ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yu Ju Lin ᱨᱮᱱᱟᱜ Midst of Light ᱨᱮᱦᱮᱸ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱢᱟᱱ

Yu Ju Lin ᱨᱮᱱᱟᱜ Midst of Light ᱨᱮᱦᱮᱸ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱢᱟᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Midst of Light ᱨᱮᱦᱮᱸ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱢᱟᱱ

Yu Ju Lin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Nini house Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#127763 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Midst of Light ᱨᱮᱦᱮᱸ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱢᱟᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱤᱰᱥᱴ ᱚᱯᱷ ᱞᱟᱭᱴ ᱢᱮᱱᱟᱜᱼᱟ ᱢᱤᱫ ᱨᱮᱦᱮᱸ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱢᱟᱱ ᱡᱟᱦᱟᱸ ᱛᱟᱣᱭᱩᱭᱟᱱ ᱥᱚᱦᱚᱨ, ᱛᱟᱭᱣᱟᱱ ᱨᱮ ᱯᱩᱨᱟᱹᱣᱟᱜ ᱠᱟᱱᱟ ᱾ ᱚᱲᱟᱜ ᱟᱨ ᱚᱲᱟᱜ ᱮᱴᱠᱮᱴᱮ ᱡᱚᱛᱚᱲ ᱦᱟᱹᱨᱟᱢ ᱦᱚᱲ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱦᱟᱸ ᱪᱟᱞᱟᱜ ᱪᱟᱲᱟᱹᱣ ᱠᱚᱨᱮ ᱠᱚ ᱡᱟᱹᱨᱣᱟ ᱟᱠᱟᱱᱟ, ᱠᱷᱟᱹᱛᱤᱨ ᱠᱟᱴᱮ ᱞᱚᱴᱚ ᱪᱚᱠᱤ, ᱞᱚᱴᱚ ᱠᱮᱵᱤᱱᱮᱴ ᱟᱨ ᱦᱟᱛ ᱴᱷᱮᱠᱟ ᱦᱚᱲᱚ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ, ᱡᱟᱦᱟᱸᱛᱮ ᱣᱷᱤᱞᱪᱮᱭᱟᱨ ᱵᱮᱵᱚᱦᱟᱨᱤᱭᱟ ᱠᱚ ᱟᱹᱰᱤ ᱴᱷᱮᱱ ᱪᱟᱞᱟᱜ ᱪᱟᱲᱟᱹᱣ ᱫᱟᱲᱮᱭᱟᱜ ᱠᱟᱱᱟᱭ ᱾ ᱢᱤᱫ ᱟᱹᱫᱷᱟ-ᱠᱷᱩᱞᱟ ᱞᱮᱭᱟᱩᱴ ᱨᱮ ᱡᱟᱜᱟ ᱠᱚ ᱵᱟᱹᱴᱤᱭᱟᱜᱼᱟ, ᱟᱨ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱠᱩᱸᱴᱚᱠ ᱢᱟᱨᱵᱮᱞ ᱠᱮᱵᱤᱱᱮᱴ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱡᱟᱜᱟ ᱫᱚ ᱩᱫᱩᱜ ᱠᱟᱱᱟᱭ ᱾ ᱠᱟᱴᱷᱤ ᱣᱤᱱᱤᱭᱟᱨ, ᱦᱮᱸᱰᱮ ᱨᱚᱝ ᱯᱷᱞᱚᱨᱤᱝ ᱟᱨ ᱢᱟᱞᱮ ᱞᱮᱠᱮᱨ ᱫᱚ ᱡᱟᱦᱟᱸ ᱨᱚᱝ ᱠᱚᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱱᱟ ᱚᱱᱟ ᱠᱚ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱᱟ ᱾ ᱱᱤᱛᱚᱜ ᱨᱮ ᱞᱤᱱᱤᱭᱟᱹᱨ ᱮᱞᱤᱰᱤ ᱞᱟᱭᱴ ᱠᱚ ᱚᱲᱟᱜ ᱠᱚ ᱨᱮᱭᱟᱜ ᱥᱮᱢᱮᱫ ᱨᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱟᱨᱦᱚᱸ ᱵᱟᱦᱨᱮ ᱚᱛ-ᱪᱚᱞᱚᱱ ᱥᱮᱸᱫᱨᱟ ᱯᱚᱨᱫᱟ ᱫᱚ ᱥᱤᱧᱚᱛ ᱪᱟᱸᱫᱚ ᱨᱮᱭᱟᱜ ᱟᱨᱟᱜ ᱠᱚ ᱫᱷᱤᱢᱮ ᱠᱮᱫᱟᱭ ᱾ ᱢᱤᱫ ᱠᱚᱴᱷᱟ ᱫᱚ ᱯᱩᱛᱷᱤ ᱯᱟᱲᱦᱟᱣ ᱡᱟᱜᱟ ᱠᱚᱨᱮ ᱵᱮᱵᱚᱦᱟᱨ ᱦᱩᱭᱩᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱪᱟᱹᱲᱟᱜ ᱠᱟᱴᱷᱤ ᱨᱮᱭᱟᱜ ᱴᱮᱵᱤᱞ ᱟᱨ ᱩᱠᱩ ᱟᱠᱟᱱ ᱡᱟᱜᱟ ᱢᱮᱱᱟᱜᱼᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Midst of Light ᱨᱮᱦᱮᱸ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱢᱟᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Midst of Light ᱨᱮᱦᱮᱸ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱢᱟᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The entire designed space uses a simple selection of high-quality materials to create spatial tonalities. A semi-open layout is applied to divide each area, and the spacious circulation planning, low table cabinets, and countertops make the space super user-friendly. In the public area, the use of large and solid curved marble cabinets greatly enhances the quality of the space, creating an ideal modern residential space in geometric linear programming.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The design team adopts the same tone and different materials as the main design direction and approaches the design to be a senior-friendly space. In addition, low sofas, dining tables and chairs, and low cabinets are specially chosen to retain the convenience of barrier-free space. Particularly, the original standard four bedrooms are changed to three bedrooms, one of which is used as a multi-functional reading space, with a raised wooden countertop, and hidden cabinets for storing items underneath, which is embedded in a single desk to enhance the space efficiency.
ᱴᱮᱜ ᱠᱚ
Storage cabinet, Smart space, Retirement house, Elderly House, Green building materials, Fashion culture, Transparent daylighting.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The space is profoundly decorated with various elements such as baked painting, perlitic panels, Malay lacquer, iron pieces, wood veneer, LED lights, and other elements. In particular, the delicate combination of different materials in the same tone creates a rich and diverse impression of the space. At the same time, in order to create a simple and light feeling in the space, the design team retains the advantages of natural sunlight in the space and uses light-permeable sand curtains to create a fresh feeling of sunlight penetrating the space.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
It is not only the smooth circulation but also how to extend the existing space to be more spacious. At the same time, additional handrails, low seats, low cabinets, etc. are added, to allow even wheelchair users can freely move in this space. In terms of spatial aesthetics, the design team hopes to show a simple and fresh feeling of space. Using fresh earth colors such as wood veneer and gray materials as a collocation, different materials are selected for delicate harmony in the changes of similar colors.
ᱜᱚᱵᱮᱥᱚᱱᱟ
LED linear lights are installed along with the space, which creates a unique space experience with daylight illumination during the daytime, and artificial lighting at night, a space with a high-tech feeling is revealed. The TV wall, the curved shape is used to combine the shelf with the TV wall, and the beveled material is used to divide the wall so that the rendered color will not be too monotonous. In addition, the design team has installed many smart electrical systems in the space, which will further enhance the convenience of the space.
ᱯᱨᱮᱨᱚᱱᱟ
The design team does not only use gentle and simple wood tones and earth tones as pavements but also surrounded with a fresh and quiet house feeling, it is also matched with gray wooden flooring in the grey concrete color tone. Furthermore, the design team also creates a profound visual experience of the overall space through the LED light lines. In the living room area, the TV wall is boldly cut in a curved shape to create a more layered feeling in the space through the matching of similar colors.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was completed in Taoyuan City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In the open public space, the design team enhances the space ingenuity by embellishing linear LED lights. During the daytime, the lighting lines along with the materials profoundly enhance the linear beauty of the space, and the transparent daylight makes the space more impressive. At night, under the light lines surrounding the space, creating a futuristic artistic sense into the interior space, bringing a strong contrast feeling. For the client, it seems to be a wonderful process of space scenario transformation, so the client is quite satisfied with the aesthetic identity.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
YU-JU LIN
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Nini house Interior Design

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ