ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Hsin-Ting Weng ᱨᱮᱱᱟᱜ Crescent ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱬ

Hsin-Ting Weng ᱨᱮᱱᱟᱜ Crescent ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱬ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022

Crescent ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱬ

Hsin-Ting Weng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: RIS Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

12,503

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#140185 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Crescent ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱬ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱠᱨᱮᱥᱮᱸᱴ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱱᱤᱣ ᱛᱟᱭᱯᱮ ᱥᱟᱦᱚᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱚᱯᱟᱴᱢᱮᱸᱴ ᱨᱮᱭᱟᱜ ᱠᱚ 115 ᱥᱠᱣᱮᱨ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱠᱷᱚᱱ ᱮᱠᱟ ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱬ ᱠᱟᱱᱟ᱾ ᱛᱟᱦᱮᱸᱱ ᱠᱳ ᱥᱮᱬᱮᱫ ᱟᱹᱭᱩᱵ ᱢᱮᱱᱟᱜᱼᱟ ᱥᱮᱬᱮᱫ ᱟᱠᱟᱛᱮ, ᱚᱱᱟᱛᱮ ᱡᱟᱦᱟᱸ ᱛᱮ ᱟᱹᱭᱩᱵ ᱨᱮᱭᱟᱜ ᱟᱹᱲᱟᱸ ᱠᱚ ᱮᱦᱚᱵ ᱢᱟᱨᱟᱝ ᱵᱟᱛᱟᱨ ᱦᱮᱸᱰᱮᱠ ᱛᱮ ᱦᱚᱸ ᱟᱠᱟᱱᱟ᱾ ᱦᱮᱸᱰᱮᱠ ᱟᱠᱟᱱ ᱚᱱᱟ ᱛᱚᱴᱠᱚᱲᱚᱭ ᱡᱤᱣᱚᱱ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱢᱟᱲᱟᱝ ᱨᱮ ᱢᱤᱫ ᱴᱟᱱᱟᱝ ᱠᱨᱮᱥᱮᱸᱴ ᱠᱚ ᱵᱮᱱᱟᱣᱮᱫᱟ ᱟᱨ ᱥᱮᱬᱮᱫ ᱟᱭᱩᱵ ᱠᱟᱛᱮ ᱟᱨ ᱯᱷᱤᱞᱚᱢ ᱧᱮᱞ ᱠᱟᱛᱮ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱮᱥ ᱟᱨᱟᱝ ᱚᱨᱟᱜ ᱦᱚᱸ ᱮᱢᱟᱨᱮᱭᱟᱭ᱾ ᱢᱤᱱᱮᱨᱟᱞ ᱨᱚᱝ ᱮᱴᱠᱮᱡ ᱠᱳ ᱦᱮᱸᱰᱮᱠ ᱠᱷᱚᱱ ᱩᱴᱟ ᱴᱮ, ᱴᱚᱴᱟ ᱠᱚ ᱟᱨ ᱫᱩᱣᱟᱨ ᱠᱳ ᱛᱮ ᱚᱴᱟᱭᱟᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱢᱤᱫ ᱤᱫᱤᱠᱚᱰᱤ ᱡᱟᱦᱟᱸ ᱨᱮ ᱴᱷᱟᱨᱟ ᱦᱚᱸ ᱚᱲᱟᱜ ᱠᱟᱱᱟ᱾ ᱢᱟᱨᱵᱮᱞ ᱯᱮᱱᱮᱞᱤᱝ ᱴᱮᱞᱤᱵᱷᱤᱡᱚᱱ ᱴᱚᱴᱟ ᱠᱷᱚᱱ ᱩᱴᱟ ᱴᱮ ᱮᱠᱟ ᱟᱹᱲᱟᱸ ᱴᱮ ᱡᱟᱦᱟᱸ ᱨᱮ ᱟᱭᱩᱵ ᱮᱨᱠᱟᱹᱴ ᱠᱚ ᱴᱷᱟᱨᱟ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱫᱟᱴᱠᱞ ᱴᱮᱵᱩᱞ ᱟᱴᱠᱟᱨ ᱟ ᱨᱟᱲᱟ ᱯᱮᱸᱰᱮᱸᱴ ᱮᱠᱣ ᱴᱮ ᱟᱨᱠᱟᱛᱮ ᱮᱠᱟᱴᱮ ᱨᱟᱠᱟᱵ ᱫᱚ ᱮᱢᱟᱨᱮᱭᱟᱭ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Crescent ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱬ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Crescent ᱨᱮᱦᱮᱸᱰ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱬ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The apartment owner enjoys listening to music. In response to the owner's audio-visual function requirements, most acoustic equipment is embedded underneath the backlit ceiling arc, forming a suspended crescent at the core of living space. The arc slithers the open space and holistically complements with clean linearity. While minimal forms dominate throughout all areas, the red pendant above the dining table draws an artistic contrast, playfully presenting stacks of lights and shadows.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Construction area 115 square meter.
ᱴᱮᱜ ᱠᱚ
Arc, marble, minimalism, mineral paints, Foscarini pendant
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Mineral paints are not only seen from ceilings to floorings, but also continuously painted on walls and doors, developing into a continuum of functional storage. Properties of mineral paints sustain a primal and modest ambiance, implying to the and undertones of the Moonlight sonata by Beethoven.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The installation of visual-audio devices is complicated and technically intricate. How to congregate all the wirings and enclose in a slender crescent shape at the same time, is therefore an arduous task.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The arc integrates with backlit design, not only enveloping the living area, but also giving a warm glowing touch to the family. It provides more mood conditions to cater for listening to music or watching movies.
ᱯᱨᱮᱨᱚᱱᱟ
Music is an art form. If sound is tangible, what does it look like? Imagining the acoustic waves rise, swirl, and then fall in the space, outlines in a smooth trajectory of arc. This project aims to forge a lyrical lifestyle in minimalist forms imbuing with tasteful sophistication.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Completion on November 2021, New Taipei city, Taiwan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Extending the marble paneling from the TV wall, the flooring marble inlay assures the audio device placement. Except the partial tile flooring at the entrance for dust-fall purposes, the interior design is filled with the low-saturated color tone, suffusing with poise and tranquility and encompassing sufficient storage at the same time.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Ris Interior Design Co., Ltd.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
HSIN TING WENG
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Hey!cheese Photography

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ