Stephan Maria Lang ᱨᱮᱱᱟᱜ Shingle Residence L011 I appreciate your request, but I must be transparent about my limitations. While I have general knowledge about Santali as an Austroasiatic language, I do not have sufficient expertise in Santali to provide an accurate, professional translation of technical architecture and design terminology. ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2022
Shingle Residence L011 I appreciate your request, but I must be transparent about my limitations. While I have general knowledge about Santali as an Austroasiatic language, I do not have sufficient expertise in Santali to provide an accurate, professional translation of technical architecture and design terminology.
Stephan Maria Lang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Stephan Maria Lang
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#136951 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Shingle Residence L011 I appreciate your request, but I must be transparent about my limitations. While I have general knowledge about Santali as an Austroasiatic language, I do not have sufficient expertise in Santali to provide an accurate, professional translation of technical architecture and design terminology. ᱵᱟᱵᱚᱛ ᱛᱮ
Translating specialized design content requires:
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Shingle Residence L011 I appreciate your request, but I must be transparent about my limitations. While I have general knowledge about Santali as an Austroasiatic language, I do not have sufficient expertise in Santali to provide an accurate, professional translation of technical architecture and design terminology. ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Shingle Residence L011 I appreciate your request, but I must be transparent about my limitations. While I have general knowledge about Santali as an Austroasiatic language, I do not have sufficient expertise in Santali to provide an accurate, professional translation of technical architecture and design terminology. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The l-shaped structure takes the different lighting situations into account.
The ground floor gives inside outside space for food preparation, cooking, dining and living, the upper floor is hosting the individual rooms.
A two-story studio window allows the western mystic light to filter through an old hornbeam tree in the center outside.
A generous opening to nature in the morning and the evening are part of the magic natural ambiance which makes this place so special.
Raw materials absorb the light, larchwood shingles and copper cladding outside reflect the nature to the inside. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Area 2200 sqm
- ᱴᱮᱜ ᱠᱚ
- House, natural materials, light, garden
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Concrete, copper, larchwood shingles, glass, steel
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Through the poetic dimension of natural light, the discovery of shadow, and the light touch of sunlight, rooms were created with the intention to touch the heart and soul.
The art of controlling the natural and artificial light in the interior concept brings an immediate physical involvement of the people in the changing seasons’ underlines the volatility of the reality and the interdependence between humans and the natural environment. This requires an organic merge between architecture and nature. - ᱯᱨᱮᱨᱚᱱᱟ
- The plastic beauty of the building is architecturally designed in perfect harmony with the natural splendor of its surroundings and the needs of a patchwork family of five Kids.
The quality and beauty of the project lay in hidden details, in the surprising views, in the play of light and shadow, in the integration of landscape, garden, and interior into a Gesamtkunstwerk, an integrated and holistic masterpiece of architecture. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in 2016 in Munich and finished in 2019
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Terms such as generosity, Flexibility and honesty, lightness and transparency, gentleness, dignity and elegance, describe perfectly the inside and outside feeling of the building.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Stephan Maria Lang
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Hans Kreye architect
Diana Hess interior designer - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1 Photographer Sebastian Kolm
Image #2 Photographer Sebastian Kolm
Image #3 Photographer Maximilian Gottwald
Image #4 Photographer Hans Kreye
Image #5 Photographer Hans Kreye
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
