ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Maria-Luisa Uth ᱨᱮᱱᱟᱜ The Dark Side of the Moon ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ

Maria-Luisa Uth ᱨᱮᱱᱟᱜ The Dark Side of the Moon ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱜᱨᱟᱯᱷᱤᱠ· 2023

The Dark Side of the Moon ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ

Maria-Luisa Uth ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Fortuna Design Studio

ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#147779 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Dark Side of the Moon ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

The Dark Side of the Moon ᱫᱚ ᱢᱤᱫ ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱥᱟᱹᱨᱤᱭᱟᱹᱛ ᱪᱟᱭᱱᱤᱡᱽ ᱫᱩᱞᱟᱹᱲ ᱠᱟᱹᱦᱱᱤ ᱵᱟᱛᱟᱣᱟ ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱫᱚ ᱴᱟᱭᱤᱯ, ᱪᱤᱛᱟᱹᱨ, ᱜᱽᱨᱟᱯᱷᱤᱠ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱢᱟᱴᱮᱨᱤᱭᱟᱞ ᱪᱮᱛᱟᱱ ᱨᱮ ᱫᱷᱭᱟᱱ ᱮᱢ ᱠᱟᱛᱮ ᱢᱟᱨᱮ ᱯᱨᱤᱸᱴ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱢᱟᱱᱟᱶᱟ ᱾ ᱪᱤᱴᱷᱤ ᱨᱮᱱᱟᱜ ᱯᱮᱠᱮᱡᱽ ᱫᱚ ᱠᱷᱩᱞᱟᱹᱭ ᱟᱨ ᱪᱟᱸᱫᱚ ᱨᱮᱱᱟᱜ ᱦᱮᱸᱫᱮ ᱯᱟᱦᱴᱟ ᱫᱚ ᱧᱮᱞᱚᱜ-ᱟ ᱾ ᱪᱤᱴᱷᱤ ᱫᱚ ᱯᱚᱠᱮᱴ ᱯᱚᱨᱥ ᱞᱮᱠᱟᱛᱮ ᱦᱟᱸᱴᱤᱧ ᱠᱟᱱᱟ, ᱡᱟᱯᱟᱱ ᱠᱷᱚᱱ ᱢᱤᱫ ᱦᱟᱸᱴᱤᱧ ᱛᱚᱦᱚᱨ ᱡᱟᱦᱟᱸ ᱫᱚ ᱑᱘ ᱥᱟᱭᱟᱸᱫ ᱨᱮ ᱤᱣᱨᱳᱯ ᱛᱮ ᱦᱮᱡ ᱞᱮᱱᱟ ᱟᱨ ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ ᱦᱟᱸᱴᱤᱧ ᱛᱚᱦᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱲᱢᱚᱜ ᱮᱱᱟ ᱾ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱ ᱠᱟᱜᱚᱡᱽ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱟᱝ ᱪᱤᱨᱠᱟᱹᱭ ᱦᱟᱸᱴᱤᱧ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ ᱟᱨ ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱟᱨᱚᱢ ᱪᱟᱞᱟᱣᱜ-ᱟ, ᱪᱟᱱᱚᱪ ᱥᱟᱢᱟᱝ ᱨᱮ ᱫᱚᱦᱚ ᱠᱟᱛᱮ ᱪᱤᱴᱷᱤ ᱨᱮᱱᱟᱜ ᱵᱟᱨᱭᱟ ᱯᱟᱦᱴᱟ ᱫᱚ ᱢᱮᱥᱟ ᱦᱩᱭᱩᱜ-ᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Dark Side of the Moon ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Dark Side of the Moon ᱫᱩᱞᱟᱹᱲ ᱪᱤᱴᱷᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The 'Dark Side of the Moon' is a love letter, telling a traditional Chinese love story, not only with words, but also by the way the package is opend, by the choice of printing technology, the used materials, the graphic design and illustrations. The storytelling begins as soon as the package is opened: the full moon on the front wanes, the dark side of the moon becomes visible. The story unfolds together with the unfolding of the letter, guiding the reader from chapter to chapter.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Folded with package: 12 * 12cm
Unfolded letter : 36 * 36cm
ᱴᱮᱜ ᱠᱚ
graphic design, illustration, print, type design, package design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Since the letter is folded paper, the paper needs to have the property to be folded and unfolded multiple times without being torn apart, so we chose a kind of DuPond paper, which can't be ripped apart and which is translucent - two attributes love should have. Since The Love Story is about the sun and the moon, the letter also has a sun and a moon side. The translucency of the paper makes the two sides of the letter flow together when held up against the sun. If you hold the letter down while reading, you cannot see the other side.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Since we are a package design studio, we have an interest in paper. Commercial projects for clients often don't give the opportunity to use more special papers and printing techniques. When visiting package factories we can discover new papers and think about ways to use it and combine materials with stories through design. The used 'pocket purse' folding method, which originated in Japan, but became popular in 18th century Europe as love letter folding method, needed special paper. It made the layout and choice of paper challenging, but also became the designs key component. Since it's not only a creative design project, but also an actual product we sell it was difficult to find a producer who was fit for this folding method.
ᱜᱚᱵᱮᱥᱚᱱᱟ
As a Chinese/ German design studio, we are interested in finding a way of melting those different cultures in a project. The tradition of writing love letters is not that popular in China, throughout its history. So we came up with the idea of a Chinese love letter, using a folding method which also made its way from East to West. The story of Houyi and Chang'e is over 2000 years old and has many versions, but all have an outdated moral. So we rewrote the story first, before we started with the layout. From the beginning we planned this love letters to be a series, so we choose a package which has a CD feeling, since still many of people collect or collected CDs. Like love letters CDs seem from another century, but we think of them in loving nostalgia and hope to revive them in a new way with our design.
ᱯᱨᱮᱨᱚᱱᱟ
In this uncommissioned project we have combined our love for print design, story telling, illustration, graphic design and materials. The goal was to tell a story without the traditional form of a book. On the letter is space for a personal massage, this story can/should be shared with someone and reconnect those old stories with modern life again. The letter itself is folded like a 'pocket purse' - a Japanese Folding technique popular in Europe in the 18th century for writing love letters.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
started August in Hangzhou and finished November in Hangzhou
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Telling stories is as old as humanity. Love stories are especially popular. Giving presents to your loved ones is today more a requirement rather than an act of showing love. So we thought about a way to reintegrate old love stories with the rather old tradition of writing love letters. So this design is a present, where personal messages can be added while at the same time it is a documentation of an old love story using new design.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Qianli Ma, Maria-Luisa Uth

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ