ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yuan Jiang and Chen Song ᱨᱮᱱᱟᱜ Fragrance Gallery Primary Function: ᱵᱮᱱᱟᱣ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Yuan Jiang and Chen Song ᱨᱮᱱᱟᱜ Fragrance Gallery Primary Function: ᱵᱮᱱᱟᱣ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022

Fragrance Gallery Primary Function: ᱵᱮᱱᱟᱣ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Yuan Jiang and Chen Song ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: SODA Architects

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#128567 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Fragrance Gallery Primary Function: ᱵᱮᱱᱟᱣ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: Fragrance Gallery ᱫᱚ ᱵᱮᱡᱤᱝ ᱨᱮ ᱢᱤᱫ ᱟᱛᱚᱨ ᱵᱨᱮᱱᱰ ᱟᱜ ᱵᱮᱱᱟᱣ ᱵᱷᱤᱛᱚᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ 314 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱨᱮ ᱴᱷᱤᱠ ᱟᱠᱟᱱᱟ᱾ ᱡᱟᱭᱜᱟ ᱫᱚ ᱢᱤᱫ ᱠᱟᱞᱟ ᱜᱮᱞᱟᱨᱤ ᱞᱮᱠᱟ ᱚᱨᱰᱚᱱ ᱠᱟᱱᱟ, ᱵᱟᱝ ᱫᱚ ᱢᱤᱫ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱫᱚᱠᱟᱱ ᱞᱮᱠᱟ᱾ ᱵᱚᱞᱚ ᱦᱚᱨ ᱫᱚ ᱞᱚᱴ 5,000 ᱨᱤᱥᱟᱭᱠᱚᱞ ᱟᱛᱚᱨ ᱵᱚᱛᱚᱞ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱢᱤᱰᱤᱭᱟ ᱜᱚᱲᱚᱱ ᱛᱮᱭᱟᱨ ᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱤᱸ ᱟᱨ ᱧᱤᱫᱟᱹ ᱨᱚᱝ ᱵᱚᱫᱚᱞ ᱮᱫᱟ᱾ ᱢᱩᱬᱩᱛ ᱦᱚᱞ ᱨᱮ, 20 ᱢᱤᱴᱚᱨ ᱡᱤᱞᱤᱧ ᱢᱤᱫ ᱵᱟᱝᱠᱟ ᱛᱟᱞᱟ ᱫᱚ ᱟᱛᱚᱨ ᱚᱱᱚᱞ ᱟᱨ ᱵᱟᱸᱠᱟᱣ ᱟᱨ ᱠᱟᱸᱪᱟ ᱡᱤᱱᱤᱥ ᱵᱟᱵᱚᱛ ᱠᱷᱚᱵᱚᱨ ᱟᱜ ᱰᱤᱡᱤᱴᱟᱞ ᱯᱨᱚᱡᱮᱠᱥᱚᱱ ᱠᱚ ᱟᱜᱩ ᱮᱫᱟ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱧᱮᱞ, ᱟᱲᱟᱝ, ᱥᱚ ᱟᱨ ᱤᱱᱴᱚᱨᱮᱠᱴᱤᱵ ᱡᱤᱱᱤᱥ ᱠᱚ ᱢᱤᱫᱛᱟᱞᱟ ᱮᱫᱟ, ᱟᱨ ᱦᱤᱲᱤᱧᱤᱡᱚᱱ ᱠᱚ ᱟᱡ ᱛᱮ ᱦᱤᱲᱤᱧᱤ ᱟᱜ ᱥᱟᱶ ᱦᱚᱨ ᱩᱫᱩᱜ ᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Fragrance Gallery Primary Function: ᱵᱮᱱᱟᱣ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fragrance Gallery Primary Function: ᱵᱮᱱᱟᱣ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The design concept of the media space is not simply to integrate multimedia into the planning of the space but more to explore new approaches to design. The fragrance retail space is ultimately presented as an art gallery, breaking the traditions of the sales environment. SODA offers customers a multi-dimensional experience of fragrance through visual, auditory, olfactory senses, and interactive experiences.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
314 Square Meters
ᱴᱮᱜ ᱠᱚ
Media space, Media integrated store, Digital installation, Fragrance gallery
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The primary material of the media entrance is the brand's perfume bottles. This entrance is constructed of around 5,000 recycled perfume bottles. The bottles perform an implicit reflection of the brand's image and a surprise to the customers. Ultimately, the used perfume bottles represent a memory, an emotion, an experience, and a sensual connection between users and the brand.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
How to reasonably design the experience circulation and create a reasonable tour rhythm was the key in our design process.

The challenges we tackled are
How to invite customers to settle down and get to know the products,
How to guide people to participate in the interaction,
How can surprises discovery continue,
How to promote guests to take pictures and share

The final showroom meets the above requirements and at the same time achieves a promising communication result.
ᱜᱚᱵᱮᱥᱚᱱᱟ
We studied the display methods of various perfume stores and the experience of museums, in accordance with the brand's characteristics of subverting tradition and fashion. We designed an exclusive experiential space for the brand, guiding consumers to understand the history and product characteristics during the exhibition and self-guided tour, contributing to the improvement of product sales.
ᱯᱨᱮᱨᱚᱱᱟ
This project made a breakthrough in the design of tangible smell experience. Unlike the traditional commercial spaces, whose primacy were visual experience at scale, VIVINEVO fragrance art gallery focus on the customers smell experience, which brought up the following questions,
How to provide an olfactory experience,
How to combine smell and vision and,
How to provide sensory experiences other than smell and vision.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in August 2019 and finished in October 2020 in Beijing.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The entrance,
SODA language,a physical pixel installation.
The designer collected 5000 perfume bottles and made a media structure out of them. The entrance is turned out into a colors-changing media that keeps rendering the atmosphere day and night.

The main hall, a 20m length irregular curved surface with digital projection. The projected changing perfume texture renders the atmosphere of the space. The projected information adds another layer on the texture and the exhibition, delivering the related knowledge of perfume to the customers, such as history and raw materials.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Lead Designer: Jiang Yuan and Song Chen
Space and Digital Design Team: Chen Fei
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Video Artist: Wang Ying
Photo Credits: Chen Xiyu
Video:He Hui

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ