Zhonghehongmei Interior Decoration Design ᱨᱮᱱᱟᱜ Greentown Liuxiangyuan ᱟᱠᱷᱲᱟ ᱠᱟᱹᱢᱤ: ᱮᱢ-ᱠᱤᱬᱤᱧ ᱮᱛᱚᱢ ᱵᱷᱤᱛᱚᱨ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022
Greentown Liuxiangyuan ᱟᱠᱷᱲᱟ ᱠᱟᱹᱢᱤ: ᱮᱢ-ᱠᱤᱬᱤᱧ ᱮᱛᱚᱢ ᱵᱷᱤᱛᱚᱨ
Zhonghehongmei Interior Decoration Design ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Zhonghehongmei Interior Decoration Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#133925 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Greentown Liuxiangyuan ᱟᱠᱷᱲᱟ ᱠᱟᱹᱢᱤ: ᱮᱢ-ᱠᱤᱬᱤᱧ ᱮᱛᱚᱢ ᱵᱷᱤᱛᱚᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱜᱨᱤᱱᱴᱟᱩᱱ ᱞᱤᱩᱠᱥᱤᱭᱟᱝᱭᱩᱟᱱ ᱫᱚ ᱭᱟᱱᱴᱟᱭᱤ ᱨᱮ ᱑᱐᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱨᱮ ᱯᱟᱥᱱᱟᱣ ᱠᱟᱱ ᱢᱤᱫ ᱮᱢ-ᱠᱤᱬᱤᱧ ᱮᱛᱚᱢ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱠᱟᱱᱟ । ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱡᱚᱨᱟ ᱵᱮᱯᱟᱨ ᱟᱨᱤᱠᱟᱛ ᱠᱷᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱮᱱᱟ ᱟᱨ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱢᱤᱫ ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ ᱞᱮᱠᱟᱛᱮ ᱮᱢ ᱠᱟᱱᱟ । ᱢᱟᱨᱵᱚᱞ ᱟᱨ ᱥᱟᱠᱟᱢ ᱨᱮᱭᱟᱜ ᱟᱞᱜᱟᱣ ᱯᱷᱨᱮᱢ ᱫᱚ ᱡᱟᱭᱜᱟ ᱟᱞᱜᱟᱣᱮᱫᱟ, ᱟᱨ ᱟᱲᱟᱝ ᱫᱮᱠᱷᱟᱣ ᱮᱢ ᱛᱟᱵᱚᱱ ᱮᱰᱮ ᱫᱚ ᱢᱤᱫ ᱠᱷᱚᱡᱟ ᱞᱮᱠᱟᱱ ᱡᱟᱭᱜᱟ ᱯᱮᱴᱟᱨᱱ ᱛᱮᱭᱟᱨᱮᱫᱟ । ᱫᱷᱤᱨᱤ, ᱥᱟᱠᱟᱢ, ᱫᱟᱨᱮ ᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱱᱟᱶᱟ ᱛᱚᱨ ᱛᱮ ᱢᱮᱥᱟ ᱠᱟᱱᱟ । ᱢᱟᱨᱥᱟᱞ ᱢᱟᱴᱨᱤᱠᱥ ᱞᱟᱟᱭᱴᱤᱝ ᱫᱚ ᱵᱟᱞᱤ ᱴᱮᱵᱩᱞ ᱮᱰᱮ ᱠᱚ ᱪᱤᱱᱦᱟᱹ ᱟᱠᱟᱫᱟ, ᱟᱨ ᱠᱚᱛᱷᱟ ᱵᱟᱨᱛᱟ ᱮᱰᱮ ᱨᱮᱭᱟᱜ ᱫᱟᱨᱮ ᱠᱚ ᱫᱚ ᱡᱚᱛᱚᱛ ᱮᱢ ᱩᱭᱦᱟᱹᱨ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ । ᱯᱟᱨᱥᱟᱞ ᱪᱟᱞᱟᱣ ᱜᱟᱨ ᱠᱚ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱫᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱚᱛᱚᱢ ᱦᱚᱨ ᱨᱮ ᱦᱤᱡᱩᱠ ᱦᱚᱲ ᱠᱚ ᱦᱚᱨ ᱩᱫᱩᱜ ᱠᱚᱣᱟ ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Greentown Liuxiangyuan ᱟᱠᱷᱲᱟ ᱠᱟᱹᱢᱤ: ᱮᱢ-ᱠᱤᱬᱤᱧ ᱮᱛᱚᱢ ᱵᱷᱤᱛᱚᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Greentown Liuxiangyuan ᱟᱠᱷᱲᱟ ᱠᱟᱹᱢᱤ: ᱮᱢ-ᱠᱤᱬᱤᱧ ᱮᱛᱚᱢ ᱵᱷᱤᱛᱚᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The attribute of space has always been changing with the change of the times. The business space which is full of marketing atmosphere is no longer the mainstream. Therefore, designers break the traditional ideas to create a new perspective for Sales Center. The area is divided by marble and wooden separating frame. The folding screen is semi-transparent, which can create a more exploratory interest about spatial pattern.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project covers a total of 1000 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior, Commercial, Light, Modern, Natural, Elegant, Sales center
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The main materials are stone, plants, woods and indigenous materials, which creates a breakthrough recombination and collocation among different materials. They become perceivable entities and it install all good lives in series
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The sand table area always has been the center of vision and action. Based on the reasonable calculation and consideration of the walking line, the designer has done fine processing to avoid the congestion feeling that massive redundant stacking cause. The bright matrix lighting above the sand table area makes the visitors' eyes focus on the area again, and gives itself and the building main body the similar superimposed sense of hierarchy.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Vision is the first feeling of space. Unified materials and colors bring depth, confidence and unlimited possibilities. In the negotiation area, plants bonsai reminds people of nature. The space full of plants seems to be injected into oxygen and vitality. And this makes discussion and sharing another kind of space experience in the negotiation area.
- ᱯᱨᱮᱨᱚᱱᱟ
- Designing the space is designing the light. The designer takes the light as a kind of architectural element and applies this to the designing. While constructing architectural aesthetics, the design focuses on the functionality, and achieves balance, rhythm, repetition and other demands. He also create artistic conception with the help of light, more emotional architectural space of natural materials. Therefore he helps the dwellers to live a better life.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in April 2020 in Yantai and finished in September 2020 in Yantai.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The facade of the building carvers up the space by spreading the whole plane and gradually displays the whole space with strong moving lines, which guides the visitors' sight and body like water flow.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Long View Photography, 2020.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chief Designer: Jin Yin
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Long View Photography, Sand table area, 2020.
Image #2: Photographer Long View Photography, The reception hall, 2020.
Image #3: Photographer Long View Photography, Children's area, 2020.
Image #4: Photographer Long View Photography, The reception hall, 2020.
Image #5: Photographer Long View Photography, Negotiation area, 2020.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
