Lei Dong ᱨᱮᱱᱟᱜ Zhongjiao Tianjun Primary Function: ᱰᱚᱠᱟᱱ ᱠᱟᱴᱷᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022
Zhongjiao Tianjun Primary Function: ᱰᱚᱠᱟᱱ ᱠᱟᱴᱷᱟ
Lei Dong ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Serendipper Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#131051 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Zhongjiao Tianjun Primary Function: ᱰᱚᱠᱟᱱ ᱠᱟᱴᱷᱟ ᱵᱟᱵᱚᱛ ᱛᱮ
Zhongjiao Tianjun ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ Tianjin ᱨᱮᱱᱟᱜ Jizhou ᱨᱮᱱᱟᱜ ᱵᱩᱨᱩ ᱡᱟᱭᱜᱟ ᱡᱟᱹᱛ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱢᱤᱫ ᱡᱟᱭᱜᱟ-ᱡᱚᱜᱟ ᱰᱚᱠᱟᱱ ᱠᱟᱴᱷᱟ ᱠᱟᱱᱟ ᱾ ᱢᱟᱲᱟᱝ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱯᱟᱨᱠᱚᱢ ᱠᱟᱛᱷᱟ ᱟᱨ ᱠᱟᱦᱟᱱᱤ ᱠᱚ ᱫᱚ ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱨᱮ ᱤᱢᱟᱨᱥᱤᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱟᱨ ᱢᱩᱨᱛᱤ ᱞᱮᱠᱟᱛᱮ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ ᱾ ᱞᱮᱢᱟᱜ ᱦᱟᱥᱟ ᱨᱚᱝ ᱟᱨ ᱠᱟᱥᱴᱚᱢ ᱡᱤᱱᱤᱥ ᱫᱚ ᱢᱤᱫ ᱚᱛᱱᱚᱜ ᱢᱟᱦᱚᱞ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱟᱨ ᱯᱩᱨᱟᱹᱵ ᱨᱮᱱᱟᱜ ᱟᱹᱴ ᱩᱫᱩᱜ ᱮᱫᱟ ᱾ ᱢᱩᱬ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱴᱷᱟᱹᱲ ᱥᱟᱠᱟᱢ, ᱫᱷᱤᱨᱤ, ᱫᱷᱟᱛᱩ ᱟᱨ ᱨᱮᱡᱤᱱ ᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱠᱟᱱ ᱟᱛ ᱨᱮᱱᱟᱜ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱫᱚ ᱫᱚᱨᱠᱟ ᱜᱮᱲᱮᱸᱡ ᱨᱮ ᱠᱚᱛᱮ ᱟᱠᱟᱱ ᱫᱷᱤᱨᱤ ᱠᱚ ᱩᱭᱦᱟᱹᱨ ᱟᱠᱟᱫ ᱟ, ᱟᱨ ᱢᱤᱫ ᱞᱴᱠᱟᱣᱟᱠᱟᱱ ᱢᱮᱠᱟᱱᱤᱠᱟᱞ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱫᱚ ᱞᱚᱵᱤ ᱨᱮᱱᱟᱜ ᱟᱡᱚᱨ ᱫᱩᱨᱩᱵ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱪᱮᱛᱟᱱ ᱨᱮ ᱚᱲᱟᱜ ᱮᱫᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Zhongjiao Tianjun Primary Function: ᱰᱚᱠᱟᱱ ᱠᱟᱴᱷᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Zhongjiao Tianjun Primary Function: ᱰᱚᱠᱟᱱ ᱠᱟᱴᱷᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Near the mountainous landscape of Jizhou, one of the northernmost districts of Tianjin in China, the designer has reinterpreted ancient Chinese folklore and fables into immersive installations and sculptures placed within a real estate exhibition space.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- An interactive mechanical art installation, dubbed Future Paddle, adorns the pitched ceiling of the lobby in the negotiation area. Resembling the skeletal form of a monster swimming the depths of an ocean, this element draws from mythical Chinese creatures called Kun-Peng, often depicted as massive hybrids of birds and fish, that are able to interchange between the capabilities of both classes of organisms. Suspended from the ceiling by means of wires, the device-consisting of ribbed, transparent elements-ebbs and weaves above the rows of seating in the lobby.
- ᱴᱮᱜ ᱠᱚ
- Classic of Mountains and Seas , Sales-office, Serendipper, Lei Dong, Tianjing
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- All furniture is custom designed, other main materials are solid wood, stone, metal, resin. A wall installation within the space replicates the texture of rocks piled up along the edge of the sea, highlighting the design scheme's adroit combination of material qualities. On the other hand, a separate wall installation within a more enclosed seating space echoes the rhythmic overlapping of fish scales, to create a strong visual focal point for the zone it decorates. To one side of the negotiation area is a micro-landscape installation consisting of a small table, decorated with wheat to represent the harvest. On the wall behind it is a textured 3D-relief which emulates the mountainous terrain of Jizhou, serving as a tribute to Yu the Great's fabled taming of the floods.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- An interactive mechanical art installation, dubbed Future Paddle, adorns the pitched ceiling of the lobby in the negotiation area. Resembling the skeletal form of a monster swimming the depths of an ocean, this element draws from mythical Chinese creatures called Kun-Peng, often depicted as massive hybrids of birds and fish, that are able to interchange between the capabilities of both classes of organisms. Suspended from the ceiling by means of wires, the device-consisting of ribbed, transparent elements-ebbs and weaves above the rows of seating in the lobby. The mechanical interactive art device, Future Paddle was among the most challenging aspects of the project, both in the early design stages and later on during its installation and debugging, the exact duration for which this dynamic device alternates between running and staying still, is controlled as per the time set in the operating program.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The practice of dredging holds special reverence in China, dating back to the 3rd Millennium BCE with the legend of Emperor Yu the Great. Founder of the Xia Dynasty, Yu is said to be the first ruler to implement systems of flood control in the country. Hence, by means of their mythologically-themed intervention, Serendipper Design attempted to infuse a calming ambience into the space, using soft, earthy tones and custom furniture design to reflect an eastern sensibility and sense of historical reverence in the interior design. Organised around a square courtyard, the exhibition space's main program areas comprise an enterprise exhibition hall, a negotiation area, a sand table exhibition area, and an activity space for children.
- ᱯᱨᱮᱨᱚᱱᱟ
- The practice of dredging holds special reverence in China, dating back to the 3rd Millennium BCE with the legend of Emperor Yu the Great. Yu is said to be the first ruler to implement systems of flood control in the country. By means of the mythologically-themed intervention, we attempted to infuse a calming ambience into the space, using soft, earthy tones and custom furniture design to reflect an eastern sensibility and sense of historical reverence in the interior design.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in March 2021 and finished in June 2021 in Tianjing, China
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- There is a dynamic sculpture, titled the Blue Sea. Inspired by the story of Jingwei-a shipwrecked girl who was transformed into a bird upon her demise, the experimental artwork combines a bench featuring a gradient of blue and white hues, with a parabolic mass of twigs and pebbles erupting from one of its edges. As per the legend, Jingwei despised the Eastern Sea-the site of the shipwreck-to such an extent that the brave little bird decided to fill it up by carrying twigs and pebbles towards it each day. This tale has since become the source of the Chinese idiom Jingwei tries to fill the sea-an expression of unyielding determination in the face of insurmountable odds. The polished marble floor around the sculpture serves as a representation of the sea, with the reflections on its surface completing the visual narrative.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Duan Mingnan, Feng Lili, Fan Yajuan
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photos by Sean
ᱥᱯᱚᱱᱥᱚᱨᱰ
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