Rodrigo Kirck Rebelo ᱨᱮᱱᱟᱜ Terrace ᱨᱮᱦᱮᱸᱰ ᱚᱲᱟᱜ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2022
Terrace ᱨᱮᱦᱮᱸᱰ ᱚᱲᱟᱜ
Rodrigo Kirck Rebelo ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Construtora Frechal
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#138484 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Terrace ᱨᱮᱦᱮᱸᱰ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱴᱮᱨᱮᱥ ᱢᱮᱱᱮ ᱠᱟᱱᱟ ᱢᱤᱫ ᱵᱟᱠᱮᱥᱚᱱ ᱰᱮᱨᱟ ᱨᱮᱦᱮᱸᱰ ᱚᱲᱟᱜ ᱡᱟᱦᱟᱸ ᱪᱤᱠᱟᱨᱟᱥ, ᱥᱟᱱᱴᱟ ᱠᱟᱛᱟᱨᱤᱱᱟ, ᱵᱽᱨᱟᱡᱤᱞ ᱨᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱚᱲᱟᱜ ᱨᱮ ᱒᱕ ᱤᱫᱤ ᱨᱮ ᱫᱚ ᱫᱟᱦᱟᱨ ᱮᱠᱟ ᱕᱙ ᱴᱟᱠᱪᱚ, ᱟᱨ ᱟᱭᱢᱟ ᱫᱚ ᱮᱡᱤ ᱮᱠᱭᱟ ᱮ ᱩᱪᱩᱱᱚᱜ ᱒ᱴ ᱢᱤᱴᱚᱨ, ᱟᱨ ᱘᱑,᱑᱗᱙ ᱥᱠᱣᱮᱨ ᱢᱤᱴᱚᱨ ᱛᱮᱭᱟᱨ ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱮᱢ ᱠᱟᱛᱮᱭᱟ᱾ ᱡᱚᱛᱚ ᱴᱟᱠᱪᱚ ᱨᱮ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱴᱮᱨᱮᱥ ᱢᱮᱱᱟᱜ-ᱟ ᱡᱟᱦᱟᱸ ᱫᱟᱨᱭᱟᱣ ᱠᱟᱛᱮ ᱢᱩᱠᱷ ᱠᱚᱨᱟᱣ ᱠᱟᱱᱟ, ᱟᱨ ᱮᱴᱟᱜ-ᱮᱴᱟᱜ ᱴᱮᱨᱮᱥᱠᱚ ᱢᱤᱫᱴᱟᱸ ᱮᱠᱴᱟᱸ ᱟᱹᱰᱤ ᱴᱷᱟᱲᱟᱹ ᱪᱷᱚᱱᱠᱚ ᱛᱮᱭᱟᱨ ᱮ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ ᱡᱟᱦᱟᱸ ᱦᱚᱸ ᱨᱟᱴᱟᱹ ᱴᱟᱠᱪᱚ ᱚᱲᱟᱜ ᱡᱟᱦᱟᱸ ᱩᱛᱟᱨ ᱟᱠᱟ ᱟᱨᱦᱚᱸ ᱚᱴ ᱴᱮᱨᱮᱥ ᱨᱮ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾ ᱰᱟᱦᱟᱨ ᱨᱮ ᱵᱚᱦᱚᱜ ᱞᱮᱱᱟ ᱟᱭᱟᱨ-ᱟ ᱠᱚᱸᱠᱨᱤᱴ ᱟᱨ ᱚᱲᱟᱜ ᱠᱷᱟᱪᱟ ᱠᱚ ᱨᱮ ᱩᱥᱩᱲᱤᱡ ᱠᱟᱛᱮ ᱪᱷᱮᱛᱟᱱ ᱞᱟᱴᱟ ᱠᱚ ᱠᱟᱛᱮ ᱮᱠᱴᱟᱸ ᱮᱢ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱮᱱᱮᱢ ᱡᱟᱭᱜᱟ ᱨᱮ ᱢᱮᱱᱟᱜ ᱛᱟᱦᱮᱸᱠᱟᱱ ᱢᱟᱨᱟᱝ ᱫᱤᱱ ᱨᱮᱭᱟᱜ ᱫᱟᱨᱭᱟᱣ ᱚᱲᱟᱜ ᱠᱚ ᱠᱟᱛᱮ ᱠᱟᱹᱴᱤᱡ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Terrace ᱨᱮᱦᱮᱸᱰ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Terrace ᱨᱮᱦᱮᱸᱰ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- What differentiates Terrace from the others, its direct competitors in the city of Picarras, Santa Catarina, Brazil; it is its monolithic design with the repetition of terraces, which connect the ground floor with its connection with the beach, up to the upper collective terrace.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Terrace is a vacation apartment building project, totaling 59 units, 25 floors, 87 meters high and 11,179.04 m2 of built area.
- ᱴᱮᱜ ᱠᱚ
- Monolithic, Balconies, Innovation, Concrete structure, Sculpture, Icon, Urban Reference
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Basically the Terrace is based on the use of exposed reinforced concrete at its base in counterpoint with the high technology of sliding panels in the apartment frames, as well as the entire leisure area (over the garages and on the upper terrace). We bring in this project a duality, between exposed concrete and natural materials with the high technology of the frames and finishes of the apartments.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The research has always been based on contemporary design, where the user is part of the process, even after the construction of the building. We seek in the conceptual bases of the participative design, the premises for the creation of this project, allied in the technological bases and the thought of the relationship of this project with the future.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design research focuses on the use of balconies and how they interact with the facade, with the aim of transforming the relationship of a residential building into a visual landmark on the beach that will be built. Data collection was carried out by searching for images of similar projects and monolithic design, presenting as a real result in business and society, the direct relationship of users and pedestrians, in and around them, as an icon.
- ᱯᱨᱮᱨᱚᱱᱟ
- This project was inspired by the old beach houses, which were on the site, where they always had balconies and terraces facing the sea. This great detail was the inspiration behind the project.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in October 2020 in Itajai and was completed in August 2021 in Itajai, and construction began in December 2021 in the city of Picarras / SC - Brazil, with the schedule for completion of the work for November 2024.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Terrace allows the user to have apartments in a luxury condominium, facing the sea, with the characteristics of a residence with a large balcony - terrace, where the environments are connected by this large space.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Rodrigo Kirck
Katarine Schmitt
Alexandre Henrique Rodrigues
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
