Wei Zhou ᱨᱮᱱᱟᱜ Ren Community ᱠᱟᱞᱟ ᱠᱟᱹᱢᱤ: ᱠᱞᱟ ᱜᱮᱞᱟᱨᱤ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2023
Ren Community ᱠᱟᱞᱟ ᱠᱟᱹᱢᱤ: ᱠᱞᱟ ᱜᱮᱞᱟᱨᱤ
Wei Zhou ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: BW Architect
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#139362 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Ren Community ᱠᱟᱞᱟ ᱠᱟᱹᱢᱤ: ᱠᱞᱟ ᱜᱮᱞᱟᱨᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱪᱮᱛᱟᱱ ᱚᱲᱟᱜ: ᱨᱮᱱ ᱠᱚᱢᱭᱩᱱᱤᱴᱤ ᱢᱮᱱᱟᱜ-ᱟ ᱢᱤᱫ ᱠᱞᱟ ᱜᱮᱞᱟᱨᱤ ᱡᱟᱦᱟᱸ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱦᱟᱸᱜᱡᱚᱭ ᱶᱟᱨᱦᱮ ᱢᱤᱫ ᱦᱩᱡᱩᱜ ᱡᱟᱜᱟ ᱨᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱾ ᱵᱷᱤᱛᱨᱤ ᱯᱟᱨᱥᱮ ᱠᱚ ᱠᱮ ᱛᱮᱨᱳ ᱢᱤᱴᱚᱨ ᱟᱨᱦᱟᱸᱜ, ᱟᱨᱦ ᱢᱤᱴᱚᱨ ᱟᱲᱟᱜ ᱟᱨ ᱢᱚᱬᱮ ᱢᱤᱴᱚᱨ ᱩᱪᱟᱹ ᱠᱟᱱᱟ ᱾ ᱟᱲᱟᱜ ᱟᱨᱦᱟᱸᱜ ᱚᱡᱚᱱ ᱛᱮᱭᱟᱨ, ᱜᱮᱞᱟᱨᱤ ᱯᱮ ᱦᱟᱹᱨᱟ ᱛᱮ ᱵᱟᱹᱴᱤ ᱟᱠᱟᱱᱟ: ᱥᱟᱶᱛᱟ, ᱛᱟᱞᱟ ᱟᱨ ᱛᱟᱭᱚᱢ ᱨᱮᱭᱟᱜ ᱦᱟᱹᱨᱟ ᱠᱚ ᱾ ᱱᱚᱶᱟ ᱦᱟᱹᱨᱟ ᱠᱚ ᱢᱤᱫᱴᱟᱸᱜ ᱛᱮ ᱢᱤᱫᱴᱟᱸ ᱨᱮ ᱵᱚᱦᱚᱜᱼᱟ ᱟᱨ ᱴᱷᱟᱨ ᱴᱷᱟᱨ, ᱠᱷᱩᱞᱟ ᱡᱟᱜᱟ ᱠᱚ ᱛᱮᱭᱟᱨ ᱚᱰᱚᱠᱟ ᱾ ᱩᱪᱟᱹ ᱟᱨ ᱛᱷᱟᱲᱟ ᱨᱮᱭᱟᱜ ᱵᱚᱫᱚᱞ ᱠᱚ ᱡᱟᱦᱟᱸ ᱛᱮ ᱡᱟᱜᱟ ᱨᱮ ᱢᱤᱫ ᱛᱟᱞ-ᱴᱟᱞ ᱨᱮᱭᱟᱜ ᱦᱩᱱ ᱟᱹᱭᱩᱨ ᱚᱰᱚᱠᱟ ᱾ ᱥᱟᱶᱛᱟ ᱟᱨ ᱛᱟᱭᱚᱢ ᱦᱟᱹᱨᱟ ᱠᱚ ᱨᱮ ᱚᱠᱚᱭᱞᱟᱭᱴ ᱠᱚ ᱥᱮᱫ ᱟᱹᱲᱟᱜ ᱚᱛᱟᱭ ᱛᱟᱦᱮᱸ ᱠᱚᱭᱟᱭ ᱾ ᱯᱟᱸᱰᱟ ᱢᱟᱭᱠᱨᱳᱥᱤᱢᱮᱸᱴ ᱛᱮ ᱥᱟᱨᱦᱟᱛᱟᱠᱚ ᱛᱚᱯᱟ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱢᱤᱫ ᱯᱟᱸᱰᱟᱣ ᱜᱮᱞᱟᱡ ᱢᱮᱴᱟᱣ-ᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱤᱫ ᱵᱟᱹᱲᱛᱤ ᱥᱟᱦᱚᱨ ᱨᱮ ᱢᱤᱫ ᱥᱟᱱᱛᱤ ᱟᱨ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱴᱷᱟᱦᱮᱱ ᱡᱟᱜᱟ ᱮᱢ ᱦᱚᱪᱚᱭ ᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Ren Community ᱠᱟᱞᱟ ᱠᱟᱹᱢᱤ: ᱠᱞᱟ ᱜᱮᱞᱟᱨᱤ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ren Community ᱠᱟᱞᱟ ᱠᱟᱹᱢᱤ: ᱠᱞᱟ ᱜᱮᱞᱟᱨᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- As for spatial structure, it is divided into three halls: front, middle and rear. The various spaces penetrate and flow with each other, forming multiple ambiguous spaces; through the change of height and encirclement, the sense of spatial rhythm is given.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- space size 13m*4.2m*5.4m
- ᱴᱮᱜ ᱠᱚ
- Gallery, Exhibition, Interior, Minimalism, Klein
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The whole gallery is in white microcement so that it is visually pure. It also shows its diversity with the various of the space and the flow of the natural light. Therefore, the entire space would eventually appear both pure and various.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Create a very rich spatial experience through the redesign of the space by the designer in a very small space.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The idea of the design came mainly from two artists, one is the artist Yves Klein, and the other is the Japanese architect Tadao Ando. Klein blue is a deep and pure color, applied to the design of the museum to give space a kind of vitality, Tadao Ando's design philosophy is deeply impressed to me, can extract the relationship between many people and nature, people and society, from this starting point of thinking, so that the meaning of design to another level.
- ᱯᱨᱮᱨᱚᱱᱟ
- "Architecture should remain silent and let light and wind express" – Japanese architect Tadao Ando. From the perspective of architectural philosophy, the elements of nature are used to integrate architecture and nature. The museum is designed as an introverted space with no cluttered streets in sight, but the skylights in the front and back halls give the space a sacred temperament.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Product located at Wulinli Pocket Park, Xiaofeng Road, Hangzhou, China
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The original intention of the design was to provide a quiet space in the noisy city, so I wanted the feeling of the space to be inward when designing. More is to make changes in the interior space itself, and there is less connection with the outdoors.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Xin Bu
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Zhang Jianing - Hanmo photograph, Ren Community Art Gallery, 2021
Optional Image #1: Zhang Jianing - Hanmo photograph, Ren Community Art Gallery, 2021
Optional Image #2: Zhang Jianing - Hanmo photograph, Ren Community Art Gallery, 2021
Optional Image #3: Zhang Jianing - Hanmo photograph, Ren Community Art Gallery, 2021
Optional Image #4: Zhang Jianing - Hanmo photograph, Ren Community Art Gallery, 2021
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
