ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Desmood ᱨᱮᱱᱟᱜ Jinjiang Sky Villa ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ

Desmood ᱨᱮᱱᱟᱜ Jinjiang Sky Villa ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022

Jinjiang Sky Villa ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ

Desmood ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Desmood

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

9,523

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#126290 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Jinjiang Sky Villa ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱡᱤᱱᱡᱭᱟᱝ ᱥᱠᱟᱭ ᱣᱤᱞᱟ ᱢᱮᱱᱟᱜ-ᱟ ᱢᱤᱴ ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ ᱡᱟᱦᱟᱸ ᱪᱮᱸᱜᱰᱩ, ᱪᱭᱱᱟ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱟᱨ ᱏᱏᱧ ᱥᱮᱨᱢᱟ ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ ᱵᱟᱨᱤᱭᱟᱹ ᱣᱤᱞᱟ ᱠᱚ ᱠᱷᱚᱸ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱟᱛᱮ ᱵᱟᱱᱟᱣᱟᱠᱟᱱᱟ ᱟᱨ ᱟᱰᱤ ᱱᱚᱶᱟ ᱨᱮ ᱱᱤᱛᱚᱜ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱨᱤᱭᱟᱹ ᱠᱚ ᱟᱨ ᱯᱮᱸᱨᱮᱡᱽ ᱡᱟᱹᱛᱤ ᱨᱮᱭᱟᱜ ᱵᱮᱱᱟᱣ ᱠᱚ ᱢᱤᱥᱟ ᱠᱟᱛᱮ ᱚᱛᱟᱭ ᱟᱠᱟᱱᱟ, ᱥᱩᱡᱚᱣ ᱨᱮᱭᱟᱜ ᱵᱟᱹᱜᱟᱱ ᱯᱟᱨᱚᱢᱯᱚᱨᱤᱠ ᱴᱟᱲᱟᱝ ᱟᱨ ᱪᱮᱸᱜᱰᱩ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱥᱚᱬᱚᱨ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱨᱮ ᱨᱚᱡᱟᱣᱟᱜ ᱠᱟᱛᱮ ᱾ ᱥᱮᱱᱚᱛ ᱟᱨ ᱵᱟᱞᱩ ᱴᱮᱵᱚᱞ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮ ᱡᱟᱭᱜᱟ ᱠᱚ ᱟᱰᱤ ᱛᱮᱨᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱠᱟᱛᱮ ᱡᱟᱭᱜᱟ ᱟᱨᱚ ᱢᱟᱲᱟᱝ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱾ ᱡᱟᱛᱚ ᱚᱨᱟᱜ ᱨᱮᱭᱟᱜ ᱡᱟᱦᱟᱱ ᱡᱟᱭᱜᱟ ᱨᱮ, ᱡᱚᱛᱚ ᱛᱮᱴᱟᱝ ᱟᱠᱩᱞ ᱡᱟᱦᱟᱸ ᱵᱚᱦᱚᱜ ᱠᱟᱛᱮ ᱟᱡ ᱟᱠᱟᱱᱟ ᱟᱠᱟᱱ ᱯᱷᱩᱞ ᱞᱮᱠᱟ, ᱚᱱᱟ ᱠᱚ ᱠᱩᱸᱰᱤ ᱚᱴᱚᱠ ᱚᱛᱟᱭ ᱟᱠᱟᱱᱟ ᱾ ᱴᱟᱢᱟ ᱴᱟᱸᱠᱟ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱟᱨᱩ ᱠᱚ ᱵᱟᱲᱛᱤ ᱛᱟᱦᱮᱸ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱪᱮᱛᱟᱱ ᱨᱮ ᱥᱟᱡᱟᱣᱟᱜ ᱠᱟᱱᱟ ᱾ ᱟᱠᱩᱞ ᱨᱮᱭᱟᱜ ᱵᱟᱨᱤᱭᱟᱹ ᱥᱟᱦᱟᱸ ᱥᱟᱢᱟᱱ ᱠᱟᱱᱟ, ᱟᱠᱟᱨ, ᱚᱴᱚᱠ ᱟᱨ ᱨᱚᱝ ᱨᱮ ᱴᱷᱟᱹᱣᱠᱟ ᱮᱢ ᱟᱠᱟᱛᱮ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Jinjiang Sky Villa ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Jinjiang Sky Villa ᱵᱤᱠᱤᱨᱤ ᱠᱮᱱᱰᱨᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Featured modern technique and oriental spirit, the overall design highlights the esthetic of Suzhou garden, the respect for nature, and the love for the courtyard, creating a quiet, leisurely, and pure emotional experience. The entire sales center is made up of two villas, where the entrance and the sand table area are partially raised to enlarge the space and enhance the solemnity.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Above the sand table, the Chinese-style copper coin decorations are the main design elements, symbolizing the place as a treasured land and deriving a sense of finely crafted details. The art gallery on the second floor has three door openings to fill the space with a sense of order and rhythm.
ᱴᱮᱜ ᱠᱚ
Sale Center, Interior Design, Art Installation, Traditional, Oriental
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The entrance hall is located on the central axis, where a set of large-scale art lamps in the shape of falling flowers are set up to form a visual impact. They are arranged in the form of petals, representing the dew-dropped hibiscus petals gently swaying in the breeze, welcoming guests to come and go.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The design starts from the design philosophy of "the harmony between man and nature" in traditional Chinese architecture. It combines local context with modern design techniques, recreating the natural mountains and forests, and showing the Southwestern culture in detail, emphasizing nature and humanity.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Inspired by the traditional garden of Suzhou, the project showcases a courtyard villa property that integrates residence and hospitality, showcasing the local nature, art, culture, craftsmanship, and profound history.
ᱯᱨᱮᱨᱚᱱᱟ
Inspired by the local cultural characteristics of Chengdu, the project reorganized the design elements and reinterpreted them in an architectural language.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in 2019, Chengdu, Sicuan, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The two sides of the facade use symmetrical techniques to present a sense of harmony in shape, volume, and color. The VIP negotiation areas of different sizes are furnished with various types of leisure furniture from the "Shang Xia", a brand of Hermes Group, creating a fresh and refined space with the elegant charm.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Bing Li,
Xiaodou Ruan,
Kun Yang

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ