Jin-Zhi Liao ᱨᱮᱱᱟᱜ Defy Defy (ᱪᱟᱸᱰᱚᱠᱟᱛᱮ) ᱵᱟᱦᱟ ᱠᱟᱠᱴ ᱰᱤᱡᱟᱭᱤᱱ

Jin-Zhi Liao ᱨᱮᱱᱟᱜ Defy Defy (ᱪᱟᱸᱰᱚᱠᱟᱛᱮ) ᱵᱟᱦᱟ ᱠᱟᱠᱴ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱪᱷᱟᱯᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱪᱷᱟᱯᱟ· 2022

Defy Defy (ᱪᱟᱸᱰᱚᱠᱟᱛᱮ) ᱵᱟᱦᱟ ᱠᱟᱠᱴ ᱰᱤᱡᱟᱭᱤᱱ

Jin-Zhi Liao ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Rye Field Publishing Co.

ᱪᱷᱟᱯᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

11,730

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#139811 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Defy Defy (ᱪᱟᱸᱰᱚᱠᱟᱛᱮ) ᱵᱟᱦᱟ ᱠᱟᱠᱴ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

Defy ᱮᱱᱟ ᱢᱤᱴ ᱵᱟᱦᱟ ᱠᱟᱠᱴ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮᱭᱟᱨᱟᱠᱟᱱᱟ ᱢᱤᱫ ᱪᱟᱯᱟ ᱡᱟᱦᱟᱸ ᱟᱱᱟᱨᱠᱤᱡᱚᱢ (anarchism) ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱟᱛᱷᱟ ᱠᱚᱣᱟᱜ ᱠᱟᱱᱟ ᱚᱱᱟ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨᱠᱟᱱᱟ ᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱡᱚᱲᱟ ᱪᱟᱸᱫᱚ (glasses) ᱢᱩᱬᱩᱛ ᱫᱮᱠᱷᱟᱣ ᱨᱮᱭᱟᱜ ᱵᱚᱱ ᱠᱟᱱᱟ, ᱟᱨ ᱟᱨ ᱥᱯᱚᱴ ᱵᱷᱟᱨᱱᱤᱥ (spot varnish) ᱛᱮ ᱞᱮᱯᱮᱛ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱴᱮᱠᱥᱪᱟᱨ ᱚᱠᱟ ᱴᱷᱤᱠ ᱡᱮ ᱦᱟᱛᱟᱣ ᱨᱟᱠᱟᱵᱟ᱾ ᱠᱟᱠᱴ ᱟᱨ ᱵᱮᱞᱤ ᱵᱮᱸᱰ (belly band) ᱨᱮ ᱚᱱᱟ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱮᱠᱷᱟᱣ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱟᱭᱣᱟᱱ (Taiwan) ᱨᱮᱭᱟᱜ ᱦᱚᱲ ᱠᱚ ᱟᱛᱟᱨᱚᱠᱟᱛᱮ ᱵᱮᱨᱤᱠᱮᱰ (barricades) ᱛᱮᱭᱟᱨ ᱟᱠᱛᱚᱜᱼᱟ, ᱡᱮᱢᱚᱱ ᱛᱨᱟᱯᱷᱤᱠ ᱠᱚᱱ (traffic cones), ᱰᱨᱟᱢ (barrels) ᱟᱨ ᱵᱮᱝᱪ (benches)᱾ ᱚᱰᱚᱠ (Industrial) ᱯᱮᱠᱮᱡᱤᱝ ᱠᱟᱜᱚᱡ ᱮᱢ ᱮᱛᱦᱚᱵ ᱨᱮᱭᱟᱜ ᱚᱠᱛᱚ ᱵᱮᱵᱷᱟᱨᱟᱜᱼᱟ᱾ ᱟᱨᱟᱜ, ᱦᱮᱸᱫᱮ ᱟᱨ ᱯᱩᱭᱞᱩ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱡᱚᱴᱚ ᱵᱤᱨᱚᱫ ᱟᱨ ᱛᱟᱦᱮᱸᱱ ᱚᱰᱚᱠ ᱵᱮᱨᱚᱲ ᱚᱰᱚᱠ ᱫᱮᱠᱷᱟᱣᱟᱜᱼᱟ᱾ ᱚᱱᱟ ᱦᱟᱛᱟᱣ ᱡᱤᱱᱤᱥ ᱠᱚ ᱢᱤᱫ ᱡᱚᱛᱚ ᱰᱷᱟᱨᱚᱬᱟ ᱛᱮ ᱦᱟᱨ ᱦᱟᱨ ᱡᱤᱣᱚᱱ ᱥᱟᱶᱛᱮ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱫᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Defy Defy (ᱪᱟᱸᱰᱚᱠᱟᱛᱮ) ᱵᱟᱦᱟ ᱠᱟᱠᱴ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Defy Defy (ᱪᱟᱸᱰᱚᱠᱟᱛᱮ) ᱵᱟᱦᱟ ᱠᱟᱠᱴ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The glasses as a main visual hint, are coated with spot varnish to make the texture more realistic. Various typical objects which are often being used to build barricades are showed on the cover and the belly band. Designer tends to recall the shared memories of Taiwanese readers by these familiar objects. Also industrial packaging paper is used for printing material. The color scheme of the cover is red, black and white, in order to create a sense of the Left-wing, rebellion, and revolution. Readers can associate to Anarchism by both visual and tactile perceptions.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Industrial packaging paper: kraft paper and Coated paper on each side
Spot Varnish coating
ᱴᱮᱜ ᱠᱚ: book, press meadia, graphic
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: Spot varnishing on major visual design
Industrial packaging paper for printing
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: It is a challenge for designer while attempting to intepret the abstract concept of Anarchism for Taiwanese readers, so daily objects are being used allowing readears to easily associate to their experiences.
ᱯᱨᱮᱨᱚᱱᱟ: People are standing up against existing rules, severe laws through provoking small-scale boycotts with typical objects which can be found on the streets of Taiwan. They are often being used to build barricades. For examples like Traffic cone with tire on top, barrels, bench, or a self-made “No Parking” stand. People use these to create a private boundary in a shared place. These behaviors can be taking as actions of Anarchism. The glasses on the other hand, is a symbol of getting a new vewpoint of Anarchism.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The designing project started and finished in April 2021 in Tainan, Taiwan, and was published in Taiwan on 1st of April, 2021.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The graphic design is to create a shared life experience towards Anarchism, but also to try interpreting a perspective of Taiwanese folk culture.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Book Author in original language: James C. Scott
Graphic Design: Jin-Zhi, Liao