ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
YHDQ Design ᱨᱮᱱᱟᱜ Logan TianLangWan Primary Function: ঘৰ-ভিটা আখ়ৰিঞ টেংগা সেণ্টাৰ

YHDQ Design ᱨᱮᱱᱟᱜ Logan TianLangWan Primary Function: ঘৰ-ভিটা আখ়ৰিঞ টেংগা সেণ্টাৰ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022

Logan TianLangWan Primary Function: ঘৰ-ভিটা আখ়ৰিঞ টেংগা সেণ্টাৰ

YHDQ Design ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: YHDQ Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#127948 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Logan TianLangWan Primary Function: ঘৰ-ভিটা আখ়ৰিঞ টেংগা সেণ্টাৰ ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: Logan TianLangWan দ Zhongshan সহৰ রে মেনাক় মিদ ঘৰ-ভিটা আখ়ৰিঞ টেংগা সেণ্টাৰ কানা, নোয়া দ ৬৫০ বৰগ মিটাৰ জাগা রে মেনাক়। ভিতৰি দ মিদ সাধাৰণ শো ফ্ল্যাট বাংখান মিদ নিজেৰ চ়ুটি রেয়াক় ঘৰ লেকা আটাং লাগাও় লাগিদ তেয়াৰ আকানা। বেৰ ৰাসি গোটা জাগা রে সেটেৰ কানা, আর জোতো খিৰকি সিরমা আর দাঃ রেয়াক় নেলঅ কামি এম কাত্তানা। জটিল সাজাও় আর সমান ৰং রেয়াক় ব্যাবস্থা বাদ এমকেদ কাতে মিদ সাধাৰণ ঢং সাব আকানা। ৰং দ জাগা রেয়াক় সেৱা লাগিদ বাছাও় আকানা, আর ফৰনিচাৰ দ মিদ ব্যাবস্থা বাংখান মিদ আটাং তায়োম কানা। সুন্দৰ জিনিস আর হুড়িঞ কাতেদ জাৱড়া আকান কলাকাম দ মিদ শান্ত আর নিজেৰ পৰিবেশ তেয়াৰেৎ কানা।

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Logan TianLangWan Primary Function: ঘৰ-ভিটা আখ়ৰিঞ টেংগা সেণ্টাৰ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Logan TianLangWan Primary Function: ঘৰ-ভিটা আখ়ৰিঞ টেংগা সেণ্টাৰ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Every inch of the interior space can enjoy the moisture of the sun, and every window can see the beauty of the sky and water blend. When the designer put the design logic of traditional mansion in this space, he hesitated. The complicated decoration, unified color matching and luxurious materials are not the holiday lifestyle required by a Utopia.Therefore, the designer abandoned the conventional design ideas, and followed the concept of "Lees is more" to present a more private space.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
650 square meters
ᱴᱮᱜ ᱠᱚ
Sales Center, YHDQ Design,Private House, Holiday, Collection
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
At the beginning of the design, the overall design was always wrong because the overall tonality positioning of the project was not clear enough and the whole design logic was considered with the inertia of the conventional sample room.Later stylist referred to foreign private curtilage and after outstanding household magazine, the direction that just lives in to private curtilage truly is forward and finish all ideas finally.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Referring to the international famous private homes and a large number of home furnishing magazines, thinking about the real appearance of luxury private homes.
ᱯᱨᱮᱨᱚᱱᱟ
Project is located in zhongshan city, 22 degrees north latitude location make it four spring-like, sunny, gulf islands at the same time also has advantaged resources, these are for the project can't copy the value of the designers decided to as a unique private homes, away from the city blatant, make people relax, temporarily escape reality utopia.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
8.2020-1.2021, located in ZhongShan city.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
1. Break the fixed color collocation, use color to serve the space and create a real feeling of home.2. Furniture does not have a unified system, but only a unified feeling to create a sense of isolation.3. In order to avoid the rustic feeling that may be brought by comfort, elegant materials are used in the home to create a hidden sense of luxury.4. Choose works of art with less decoration and a stronger sense of collection to create a sense of collection.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
YHDQ Design
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
YHDQ Design
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
YHDQ Design
1000 DEGREES VISION

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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