ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Thomas von Kummant ᱨᱮᱱᱟᱜ Gung Ho ᱠᱚᱢᱤᱠ ᱯᱩᱛᱷᱤ ᱴᱷᱟᱲᱮ ᱪᱤᱛᱟᱹᱨ

Thomas von Kummant ᱨᱮᱱᱟᱜ Gung Ho ᱠᱚᱢᱤᱠ ᱯᱩᱛᱷᱤ ᱴᱷᱟᱲᱮ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱜᱨᱟᱯᱷᱤᱠ· 2022

Gung Ho ᱠᱚᱢᱤᱠ ᱯᱩᱛᱷᱤ ᱴᱷᱟᱲᱮ ᱪᱤᱛᱟᱹᱨ

Thomas von Kummant ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Thomas von Kummant

ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱰᱤᱡᱟᱭᱤᱱ

Gung Ho ᱠᱚᱢᱤᱠ ᱯᱩᱛᱷᱤ ᱴᱷᱟᱲᱮ ᱪᱤᱛᱟᱹᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱜᱩᱝ ᱦᱚ ᱫᱚ ᱠᱚᱢᱤᱠ ᱥᱤᱨᱤᱡ ᱜᱩᱝ ᱦᱚ ᱨᱮᱭᱟᱜ ᱯᱷᱨᱮᱧᱪ ᱰᱤᱞᱚᱠᱥ ᱮᱰᱤᱥᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱮᱱᱟ ᱛᱷᱟᱲᱮ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱟᱞᱟ ᱯᱟᱲᱦᱟᱛ ᱫᱚ ᱟᱰᱤ ᱠᱚᱢᱤᱠ ᱨᱮ ᱵᱮᱶᱦᱟᱨ ᱠᱟᱱᱟ ᱨᱮᱟᱜ ᱠᱟᱞᱟ ᱟᱨᱮ ᱨᱮᱠᱷᱟ ᱛᱟᱦᱮᱸᱱ ᱟᱠᱚ ᱟᱱᱮᱛ ᱮᱢᱟᱜ ᱠᱟᱱᱟ ᱟᱨ ᱠᱟᱴ-ᱟᱩᱴ ᱠᱚᱞᱟᱡ ᱛᱚᱨᱡᱚᱢᱟ ᱵᱮᱶᱦᱟᱨ ᱠᱟᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱯᱚᱨᱤᱥᱠᱟᱨ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ ᱾ ᱥᱤᱞᱩᱮᱴ ᱠᱚ ᱫᱚ ᱨᱚᱝ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ ᱮᱠᱥᱯᱨᱮᱥᱚᱱᱤᱥᱴᱤᱠ ᱟᱱᱮᱛ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱠᱟᱦᱟᱱᱤ ᱨᱮᱟᱜ ᱴᱚᱱ ᱮᱢᱟᱜ ᱠᱟᱱᱟ ᱾ ᱠᱟᱦᱟᱱᱤ ᱫᱚ ᱢᱤᱫ ᱯᱚᱥᱴ-ᱟᱯᱚᱠᱟᱞᱤᱯᱴᱤᱠ ᱫᱚᱠᱷᱤᱱ ᱭᱩᱨᱚᱯ ᱨᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱡᱤᱭᱚᱱ ᱫᱚ ᱢᱚᱡᱵᱩᱛ ᱟᱹᱛᱩ ᱠᱚ ᱨᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱢᱤᱫ ᱚᱠᱛᱚ ᱨᱮᱟᱜ ᱰᱟᱦᱮᱨ, ᱡᱩᱟᱱ ᱦᱤᱭᱟᱹ ᱟᱨ ᱴᱤᱱᱮᱡᱚᱨ ᱟᱰᱨᱮᱱᱟᱞᱤᱱ ᱮᱲᱮᱛ ᱚᱠᱛᱚ ᱫᱚ ᱦᱟᱛᱟᱣ ᱠᱟᱱᱟ ᱾ ᱰᱤᱡᱤᱴᱟᱞ ᱠᱟᱞᱟ ᱯᱟᱲᱦᱟᱛ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠ ᱴᱮᱵᱞᱮᱴ ᱛᱮ ᱛᱮᱭᱟᱨ ᱮᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Gung Ho ᱠᱚᱢᱤᱠ ᱯᱩᱛᱷᱤ ᱴᱷᱟᱲᱮ ᱪᱤᱛᱟᱹᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Gung Ho ᱠᱚᱢᱤᱠ ᱯᱩᱛᱷᱤ ᱴᱷᱟᱲᱮ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Comic-Cover for the Comic Series Gung Ho.
The design of the comic series is an exceptional style for the French comic market. Without the drawn line, a kind of cut-out collage still tries to preserve the graphic legibility. Silhouettes are treated with colour to create an expressionistic impression, which serves the tone of the story. The synergy of narrative and aesthetics serves only the dramaturgy and the development of the comic. This Cover image captures the moment of released teenage adrenaline.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Edition DELUXE 280mm x 375mm hardcover, 60 pages
ᱴᱮᱜ ᱠᱚ
Illustration, comic, digital, photoshop, story, book, series, narrative, storytelling, characters
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Digital artwork for the cover of the french edition of Gung Ho - Court-circuit - Edition DELUXE 2.2, created with Photoshop and Wacom Tablet
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The script sets a certain tone with which the story is told. The challenge is to find a style that supports the tone of the story and gives the project uniqueness. When you see an image from the story, it has to be recognisable - that can only be an image from Gung Ho. The German comic market has not been able to develop due to the Second World War and is therefor very small - especially as far as in-house productions are concerned. To get our ambitious 420-page project financed, we had to enter the largest European comic market - the French market. With Edition Paquet we found a partner who supported us very well.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Sequential art is older than millennia as we can see on cave paintings. It is later found in antiquity and can be found in the High Middle Ages on the Bayeux Tapestry. With the printing of books, sequential art became known to a wider readership. In the late 19th century, picture sheets were published, just like short comic strips. Picture and word told a short story.
In France and Belgium at the beginning of the 20th century, a new form of comic strip developed - the comic book - in which longer stories were printed in continuation. The comic series was born. This is also where drawing styles developed, such as Ligne claire, whose best-known representative is Herge with his Tintin. What most comics had in common was that legibility was created by a line drawn with black ink.
ᱯᱨᱮᱨᱚᱱᱟ
The inspiration came from our kids and the question - What if nature stroke back created a new aggressive species? The fictive story is telling happenings in a post apocalyptic south europe, where survival is only possible in fortified cities and settlements. Following the rules is a matter of life and death. Every child knows that. Until he becomes a teenager…
The theme of Gung Ho is on one hand about the destructive side of youth, but also on the other hand its power for renewal.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project began in Munich in 2012. The first book was published in France in 2013. The project was completed in January 2021 in Munich with a publication in France in June 2021.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The book was used in the Amiens region of France for classroom discussion and analysis. The aim is to adapt the book into film - animation or life action - or game media.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
GUNG HO © von Kummant / von Eckartsberg / Edition Paquet
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
artist: Thomas von Kummant
writer: Benjamin von Eckartsberg
editor: Edition Paquet

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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