ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Di Mo ᱨᱮᱱᱟᱜ Mountain Waves Sanskritik Kendra

Di Mo ᱨᱮᱱᱟᱜ Mountain Waves Sanskritik Kendra ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2023

Mountain Waves Sanskritik Kendra

Di Mo ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Di Mo

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#149840 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Mountain Waves Sanskritik Kendra ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱟᱶᱠᱽ ᱣᱮᱵᱽᱥ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱜᱩᱭᱡᱷᱚᱣ ᱨᱟᱡᱽ ᱨᱮᱭᱟᱜ ᱢᱟᱣᱛᱟᱭ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱴᱷᱮᱱ ᱥᱟᱱᱥᱠᱩᱨᱤᱛᱤᱭᱟᱹ ᱠᱮᱱᱰᱨᱟ ᱠᱟᱱᱟᱭ᱾ ᱵᱟᱲᱛᱤ ᱟᱠᱟᱱ ᱵᱟᱨ ᱜᱚᱲᱚ ᱛᱟᱞᱟ ᱨᱮ ᱛᱷᱟᱹᱨ ᱠᱟᱱᱟᱭ, ᱟᱨ ᱟᱭᱢᱟ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱪᱷᱮᱠᱟᱰ ᱜᱚᱲᱚᱠᱚ ᱨᱮᱭᱟᱜ ᱣᱮᱵᱽᱥ ᱞᱮᱠᱟᱱ ᱨᱩᱯ ᱠᱚ ᱥᱮᱫᱟᱭ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱥᱟᱱᱥᱩᱭ ᱠᱚᱞᱟ ᱨᱮᱭᱟᱜ ᱱᱤᱭᱚᱢ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱚᱱᱟ ᱨᱮ ᱵᱟᱲᱛᱤ, ᱫᱟᱜ ᱟᱨ ᱦᱚᱲ ᱠᱚ ᱡᱮᱦᱮᱛ ᱥᱚᱢᱵᱚᱸᱫᱷᱚ ᱨᱮ ᱩᱫᱩᱜ ᱠᱟᱱᱟ ᱚᱱᱟ ᱫᱮᱠᱷᱟᱣ ᱦᱩᱭ ᱠᱟᱱᱟ᱾ ঐতিহ্যবাহী চীনা ঠাঁয় ধরন যেমন গলি, আঙিনা আরো হল লেआउट रुख़ दिखा है। ᱢᱤᱫ ᱠᱮᱱᱫᱨᱤᱭ ᱜᱚᱞᱤ ᱠᱮᱱᱰᱨᱟ ᱠᱮ ᱵᱟᱨ ᱠᱚᱞ ᱨᱮ ᱯᱩᱭᱞᱩ ᱟᱭᱚ, ᱟᱨ ᱩᱛᱚᱨ ᱟᱨ ᱫᱚᱠᱷᱤᱱ ᱡᱚᱠᱷᱟᱣ ᱠᱚ ᱡᱚᱲᱟᱣᱟᱭ᱾ ᱞᱚᱠᱟᱞ ᱟᱹᱜᱩᱡ ᱤᱴᱠᱟ, ᱪᱷᱤᱫᱨᱟ ᱢᱮᱴᱟᱞ ᱯᱮᱱᱮᱞ, ᱫᱟᱨᱩ, ᱥᱴᱤᱞ ᱟᱨ ᱥᱤᱥᱟ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Mountain Waves Sanskritik Kendra ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Mountain Waves Sanskritik Kendra ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The incorporation of Shanshui art principles explores a unique design method to reflect upon, respect, and enhance the qualities of Maotai's rich culture and mountainous landscape. The use of traditional Chinese architecture prototypes, such as alleys, courtyards, and halls, as spatial features, aims to create a rich experience for visitors.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Overall: 90m(L) x 100m(W) x varies(H), alley width: 10m
ᱴᱮᱜ ᱠᱚ
cultural architecture, regionalism, atmosphere, mountain, Shanshui
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Local fire bricks, perforated metal panels, wood, steel, glass
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Challenges:
1. How to break down the volume using the logic of "waves" and create a sense of continuity between the natural surroundings and the built environment.
2. How to minimize the building's negative impact on the local micro-climate by designing a perforated facade.
3. How to take into consideration the local cultural context and industries.
ᱜᱚᱵᱮᱥᱚᱱᱟ
I gained a comprehensive understanding of the site conditions, the local culture, and the Shanshui art, through site visits, conversations with locals, and online research,
ᱯᱨᱮᱨᱚᱱᱟ
Chinese Shanshui paintings feature mountains, water, and people in a harmonious relationship. The site is in Maotai, China. Sandwiched between two hills, it presents a unique opportunity for us to engage the landscape in the design process. In the background, we see the mountainous landscape, looking like "waves" of mountains.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Duration: 2 months. Location: Maotai, Guizhou, China
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The two hills (north and south) are connected by an alley that "cuts" the cultural center into two parts (east and west) - this creates "the landscape path". Visitors can come in and leave the building through both the north entrance and the south entrance - this creates the ground-level through-connection.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Di Mo, 2018.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ