ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Tan Chieh Chen ᱨᱮᱱᱟᱜ Azure Blue and Emerald Harmony ᱨᱮᱦᱮᱸᱫ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ

Tan Chieh Chen ᱨᱮᱱᱟᱜ Azure Blue and Emerald Harmony ᱨᱮᱦᱮᱸᱫ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Azure Blue and Emerald Harmony ᱨᱮᱦᱮᱸᱫ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ

Tan Chieh Chen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: W-house interior design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

7,632

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#130927 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Azure Blue and Emerald Harmony ᱨᱮᱦᱮᱸᱫ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

আজুরে নীলঽ আর ইমেরাল্ড হারমনি বাকী চৌদ্দ তলার ৩৩-পিং আৎ ৎনৱা বনা আকান ফ্লেটরেয়াক৽ রেহেন্দ ঠিকনা ডিজাইন কানা। ন ওড়াকে পোন ঠাৱ্ ডাড়ে, বার বৈঠক ঠাৱ্ আর বার গুসুল ঠাৱ্ মেॅনাকা, জাহাঁ প্রাকৃতিক জিল-জিল দোহোয়। ঠান্ডা কালো, ধুসর আর ধুওলা রঙ নীলঽ আর ধুসর নরম সাজ-সজ্জা রেয়াঃ লগে মিসাদ ভেराকান আছেয়। বাখ কালো জানेला-লাগৰাক৽ বাইরে পার্কের দৃশ্য এমেন ছবিরকমই উপস্থিত কেদেয়। লোহার ফ্রেমে ধুসর কাঁচের স্লাইডিং দরজা লগে আধা-খুলা লে-আউট ঠাৱ্ বাঁচাৱ কেদেয়। ডুব যাওয়া রেখীয় বাতি, ভিত্তি বাতি, প্রদর্শনী বাতি আর ঝাড়বাতি রাতিরে পরিবেশ তৈয়ার কেদেয়।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Azure Blue and Emerald Harmony ᱨᱮᱦᱮᱸᱫ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Azure Blue and Emerald Harmony ᱨᱮᱦᱮᱸᱫ ᱴᱷᱤᱠᱬᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The client enjoys reading and living and decided to create a living space surrounded by daylight, hoping to integrate the interior design with the 10,000 level-ground parks outside the window. Hence, the designer wished to connect the space with the outdoor scenery and construct a harmonious aesthetic.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This project is a newly constructed 33-ping residence located on the 14th floor and is equipped with 4 bedrooms, 2 living rooms, and 2 bathrooms with natural lighting. To draw daylight into the interior with balance, the spatial is adopted with a semi-open-end design, gray glass sliding doors with iron frames, and a leading white tone supplemented by calm elements. By combining different lighting fixtures, such as linear recessed lights, wall lights, display lights, and chandeliers, a unique space atmosphere is brought to each area of the residence during the night.
ᱴᱮᱜ ᱠᱚ
Drawing view into the room, Lighting and transparency, Open-end space, Elegant with light luxury, Curved vocabulary.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Ink-black colors paired with shades of white, Fucheng marble television wall with abstract branch shapes, first-class flame-proof closets, gray glass, tiles, wall scones, chandeliers, French windows, and laminates.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
One of the critical points that the designer considered was integrating the view of the windows into the interior to create a harmonious and coherent feeling. First of all, matching colors of black, white, and gray are used as the central tonal as much as possible; through the same tonal selection and the rich texture of materials, layers with rich changes are interpreted within the low-chroma spatial tone. Secondly, the window entrance, floorings, and handles were arranged coherently to deliver perfection and harmony in function and sight.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The designer adopted the open-end approach to maximize the use of space; by converting one of the rooms into a semi-open space, the abrupt opening angle of the original door is eliminated. At the same time, the sliding iron-framed gray glass door design has saved a lot of space within the narrow housing layout. The designer focused on the overall balance of the space; therefore, the color scheme was carefully thought out. Colors of black, gray, and white are used as the main tonal of the room and are complemented by blue and gray tones of soft furnishings.
ᱯᱨᱮᱨᱚᱱᱟ
The client enjoys reading and living and decided to create a living space surrounded by daylight, hoping to integrate the interior design with the 10,000 level-ground parks outside the window. Hence, the designer wished to connect the space with the outdoor scenery and construct a harmonious aesthetic. The color arrangements were critical while planning this project; the calm and restrained black, gray and white tones are combined with the selection of materials to quench an elegant and quiet harmony.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in January 2021 in Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The design team took natural advantage of this space and used thick black window frames with harmonious proportions, just like a picture frame to capture the flowing clouds and layers of mountains outside the windows, as if enjoying an endless landscape painting that lightens up the day after coming home. To highlight the consistency of the overall space, the semi-open-end display shelves are used in the functional area; they are equipped with modest drawers and gray glass doors, allowing the client who is fond of collecting treasures and wines to enjoy a comprehensive display and storage space.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
TANG-CHIEH CHEN
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
W-house interior design

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ