᱭᱜᱟ ᱡᱚᱠᱷᱚᱬ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Profound ᱵᱟᱹᱠᱤ ᱴᱷᱤᱠᱬᱟᱹ ᱡᱟᱭᱜᱟ ᱡᱚᱠᱷᱚᱬ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Through the understanding of the past to imagine the future, one can create the future only after he understands the past. With the new understandings of Le Corbusier's Five Points of Architecture, extend it to interior space planning, then connect the times through the understanding of material.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project is 92.5 square meter.
- ᱴᱮᱜ ᱠᱚ
- Residential, House, Interior Design, Space, Home
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The designer’s primary goal is to solve daylighting problem based on her keen sensation of light and the understanding of material and color. The designer sets the study room in the middle of the space to introduce light and makes the interior sufficiently bright. Dark gray color and light natural paint are used to divide the space into upper and lower layer.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Use contrast to guide residents to develop their thinking. The main color tone of the outdoor is brought to the study room, extending to the living room. Wood and rattan are used to create the sense of calmness for the low ceiling. Privacy and ventilation are taken into consideration as well, separating the study room and living room.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Materials used in the house including wood and paints are all eco-friendly materials with EEWH certification. Natural paints are used to reveal the real texture. The space is well ventilated and can be cooled naturally.
- ᱯᱨᱮᱨᱚᱱᱟ
- Reorganizing the layout, redefining the space and integrating the needs of the owner and imagination of the space, the designer takes Le Corbusiers Five Points of Architecture as the starting point and apply them in interior design to create Free Design of the Facade, Free Design of the Ground Plan, Horizontal Windows and Roof Garden; As for the Pilotis, the designer transforms it to the extension of the ceiling height, setting the general direction of the design concept.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in September 2020 in Taoyuan, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- What design changes is not reality but thoughts, and only thoughts can change reality. Therefore, understanding the past, feeling the present and change the reality are what we can do for future generations.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Chia-I Tsai
Designer: Bo-Zhang Zhu - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1-5: Photographer Andy Chang, Profound, 2020.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
