Tsai-Yun Kao, Po-Chang Lin and Kai-Hung Yang ᱨᱮᱱᱟᱜ The River is Everywhere ᱵᱟᱹᱲᱴᱤ ᱡᱟᱹᱭᱜᱟᱹ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022
The River is Everywhere ᱵᱟᱹᱲᱴᱤ ᱡᱟᱹᱭᱜᱟᱹ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ
Tsai-Yun Kao, Po-Chang Lin and Kai-Hung Yang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: 317studio
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#133211 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The River is Everywhere ᱵᱟᱹᱲᱴᱤ ᱡᱟᱹᱭᱜᱟᱹ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱪᱮᱛᱟᱱ ᱠᱚ ᱠᱚ ᱮᱴᱦᱚᱵ ᱫᱟᱭ ᱡᱩᱫᱤ ᱢᱮᱱᱟᱜ-ᱟ ᱛᱟᱦᱮᱸ ᱡᱟᱹᱭᱜᱟᱹ ᱨᱮ ᱟᱨ ᱟᱸᱡᱚᱢ ᱫᱚ ᱴᱟᱭᱯᱮᱭ ᱥᱚᱦᱚᱨ ᱨᱮ ᱢᱤᱫ ᱂᱐᱐ ᱥᱠᱣᱮᱨ ᱢᱤᱴᱚᱨ ᱟᱯᱟᱨᱴᱢᱮᱸᱴ ᱨᱮᱭᱟᱜ ᱵᱟᱹᱲᱴᱤ ᱡᱟᱹᱭᱜᱟᱹ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱱᱚᱶᱟ ᱠᱟᱴᱮ ᱫᱟᱜ ᱨᱮᱭᱟᱜ ᱟᱨ ᱡᱤᱣᱤ ᱛᱮᱦᱮᱸᱡᱟᱭ ᱨᱮᱭᱟᱜ ᱥᱮᱬᱮᱫ ᱠᱷᱚᱱ ᱪᱮᱛᱟᱱ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾ ᱒ᱟᱛ ᱛᱚᱲᱟᱛ ᱨᱮᱭᱟᱜ ᱪᱮᱛ ᱫᱚ ᱢᱤᱫ ᱮᱴᱦᱚᱨ ᱮᱵᱮᱱ ᱨᱮᱠᱷᱟ ᱨᱮ ᱵᱟᱹᱲᱛᱤ ᱠᱟᱱᱟ ᱾ ᱡᱤᱣᱤ ᱠᱷᱚᱲᱚᱢ ᱨᱮᱭᱟᱜ ᱚᱰᱤ ᱚᱰᱚᱠ ᱨᱮ ᱢᱟᱲᱟᱝ ᱢᱟᱲᱟᱝ ᱡᱷᱤᱞᱚᱠ ᱠᱚ ᱨᱮᱭᱟᱜ ᱪᱷᱟᱭᱟᱸ ᱡᱩᱫᱤ ᱛᱟᱦᱮᱸ ᱠᱷᱚᱱ ᱱᱮᱞ ᱟᱠᱟᱱ ᱫᱟᱨᱮ ᱠᱚ ᱨᱮᱭᱟᱜ ᱠᱟᱦᱱᱤ ᱛᱮᱭᱟᱨ ᱮᱫᱟᱭ ᱾ ᱯᱞᱟᱥᱴᱟᱨ ᱚᱰᱚᱠ ᱠᱚ ᱫᱚ ᱛᱤ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱡᱟᱭᱜᱟ ᱫᱚ ᱯᱷᱟᱨᱪᱟᱭ ᱟᱨ ᱨᱚᱥᱱᱟᱭ ᱤᱫᱤ ᱟᱠᱟᱛᱟᱭ ᱾ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱢᱟᱲᱟᱝ ᱨᱮ ᱢᱤᱫ ᱠᱷᱟᱥ ᱛᱮᱭᱟᱨ ᱚᱲᱟᱜ-ᱡᱚᱢ ᱠᱟᱩᱸᱴᱚᱨ ᱛᱟᱦᱮᱸᱫ ᱟ ᱡᱟᱦᱟᱸ ᱢᱟᱨᱵᱮᱞ ᱟᱨ ᱯᱞᱟᱥᱴᱤᱠ ᱥᱤᱴ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱟᱨ ᱮᱴᱦᱚᱨ ᱮᱵᱮᱱ ᱨᱮᱠᱷᱟ ᱨᱮᱭᱟᱜ ᱢᱤᱨᱚᱨ ᱛᱟᱸᱭᱟᱢ ᱢᱮᱱᱟᱜ-ᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The River is Everywhere ᱵᱟᱹᱲᱴᱤ ᱡᱟᱹᱭᱜᱟᱹ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The River is Everywhere ᱵᱟᱹᱲᱴᱤ ᱡᱟᱹᱭᱜᱟᱹ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Creating a journey on the river for the flow of space of the owners, Upon entering a 200-square-metre apartment, its living room’s the refined textures that first impress. The ceiling of entry was remodelled to create a sleek curved line, rhythm bores applied on partition walls in the living room were elegantly layered across the space to reflect the shadow of trees, like the scene from the river.
The wooden private space, it seems like a boundary between the rivers and caves warmly exits. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 200-square-metre apartment
- ᱴᱮᱜ ᱠᱚ
- interior design, minimalist
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- By hand-craft plaster and specialist trades, the house creates an opportunity to experience the interior as a series of surfaces and textures.
We also hoped that utilising a tactile selection of material would give the space’s open floor plan a clean, brightly quality.
Dominating the centre of space is a bespoke dining counter crafted from marble and plastic sheet inlaid with a curved shape mirror leg where the sculptural object can slightly reflect natural lights and shadow movements. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- For the realization processes, we always conceive of ourselves as a conceptual and experimental designer with a more minimalist vision for the clients, but from a local social perspective in Taiwan, the design of residence has to use plenty of decorative elements to be magnificent.
We are intending to achieve the aesthetic of design methods and materials reconfigured and adapted to suit the needs of the local culture.
We hope that would be a magical way of process slowly extracts all the essences and aroma of Taiwan. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- Chinese had been developed the Xin Dian area along the river by boat since 1909. Nowadays, the development of the area has been built for river sightseeing and urban community.
The purpose of the research of the site location is to try to find out a connection between the background of the owner, the change of Xin Dian and its impacts through “homospatial thinking”.
We deeply believe that result of creating rivers and time flowing must necessarily become a unique experiment for the inhabitant to develop their own existence in the space. - ᱯᱨᱮᱨᱚᱱᱟ
- Features of geography inspired us to make all of these things happen, such as a river surrounded by the apartment, watercourses surrounded by the location of the site.
The client’s background and story recall the character from the novel “Siddhartha” by Hermann Hesse.
Referencing the spiritual journey of self-discovery of the man in the book to the design minimalist language. The most attractive part is he learned and experienced through the river. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in April 2020 in Taipei City and finished in May 2021.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The keyframe is how to convert the invisible concept into the visible objects in the space.
Especially the concept is from a character who has been learned and experienced through the river.
We took the scenes that he saw, the means that he seeking to be free and open to profound in the inner of peace, to transforming the philosophy that we felt from the role in the book into the design processes.
We used the natural materials and form of function objects to complement the apartment’s placid interior.
It is an artful lesson on how to align comfort and simplicity. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Tsai Yun Kao
Po Chang Lin
Kai Hung Yang - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Main image and optional images: Photographer Kyle Yu, Variations, 2021.
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