ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Fei-Lung Huang ᱨᱮᱱᱟᱜ Cozy Life Bheer Kaam Ente (Shared Workspace)

Fei-Lung Huang ᱨᱮᱱᱟᱜ Cozy Life Bheer Kaam Ente (Shared Workspace) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2023

Cozy Life Bheer Kaam Ente (Shared Workspace)

Fei-Lung Huang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: JR.Studio

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#149136 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Cozy Life Bheer Kaam Ente (Shared Workspace) ᱵᱟᱵᱚᱛ ᱛᱮ

Cozy Life ka' Taiwan re baar kuɽi hisiri ren ropoɽ dhabi oɽak' re benaoakan miad' bheer kaam ente kanae, jahan ge oɽak' se cãli sal ko hoyo lekhan puran menaea. Jaan lekhan jayga sanam ar kuci tahen dhabi khon sasang bantar. Sen'ren, arsi ko a'gu ket'lena ar dharti khon uporeñ patio taa'ren solot' etkhan re oɽak' bhitor re sasang duar ho lekhan bantar. Puron kat'ha, arsi ar tiles ko lahar khatir puron oɽak' ren dukhi hor menkhan johar dhoron peya do lel akata. Sen tola re miad' café ar miad' bar menah, ontok uporeñ tola ko re miad' foto studio, phoɽka' kami saye ko ar miad' yoga studio menah jahan re johar ar katha do lelaka.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Cozy Life Bheer Kaam Ente (Shared Workspace) ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Cozy Life Bheer Kaam Ente (Shared Workspace) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The three-story house is more than 40 years old and it is a common narrow streetside building in early Taiwan. The long layout is both a strength and a drawback. Because it has sufficient depth, it can be planned into different areas to meet the needs of the client. However, the long and narrow space also causes a lack of natural light, resulting in a dark interior. To deal with these disadvantages, the designer reshapes the space by changing the routes, removing partitions, creating a patio, and enhancing lighting to form a brighter look and improve functionality
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project has four floors with a total area of 396.6 square meters, with a single floor area of approximately 99.1 square meters. The first floor is a cafe and seating area, the second floor is a photography studio and private rooms, the third floor is a separate work area and private rooms, and the top floor is a yoga studio which can also be used as an exhibition hall or lecture venue and a terrace. The designer plans different functions for each floor so that the artists and freelancers can exchange their network and creativity.
ᱴᱮᱜ ᱠᱚ
Old house, shared space, vintage, nostalgia, light and shadow effects.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The client expects the designer to fully express the characteristics of the old house. Therefore, the designer uses recycled wood instead of metal components to control the budget and echo the atmosphere of the space, thus creating an image of the nostalgic era. Equally important, the glass and tiles play an important role in the space. They reinforce the vintage style that the client desires and remove visual barriers from the shared areas above the second floor, making it for more people to be in the space together at the same time.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
With a limited budget, the challenge for the project is to adjust the interior layout of the traditional narrow streetside building to bring in natural light while setting up themes for the second, third, and top floors to maximize every inch of space. Moreover, transforming a residential building into a commercial space requires an eye-catching plan. The designer creates an old-fashioned bar on the first floor and replaces the windows on the facade and the doorway to the second floor, adding brick walls, signs, and other items to form a distinctive style to attract customers.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Although the client likes the old house, he also understands there are many layout flaws in the long and narrow street-side building. The designer's core idea is to create smooth routes within a limited budget, to meet the needs of freelancers, to create an aesthetic in harmony with the history of the house, to reverse the dark impression of the interior, and to renovate it into a bright, experimental, and interesting space. The designer uses pure materials, including recycled wood, glass, and tiles, with a variety of light sources to create a subtle, timeless, and charming look.
ᱯᱨᱮᱨᱚᱱᱟ
The client is fascinated by the old house and expects a multi-functional shared space in the center of the city where artists could gather in a quiet and comfortable environment to express their creativity. At the same time, the client wants to preserve the traces of the old house. To achieve these requirements, the designer uses recycled wood, glass, and tiles to create a nostalgic atmosphere without altering the original structure while creating separate work areas yet linking people together.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in May 2021 in Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
To eliminate the oppressive feeling of the long and narrow layout, the designer removes the wooden partitions to create a spacious and open space and then uses wood and glass to create a nostalgic and independent work area. In addition, the designer cuts out holes in the floors and inserts large pieces of glass to bring in natural light from the patio on the top floor, then installs different lighting fixtures to create a charming atmosphere with a retro and post-modern style. The red brick walls, stone flooring, and newly applied red and white tiles perfectly reflect the unique traces of the old house.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Fei-Lung Huang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
JR.Studio

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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