ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Clement Tung Jeun Cheng ᱨᱮᱱᱟᱜ Aesthetics of Calibration Retail Interior Design (ᱨᱤᱴᱮᱞ ᱥᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ)

Clement Tung Jeun Cheng ᱨᱮᱱᱟᱜ Aesthetics of Calibration Retail Interior Design (ᱨᱤᱴᱮᱞ ᱥᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Aesthetics of Calibration Retail Interior Design (ᱨᱤᱴᱮᱞ ᱥᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ)

Clement Tung Jeun Cheng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: CINCHstudio Spacial Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱰᱤᱡᱟᱭᱤᱱ

Aesthetics of Calibration Retail Interior Design (ᱨᱤᱴᱮᱞ ᱥᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱵᱟᱵᱚᱛ ᱛᱮ

Aesthetics of Calibration ᱚᱠᱟ ᱠᱟᱧᱟ Macau ᱨᱮᱭᱟᱜ ᱪᱚᱠᱥᱤ ᱮᱥᱮᱞ ᱚᱛᱭ ᱥᱤᱛᱟᱹᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸᱨᱮ ᱨᱮᱭᱟᱜ ᱮᱨᱤᱭᱟ ᱪᱮᱫ ᱠᱚ 30.3 ᱥᱠᱣᱮᱨ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ ᱾ ᱡᱟᱦᱟᱸ ᱠᱷᱚᱞᱟᱠ ᱯᱞᱮᱱ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱛᱮ ᱟᱭᱢᱟ ᱪᱚᱠᱥᱤ ᱮᱥᱮᱞ ᱚᱛᱭ ᱨᱮᱭᱟᱜ ᱵᱚᱸᱫᱚ ᱞᱮᱭᱟᱩᱴ ᱠᱚ ᱵᱚᱫᱚᱞ ᱮᱱᱟ ᱾ ᱢᱤᱫ ᱛᱮ ᱢᱟᱬᱟᱝ ᱨᱮ ᱴᱷᱮᱱ ᱟᱨ ᱵᱟᱨ ᱪᱮᱭᱟᱨ ᱠᱚ ᱛᱮ ᱠᱩᱴᱚᱢ, ᱠᱟᱹᱢᱤᱭᱟᱹ ᱟᱨ ᱡᱤᱱᱤᱥ ᱠᱚ ᱟᱨᱦᱚᱸ ᱱᱚᱲᱟᱹ ᱦᱟᱹᱛᱮ ᱦᱮᱡ ᱦᱩᱭ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱜᱮᱞᱟ ᱟᱨ ᱰᱷᱤᱞᱟ ᱥᱟᱶᱛᱮ ᱠᱟᱛᱷᱟ ᱠᱟᱛᱷᱤ ᱠᱟᱛᱮ ᱢᱮᱱᱠᱷᱟᱱ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱫᱟᱨᱩ ᱨᱮᱭᱟᱜ ᱯᱮᱴᱟᱨᱱ ᱟᱨ ᱫᱟᱜ ᱫᱤᱨᱤ ᱮᱴᱟᱜ ᱢᱮᱥᱟᱣ ᱠᱟᱱᱟ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ ᱰᱤᱴᱮᱞ ᱠᱚ ᱥᱟᱶᱛᱮ, ᱡᱟᱦᱟᱸ ᱪᱚᱠᱥᱤ ᱨᱮᱭᱟᱜ ᱢᱮᱴᱟᱞ ᱨᱮ ᱠᱟᱴᱷᱟᱭ ᱠᱮᱫᱟᱭ ᱾ ᱡᱚᱛᱚ ᱡᱤᱱᱤᱥ ᱠᱚ ᱠᱟᱛᱤ ᱨᱮᱭᱟᱜ ᱩᱪᱟᱹᱲ ᱨᱮ ᱰᱤᱜᱷ ᱟᱨ ᱴᱤᱯᱤᱡ ᱯᱷᱚᱲᱟᱜ ᱠᱚ ᱨᱮ ᱫᱚᱦᱚᱭ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱟᱤᱞᱤᱵᱽᱨᱮᱥᱚᱱ ᱥᱠᱮᱞ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱞᱮᱠᱟ ᱫᱤᱥᱟᱹᱭ ᱠᱟᱱᱟ ᱾

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A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Aesthetics of Calibration Retail Interior Design (ᱨᱤᱴᱮᱞ ᱥᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Aesthetics of Calibration Retail Interior Design (ᱨᱤᱴᱮᱞ ᱥᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This project is a glasses store forfeiting the old-style glasses store type with a brand new design, thereby creating a bright and professional commercial space with open-style design as the main body, utilizing the central island bar chair design to shorten the distance between the customers, employees and products, thereby allowing for more relaxed communication without the restriction of distance.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The property is about 30.3 square meters.
ᱴᱮᱜ ᱠᱚ
Interior Design, Glasses Store, Waterstone, Stainless steel, Modern style
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
As for the materials, the combination of wood patterns with waterstone endows the space with a dignified yet refreshing visual effect, which is decorated with stainless steel that corresponds to the metallic material of the glasses, further bringing out the professional and fashionable ambience. Moreover, due to the long and narrow shape of the spatial layout, the circulation and area segmentation are limited, where an open sentiment is required to be presented in the limited space while offering strong storage function in order to display the numerous branded product models.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The position of the entrance is elevated, allowing sunlight to result in a greater shining angle, thereby enhancing indoor lighting; LED lights are selected for the light fixture to save energy, while eco-friendly wallpapers are adopted to reduce the burden on the environment; with the building structural technology, natural ventilation and natural lighting are further emphasized to enhance the indoor degree of comfort, thereby satisfying the indoor lighting demand.
ᱜᱚᱵᱮᱥᱚᱱᱟ
All products are displayed above the waist height to allow for more focused and clear visual effect, thereby reducing compressed visual sentiment while further adding in rhythmic long and short planks, resembling the long and short markings on the calibration, allowing the product arrangement with variation and separation without influencing the overall spatial harmony, it is a spatial design filled with ingenious ideas which combine with the product characteristics.
ᱯᱨᱮᱨᱚᱱᱟ
Treasure what is offered by nature via the approach of being the designer, to allow people and the environment to live sustainably with a friendlier approach.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in July 2020, Macau.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The visual space is extended via the use of the bevel design by the entrance as well as the lines of the walls on both sides, with circulation which is designed to attract customers to go inside the store; moreover, all products are displayed above the waist height to allow reducing compressed visual sentiment while further adding in rhythmic long and short planks, resembling the long and short markings on the calibration, allowing the product arrangement with variation and separation without influencing the overall spatial harmony, it is a spatial design filled with ingenious ideas which combine with the product characteristics.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Director: Clement Tung Jeun Cheng
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photo credit: Billy Yiu

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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