Jung Tien Hsu ᱨᱮᱱᱟᱜ The Surface and Body Shikhya Kendra ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2023
The Surface and Body Shikhya Kendra
Jung Tien Hsu ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: DAL Design Group Inc.
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#145275 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Surface and Body Shikhya Kendra ᱵᱟᱵᱚᱛ ᱛᱮ
ᱥᱟᱨᱚᱯᱷᱮᱥ ᱟᱨ ᱵᱚᱰᱤ ᱛᱟᱴᱟᱭᱠᱚᱰᱚᱠ, ᱛᱟᱭᱣᱟᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱮᱴᱠᱮ ᱮᱰᱩᱠᱮᱥᱚᱱ ᱠᱮᱱᱰᱨᱟ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ ᱨᱮᱭᱟᱜ ᱯᱷᱟᱨᱥ ᱮᱨᱤᱭᱟ ᱠᱚᱴᱮ ᱫᱚ ᱡᱚᱛᱚ 1089 ᱥᱠᱣᱮᱭᱟᱨ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱫᱚ ᱢᱤᱫ ᱟᱪᱚ ᱮᱞ ᱨᱩᱯ ᱨᱮᱭᱟᱜ ᱫᱮᱣᱟᱞ ᱟᱨ ᱢᱤᱫ ᱨᱮᱠᱴᱟᱝᱜᱩᱞᱟᱨ ᱠᱚᱬᱠᱨᱤᱴ ᱵᱚᱰᱤ ᱠᱷᱚᱱ ᱚᱛᱟᱭ ᱟᱠᱟᱱᱟ᱾ ᱯᱮᱭᱟᱨ ᱯᱷᱮᱥᱰ ᱠᱚᱬᱠᱨᱤᱴ ᱫᱚ ᱢᱩᱬᱩᱛ ᱡᱤᱱᱤᱥ ᱠᱟᱱᱟ, ᱟᱨ ᱱᱤᱭᱟᱹᱨ ᱚᱠᱛᱚ ᱨᱩᱯ ᱫᱚ ᱥᱟᱫᱟ ᱴᱮᱠᱥᱴᱟᱨ ᱥᱟᱶᱛᱮ ᱡᱩᱛᱟᱹᱣᱟᱜ ᱠᱟᱱᱟ᱾ ᱫᱮᱣᱟᱞ ᱫᱚ 30 ᱰᱤᱜᱨᱤ ᱨᱮ ᱛᱚᱭᱚᱲ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱱᱴᱮ ᱡᱷᱚᱨᱚᱠᱟ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱧᱮᱞ ᱡᱷᱚᱠᱮᱛ ᱠᱷᱩᱞᱟᱹ ᱮᱱᱟ ᱟᱨ ᱥᱮᱫᱟᱭ ᱥᱮᱫᱟᱭ ᱚᱛᱠᱟᱨᱮᱭᱟᱜ ᱠᱚᱴᱮ ᱨᱮᱭᱟᱜ ᱯᱩᱨᱟᱹ ᱨᱚᱥᱚᱬ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟᱹ ᱛᱮᱭᱟᱨᱦᱟᱹᱫ ᱟᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱞᱟᱥ ᱠᱟᱨᱴᱮᱱ ᱫᱚ ᱠᱟᱛᱷᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱴᱷᱮᱴ ᱚᱠᱚ ᱥᱮᱫᱟᱭ ᱠᱟᱹᱴᱤᱡᱽ ᱮᱢᱚᱜᱼᱟ ᱟᱨ ᱠᱳᱨᱚᱴᱚᱬᱮᱱ ᱠᱟᱹᱴᱤᱡᱽ ᱨᱮᱭᱟᱜ ᱵᱮᱵᱷᱟᱨ ᱠᱚᱢᱴᱮᱭᱟᱭ᱾ ᱵᱚᱰᱤ ᱫᱚ ᱛᱟᱭᱚᱢ ᱮᱢ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱱᱴᱮ ᱢᱤᱫ ᱨᱚᱠᱮᱭᱟᱜ ᱥᱚᱦᱚᱨᱤᱭᱟ ᱠᱷᱩᱞᱟᱹ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Surface and Body Shikhya Kendra ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Surface and Body Shikhya Kendra ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Since the left side of this site is adjacent to a tall building. The right side is adjacent to a low-rise building; the designer has purposely created an inverted L shaped wall extending from the left side to the roof to wash away the oppressive feeling brought by the tall building on the left side.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project is about 1089 square meters.
- ᱴᱮᱜ ᱠᱚ
- Architecture, Design, Education Center, Modern, Style
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- In contrast, the right side of the facade is constructed as a suspended concrete carrier with the image of penetrating large glass to bring out a distinct and unique urban spatial expression. Turning to the right side of the building, one will realize the wall is folded to create a 30 degree angled window design, with each window facing in the direction of a wide field of vision. The folded wall will also avoid direct sunlight, thus achieving excellent lighting and shading.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- For the primary space on the project’s north side, the designer adopts a large glass curtain design, which allows much natural light indoors. It reduces the number of light hours during the daytime, thus reducing the use of lighting, extending the life of lighting, lowering electricity consumption, and achieving energy saving and carbon reduction.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The whole building is made of fair faced concrete as the main building material, and the simple and clean architectural shape complements the simple and pure texture of the material. The dark gray vertical volume at the right rear of the building is not only the highest point of the building but also the space for vertical movement. The floating concrete box is glued from here and extended horizontally to the front, presenting a visual image of forceful tension.
- ᱯᱨᱮᱨᱚᱱᱟ
- For this project, the designer uses the basic geometric concept of surface and body to construct the spatial formation and the facade structure and to reflect the difference and the urban texture of the base frontage. Through the designers exquisite planning and delicate execution, an inverted L shaped wall surface and a rectangular body carrier are constructed, and the building is wrapped, glued, overhanging, retracted, and folded to demonstrate a multi layered architectural image.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project was completed in August 2006 in Taichung, Taiwan
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The designers plan to retreat the building into the base and combine it with the shaded space underneath the concrete box to create an urban open space where one can stay and watch. By installing a large glass curtain, the designer introduces natural light indoors during the daytime, while the interior light source can be mapped out to light up the city at night. Inside, the high ceiling design opens up the lobby space, delivering a spacious look. On the other side, a section of yellow lacquered glass is wrapped around each column to liven up the spatial imagery.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Hsu Jung Tien, 2022
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
