Maggie Mo and Jay Leung ᱨᱮᱱᱟᱜ The Nude Flat ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2023
The Nude Flat ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Maggie Mo and Jay Leung ᱞᱮᱠᱟᱛᱮ
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#145500 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Nude Flat ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
The Nude Flat ᱫᱚ Hong Kong ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱵᱷᱤᱛᱨᱤ ᱫᱚ 1,468 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱᱟ ᱟᱨ ᱜᱨᱤᱠ ᱴᱟᱯᱩ ᱠᱚᱨᱮᱭᱟᱜ Cycladic ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ ᱠᱷᱚᱱ ᱩᱭᱦᱟᱹᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ᱾ ᱠᱟᱸᱛᱷ, ᱯᱟᱨᱠᱚᱢ-ᱡᱤᱱᱤᱥ ᱟᱨ ᱦᱩᱰᱤᱧ ᱡᱤᱱᱤᱥ ᱠᱚ ᱨᱮ ᱵᱟᱸᱠᱟ ᱨᱩᱯ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱥᱚᱡᱷᱮ ᱜᱟᱨ ᱠᱚ ᱠᱚᱢ ᱜᱮ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱵᱚᱞᱚᱱ ᱫᱩᱣᱟᱹᱨ ᱨᱮ ᱢᱤᱫ ᱵᱟᱸᱠᱟ ᱠᱟᱸᱛᱷ ᱟᱨ ᱡᱤᱭᱚᱱ ᱞᱮᱠᱟᱱ ᱥᱟᱞᱩᱠ ᱵᱟᱦᱟ ᱪᱤᱛᱟᱹᱨ ᱥᱟᱶᱛᱮ ᱠᱟᱴ ᱛᱮ ᱛᱮᱭᱟᱨ ᱚᱛ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱵᱟᱸᱠᱟ ᱠᱟᱸᱛᱷ ᱫᱚ ᱡᱳᱲᱟᱣ ᱵᱟᱹᱱᱩᱜ Ottostone ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱯᱟᱣᱰᱚᱨ ᱨᱩᱢ ᱨᱮ ᱯᱤᱝᱠ ᱢᱟᱨᱵᱚᱞ ᱟᱨ ᱵᱟᱛᱷᱨᱩᱢ ᱨᱮ Calacatta ᱢᱟᱨᱵᱚᱞ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱢᱟᱲᱟᱝ ᱨᱮᱭᱟᱜ ᱯᱮᱭᱟ ᱡᱟᱹᱯᱤᱫ ᱠᱩᱴᱷᱤ ᱫᱚ ᱢᱤᱫ ᱢᱩᱬᱩᱛ ᱥᱩᱭᱴ ᱨᱮ ᱵᱚᱫᱚᱞ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱢᱤᱫ ᱣᱟᱠ-ᱤᱱ ᱣᱟᱨᱰᱨᱚᱵ ᱟᱨ ᱡᱟᱠᱩᱡᱤ ᱥᱟᱶᱛᱮ ᱢᱤᱫ ᱵᱟᱛᱷᱨᱩᱢ ᱢᱮᱱᱟᱜᱼᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Nude Flat ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Nude Flat ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Stepping into the foyer, you will be greeted by a curvaceous wall incorporating an organic lotus-patterned wooden floor reflecting a sense of fluidity from the natural surroundings of the space.
The chandelier handmade by a Portuguese craftsman contrasts directly with the detailed brass marble dinner table. The contours of the furnishings are soft and curved creating contrasting lines and textures to the neat lines of the fireplace while natural daylight is spread strategically all over the home. The off-white shade perfectly matches to exude a warm glow even with the beige monotone. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project is 1,468 square meters.
- ᱴᱮᱜ ᱠᱚ
- Greek, Residence, Calm, Curve, Earthtone, Beauty
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Inspired by pin-up pink sand beaches in Crete Greece, Pink hue marble was used in the powder. For the streamlined effect on the curved wall, the designers sourced seamless artificial Ottostone.
Calcutta marble and white were added to the bathroom, and the veining in the stone brings visual interest, spacious and bright to the space. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Custom making the round-edge furniture was one thing; the walls quite another. There is a particularly challenging replaced the offending sharp corner to be a curved door leading into the couple's bedroom, continuing with the same design language.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design is used seductive simplicity, and a neutral palette to design a serene and sensual living area by embracing the curve.
Be it a wall, a piece of furniture, or even a detail such as a door handle, there is barely a straight line to be seen. For the wall finishes, a group of artists was assembled to hand-paint stucco patterns in different variations. - ᱯᱨᱮᱨᱚᱱᱟ
- This project is inspired by the Cycladic culture, best known for its schematic flat female idols carved out of the islands' pure white marble. It is important for the design to follow the core values of traditional Cycladic architecture found on the Greek islands by discovering its curvaceous shapes in all kinds of forms.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in July 2021 and finished in July 2022 in Hong Kong.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The original three bedrooms were more than the client needed, so the space was reconfigured to provide a generous main suite with an extravagant walk-in wardrobe and a wellness-inspired bathroom with a jacuzzi.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Maggie Mo
Jay Leung
Vivian Cheung - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photo by: HDP photography
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
