ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yan Lin Wu ᱨᱮᱱᱟᱜ Harvested Pavilion Residential Interior Design

Yan Lin Wu ᱨᱮᱱᱟᱜ Harvested Pavilion Residential Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022

Harvested Pavilion Residential Interior Design

Yan Lin Wu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: AS Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#128083 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Harvested Pavilion Residential Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: Harvested Pavilion enা ओड़াক় भितরी ड़িजाइन काना जाहাँ ताईवान রে 2021 রে সেরেন ओয়ाকाতা'ना। ओड़াক়ऽ 35 ping काना आर ताहেঁ रे एनা तनाहাँ ओड़াक़ ঠাঁवরिया, দুয়াर मेঁढ़ रोয়াড়, एমঃ आधा-मेলা पाढ़াও ठाँय়, बार सूता ओড়াক আর बার সিনান ঠাঁয়। हुड़িঞ দাড়ু कात्थी वेनियार दिशोম साँओত রেয়াক়, आर पুরাঃ रंग চেৎ চোপাড় आর মিলাদ नेপেল সিঞ ओড়াক़ भितরी নেপেল লাহে। ৱিজন-দাড়াম ঠাँयরে ইয়াদ़ि ताহেঁন सोনো ओনা भाগ বাহুড় লেপা'এন आর बदल एকাটে आधा-मेলা पाढ़ाও ठाँয় दुয়ार मेঁढ़रोয়াড় লাগিদ়। नोয়া बदल भितরिয়া पলान'क़ अनियमितता তाहेনा ठिक लेकाते, आर मेঁढ़ रोয়াড় ठाँय बांगें कुलि लाहा। टाइटेनियम प्लेटिंग् आतु सापड़ाओ' दाड़ आर हिज्' चाला ठाँयরে रास्ता আকादामी এম'ওয়াদ়াকো।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Harvested Pavilion Residential Interior Design ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Harvested Pavilion Residential Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The interior space must be surrounded by the atmosphere of (autumn). After several thoughts, the designer decided to capture the unique quiet poetry of the autumn grass and trees and the passing of time. Applied dark wooden grains often seen in autumn street scenes to pave the wall facade. In the design of the public area, the designer removed the redundant space on the TV wall and placed a semi-permeable open study on the side of the living room; not only corrected the space but also made the overall area more transparent and spacious.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The 35-ping interior area includes a public area, an entryway, a living room, a semi-open study. In contrast, the private area consists of the master bedroom, a secondary bedroom, a master bathroom, and a secondary bathroom.
ᱴᱮᱜ ᱠᱚ
autumn, transparent, spacious, low-color and light-toned seasonal sense
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Changhong glass, solid wood veneer, titanium plating, tawny glass, SPC board.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In the beginning, the designer had to face problems of space distortion and too many partitions. To adjust the space to fit the client lifestyle, the designer removed the room initially located in front of the TV wall after communicating with the client and replaced it as an open-end study on the side of the public area. It increases the living and dining room use of space, eliminates space deformities, and creates a square and airy living space.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The change effectively digested the original overly fragmented spatial lines by arranging the public area lines in a relaxed way while using soft furnishings to imply the definition of the space. Before the design, the client expressed the hope of revealing the poetic atmosphere of (autumn); for this reason, used low-contrast solid wood veneer to pave the facade of the space, and combined with low-limit furniture tones to interpret the impression of autumn grasses and trees. The titanium-plated metal surrounding the ceiling shape to present a soft visual mood also connects the spatial movement
ᱯᱨᱮᱨᱚᱱᱟ
As Rabindranath Tagore wrote in his famous poem (Stray Birds): (Let life be beautiful like summer flowers and death like autumn leaves.) It has romantically and fully interpreted the philosophy of life from the contemporary literary giants. In this design, the client expressed his desire to feel the atmosphere of (autumn) in the space; therefore, the AS Interior Design team captured the quiet poetry of the slow disappearance of autumn and applied dark wood grains to enclose the area while combining light-toned furniture and natural daylight to outline the light shadow of fall gently.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in March 2021 in Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The designer turned the original odd space into a semi-open study by rearranging the floor space; redundant space on the side of the TV wall was also removed to make the public area more transparent and spacious. On the wall facade, the designer highlighted the visual landscape of wood grains with indirect light sources, which extended the movement guidance and allowed residents to live more freely.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yan-Lin Wu, Xiu-Na Xu, Yu-Cheng You
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
AS Interior Design

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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