ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Shilushi Inc. ᱨᱮᱱᱟᱜ Traces Of Zero ᱠᱮᱞᱮᱱᱰᱟᱨ

Shilushi Inc. ᱨᱮᱱᱟᱜ Traces Of Zero ᱠᱮᱞᱮᱱᱰᱟᱨ ᱫᱚ ᱠᱟᱞᱟ ᱥᱟᱢᱟᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱠᱟᱞᱟ ᱥᱟᱢᱟᱱ· 2023

Traces Of Zero ᱠᱮᱞᱮᱱᱰᱟᱨ

Shilushi Inc. ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Shilushi Inc.

ᱠᱟᱞᱟ ᱥᱟᱢᱟᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#143113 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Traces Of Zero ᱠᱮᱞᱮᱱᱰᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱤᱫ ᱠᱟᱰ ᱫᱚ ᱵᱟᱱᱟᱨ ᱥᱮᱫ ᱨᱮ ᱵᱟᱨᱭᱟ ᱪᱟᱸᱫᱚ ᱞᱟᱹᱜᱤᱫ ᱠᱮᱞᱮᱱᱰᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ᱾ 0-ᱟᱠᱟᱨ ᱯᱷᱨᱮᱢ ᱨᱮ ᱢᱟᱦᱟᱸᱠᱚ ᱩᱛᱷᱟᱹᱣ ᱪᱷᱟᱯ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱯᱷᱨᱮᱢ ᱵᱷᱤᱛᱤᱨ ᱨᱮᱱᱟᱜ ᱥᱟᱦᱟᱸ ᱠᱟᱜᱚᱡ ᱫᱚ ᱯᱟᱪᱤᱠᱟ ᱠᱟᱜᱚᱡ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱜᱚᱨᱚᱢ ᱪᱷᱟᱯ ᱛᱮ ᱯᱟᱨᱚᱢ ᱪᱟᱞᱟᱜ ᱦᱩᱭᱩᱜ-ᱟ᱾ ᱱᱚᱶᱟ ᱜᱩᱱ ᱠᱚᱭ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ, ᱡᱤᱭᱟᱹᱞᱤ ᱟᱨ ᱡᱤᱣᱤ ᱡᱟᱜᱟᱛ ᱨᱮᱱᱟᱜ ᱩᱱᱠᱩ ᱦᱩᱰᱤᱧ ᱟᱨ ᱱᱟᱡᱩᱠ ᱥᱟᱹᱨᱤ ᱡᱤᱱᱤᱥ ᱠᱚᱭ ᱫᱚᱦᱚ ᱠᱮᱫ-ᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱟᱹᱲᱛᱤ ᱠᱟᱛᱮ ᱵᱟᱝ ᱧᱮᱞ ᱜᱟᱱᱚᱜ-ᱟ᱾ ᱩᱱᱠᱩ ᱫᱚ ᱟᱢ ᱴᱷᱮᱱ ᱮ ᱫᱮᱠᱷᱟᱣᱟ ᱡᱮ, ᱡᱮᱨᱳ ᱨᱮᱱᱟᱜ ᱧᱮᱞ ᱛᱮ ᱡᱮᱜᱮᱛ ᱧᱮᱞ, ᱟᱢᱟᱜ ᱥᱟᱦᱮᱸᱥ ᱛᱮ, ᱢᱤᱫ ᱵᱮᱥ ᱡᱮᱜᱮᱛ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱧᱟᱢᱚᱜ ᱨᱮ ᱜᱚᱲᱚᱭ ᱮᱢᱟᱢ-ᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫ ᱦᱩᱰᱤᱧ ᱰᱮᱥᱠ ᱠᱮᱞᱮᱱᱰᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱦᱩᱰᱤᱧ ᱟᱨ ᱢᱟᱨᱟᱝ ᱧᱮᱞ ᱛᱮ ᱛᱟᱞᱟ ᱨᱮ ᱪᱟᱹᱞᱩᱜ ᱢᱤᱫ ᱡᱤᱣᱤ ᱫᱷᱩᱨᱤ ᱢᱮᱱᱟᱜ-ᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Traces Of Zero ᱠᱮᱞᱮᱱᱰᱟᱨ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Traces Of Zero ᱠᱮᱞᱮᱱᱰᱟᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
One calendar card can be used as two-month calendar on both sides. The inner parts of 0 frame that the light pass through, the pattern appears by hot stamping process on PACHIKA paper. It was manually sandwiched between thick white paper frame cut out to 0. The inclination of frame 0 is the same as the earth's axis, in addition, marked the new moon and the full moon on an orbit traces 0. Going back and forth between micro and macro perspectives is another side of appreciation of this calendar.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Package dimensions: W126mm x D166mm x H36mm. Calendar cards within W120mm x H160mm. Wood stand: 30mm cube. (Slit angle: 90 degrees Depth: 25mm)
ᱴᱮᱜ ᱠᱚ
calendar, desk calendar, laser cut, hot stamping, light, translucent, trace, white paper, zero, earth's axis, orbit, japan
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
PACHIKA paper is one of the unique fine papers that it becomes translucent by hot stamping. Letters, logos and simple patterns are often used in this effect as designs. Their challenge is not to use this effect to "draw" the detailed and delicate realism of nature and the living world that is difficult to see with the naked eye, but to "extract" them as they are by taking advantage of the characteristics of paper.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
As for hot stamping process for inner parts, experimental testing was repeated to raise its quality. At the first, all six pieces of pattern are pressed together on large sized paper, but it was ineffective because of weakness of stamping pressure. For this reason, they chose the time-consuming work of pressing one by one. It's no exaggeration to say that skills of technical experts, extensive knowledge and quality of craftsmanship made this calendar even more attractive.
ᱯᱨᱮᱨᱚᱱᱟ
The world is now at a crossroads, we are holding the same problem and thinking what we should do now for the future. How can human live better in harmony with Living things on the earth? If you focus carefully on a living thing around you from the viewpoint of ZERO, you can see the traces of life that continue evolving while repeating the purification process unnoticeably but quite dynamically moment to moment. Looking at the world with your clear eyes is one way to find clues to a better world.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Their originative calendars has been gifted to their clients and business partner on every beginning of the year since the company established 2015. It is the tool that not only expressing gratitude, but also calling to mind the pure delight, fun and enjoyment of creative design.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Each calendar cards are inserted in a slit of wooden cube. By natural light, home lightings as well, it penetrates inside of 0-frame then patterns appear. Sensuous appearances combine solid white and organic inner pattern attract your attention for observation. And furthermore, you will immerse yourself in deep thoughts for a while. It is also as a part of the interior object, people will have enjoyment of replacing each calendar card seasonally.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Art Direction & Graphic Design: Emi Kawasaki
Graphic Design: Yui Kadota
Graphic Design: Satoka Araseki
Graphic Design: Takanori Nezu
Title Copy & Coordinate: Daisuke Kodama
Printing Direction & Manufacturing: Shinohara Shiko Ltd.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
All image: Photographer Naohiro Isshiki

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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