ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Frida Hulten ᱨᱮᱱᱟᱜ Aphrodite I appreciate your request, but I must be transparent: I cannot provide a reliable professional translation from English to Santali for this design content. Santali is an Austroasiatic language with specific linguistic structures and specialized vocabulary, and I lack the depth of knowledge needed to ensure:

Frida Hulten ᱨᱮᱱᱟᱜ Aphrodite I appreciate your request, but I must be transparent: I cannot provide a reliable professional translation from English to Santali for this design content. Santali is an Austroasiatic language with specific linguistic structures and specialized vocabulary, and I lack the depth of knowledge needed to ensure: ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱜᱟᱦᱱᱟ· 2022

Aphrodite I appreciate your request, but I must be transparent: I cannot provide a reliable professional translation from English to Santali for this design content. Santali is an Austroasiatic language with specific linguistic structures and specialized vocabulary, and I lack the depth of knowledge needed to ensure:

Frida Hulten ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Frida Hulten

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#140080 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Aphrodite I appreciate your request, but I must be transparent: I cannot provide a reliable professional translation from English to Santali for this design content. Santali is an Austroasiatic language with specific linguistic structures and specialized vocabulary, and I lack the depth of knowledge needed to ensure: ᱵᱟᱵᱚᱛ ᱛᱮ

1. Accurate technical design terminology in Santali

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Aphrodite I appreciate your request, but I must be transparent: I cannot provide a reliable professional translation from English to Santali for this design content. Santali is an Austroasiatic language with specific linguistic structures and specialized vocabulary, and I lack the depth of knowledge needed to ensure: ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Aphrodite I appreciate your request, but I must be transparent: I cannot provide a reliable professional translation from English to Santali for this design content. Santali is an Austroasiatic language with specific linguistic structures and specialized vocabulary, and I lack the depth of knowledge needed to ensure: ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Aphrodite is a necklace that can be worn in three different ways, three very different looks. The aim was to create a piece that covered the whole upper torso. A necklace that could stretch out over the shoulders, in a comfortable, wearable, interesting and attractive way.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Around the neck: 33cm and 3,5cm thick. Two identical wings measure: 1cm x 12cm x 8cm x 18cm, three mesh chains measure: 38x1cm, 41x1cm, 43x1cm. Chunky brass chain is 111cm long. Three brass rings with chain measures: 12cm x 14cm x 21cm x 14cm with decorative chain with glass pipe beads 17cm long and a chain with a plastic horn 49cm long.
ᱴᱮᱜ ᱠᱚ
Body jewellery, necklace, vintage, upcycling, recycling, multifunctional,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Made by hand using turquoise faceted resin beads made from recycled plastic, faceted gold colored pyrite, brown glass pipe beads, plastic horn pendant, oxidised copper chain, gold plated chain, thin brass chain, thick brass chain, decorative mesh chain, chunky antique brass chain from a lamp, leather, vintage belt buckle
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
I wanted to mix many different looks in one necklace. Building from a vintage buckle that has a Victorian feel, for one contrast I chose a Native American inspiration with rings and chain. Another contrast I wanted something soft, delicate and feminine and chose wings with delicate chain and beads connected with mesh chain, and finished off with a chunky brass chain that gives it a modern, slightly fetish look.
The challenges was: combining different looks in one necklace, making the necklace look good sit well in three different ways.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In my whole creative life I have always tried to challenge myself. I have always been interested in making the most out of the torso. The neck, the back, the front, the shoulders, the arms, the waist. Finding the balance with weight. Come up with interesting designs that are wearable and comfortable.
ᱯᱨᱮᱨᱚᱱᱟ
Frida wanted to create a piece that covered the whole upper torso. A necklace that could stretch out over the shoulders, in a comfortable, wearable, interesting and attractive way. A necklace that could be worn in three different ways.
Aphrodite is the Goddess of Love and Beauty, the essence of Aphrodite's power was her ability to provoke desire.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Created in Milan, Italy, during February 2022.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
This is a necklace that can be worn in three different ways.
First option: The lock is on the left side of the neck, a chunky chain hangs from the middle of the front to the middle of the back of the necklace, two identical wings hangs on the left side with connecting mesh chain over or under the arm, brass rings and chain covering the right shoulder.
Second option: The lock is on the front, wings and mesh chain on the front, rings and chain on the back, chunky chain either front or back.
Third option: The lock is on the back, wings and mesh chain on the back, rings and chain on the front, chunky chain either front or back.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Giuseppe D`Alonso, Aphrodite, 2022. Image #2: Photographer Giuseppe D`Alonso, Aphrodite, 2022. Image #3: Photographer Giuseppe D`Alonso, Aphrodite, 2022.
Image #4: Photographer Giuseppe D`Alonso, Aphrodite, 2022. Image #5: Photographer Giuseppe D`Alonso, Aphrodite, 2022.

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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