Joseph Di Pasquale ᱨᱮᱱᱟᱜ Villa Madonna ᱦᱳᱴᱮᱞ ᱯᱟᱥᱱᱟᱣ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2023
Villa Madonna ᱦᱳᱴᱮᱞ ᱯᱟᱥᱱᱟᱣ
Joseph Di Pasquale ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Hotel Villa Madonna
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#143158 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Villa Madonna ᱦᱳᱴᱮᱞ ᱯᱟᱥᱱᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱵᱷᱤᱞᱟ ᱢᱟᱰᱳᱱᱟ ᱫᱚ ᱤᱴᱟᱞᱤ ᱨᱮᱭᱟᱜ ᱟᱞᱯᱮ ᱫᱤ ᱥᱤᱭᱩᱥᱤ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱦᱳᱴᱮᱞ ᱨᱮᱭᱟᱜ ᱯᱟᱥᱱᱟᱣ ᱠᱟᱱᱟ, ᱚᱠᱟ ᱫᱚ ᱒᱐᱒᱑ ᱥᱮᱨᱢᱟ ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱞᱮᱱᱟ᱾ ᱱᱚᱶᱟ ᱯᱟᱥᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱫᱚ ᱥᱩᱨ ᱥᱟᱶᱛᱟ ᱨᱮᱭᱟᱜ ᱫᱷᱟᱨᱛᱤ ᱜᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱢᱩᱬᱩᱛ ᱥᱟᱢᱟᱝ ᱦᱤᱥᱟᱹᱵ ᱫᱚ ᱥᱤᱞᱤᱭᱟᱨ ᱵᱩᱨᱩ ᱛᱚᱨᱚᱡᱽ ᱨᱮᱭᱟᱜ ᱪᱮᱛᱟᱱ ᱴᱷᱮᱱ ᱥᱮᱫ ᱛᱮ ᱛᱷᱟᱯᱚᱱ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱵᱩᱨᱩ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱧᱮᱞ ᱡᱚᱥ ᱛᱮ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱫᱷᱤᱨᱤ, ᱠᱟᱸᱪ ᱟᱨ ᱠᱟᱴ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱡᱚᱛᱚ ᱫᱚ ᱠᱚᱢ ᱠᱟᱨᱵᱚᱱ ᱰᱟᱭᱳᱠᱥᱟᱭᱤᱰ ᱚᱰᱚᱠ ᱢᱮᱱᱟᱜ ᱥᱚᱨᱵᱚᱨᱟᱦ ᱥᱟᱺᱠᱲᱤ ᱠᱚ ᱠᱷᱚᱱ ᱟᱹᱜᱩ ᱟᱠᱟᱱᱟ, ᱚᱠᱟ ᱫᱚ ᱰᱷᱮᱨ ᱫᱤᱱ ᱛᱟᱦᱮᱸᱱ ᱟᱨ ᱪᱮᱛᱟᱱ ᱮᱱᱟᱨᱡᱤ ᱠᱟᱹᱢᱤ ᱦᱚᱨᱟ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱯᱟᱥᱱᱟᱣ ᱨᱮ ᱢᱤᱫ ᱨᱤᱥᱮᱯᱥᱚᱱ, ᱢᱤᱫ ᱡᱤᱨᱟᱹᱣ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱟᱲᱦᱟᱣ ᱟᱨ ᱜᱟᱞᱢᱟᱨᱟᱣ ᱠᱩᱴᱷᱤ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱥᱤᱧᱚᱛ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱚᱱᱠᱟᱱ ᱠᱷᱩᱞᱟᱹ ᱠᱚ ᱛᱮ ᱵᱚᱞᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱪᱟᱨᱚᱴ ᱥᱮᱫ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱡᱩᱲᱟᱹᱣ ᱠᱚ ᱨᱟᱠᱷᱟ ᱠᱟᱛᱮ ᱛᱟᱦᱮᱸᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Villa Madonna ᱦᱳᱴᱮᱞ ᱯᱟᱥᱱᱟᱣ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Villa Madonna ᱦᱳᱴᱮᱞ ᱯᱟᱥᱱᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The morphology of the extension was determined by the purpose of identifying meaningful relationships with the natural context.This approach has allowed the adoption of an architecture that, while strongly differentiating stylistically and linguistically, manages to converse harmoniously with the more traditional character of the building to which it is juxtaposed.
- ᱴᱮᱜ ᱠᱚ
- Eco Hotel Alpe di Siusi, Mountain Architecture, Organic Design
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The criteria that governed the choice of materials was to use technical materials that would ensure durability and high energy performance, which, however, would take up the logic of tradition in mountain buildings: stone, glass and wood.
All materials used come from a supply chain with low carbon dioxide production. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The most complex part was to design a building envelope that would integrate with the pre-existing landscape and 'hotel, but at the same time could take on with new architectural significance.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design research was done by observing the surrounding area and bringing back into the architecture itself the lines that make up the surrounding landscape.
Light was used as a natural element of intersection and connection between interior and exterior, thus generating an architecture that could fit in and become a homogeneous part of the landscape. - ᱯᱨᱮᱨᱚᱱᱟ
- The main inspiration was determined by the orientation toward the summit of the Sciliar mountain range. The axis identified in this way determines the alignment of the main façade of the intent space with the goal of capturing the view of the peak. From an architectural point of view, the intervention relates to the existing building by interpreting the basic compositional role using only technical materials that would, however, resume the logic of tradition in mountain buildings.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Built in 2021, Alpe di Siusi, Italy
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The new extension is integrated into the existing architectural context through a new re-functionalization of spaces.
The recepion, a refreshment area, and different reading-conversation rooms were included in this new shell.
Light and views of the outdoor space filter into the interior through physical discretizations of the infills without affecting the perception of their material continuity over the entire perimeter of the extension. - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Ezio Manciucca
Image #2: Ezio Manciucca
Image #3: Ezio Manciucca
Image #4: Ezio Manciucca
Image #5: Ezio Manciucca
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ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾