Zeyu Wu ᱨᱮᱱᱟᱜ Arts Fund ᱵᱷᱤᱡᱩᱭᱟᱞ ᱟᱭᱰᱮᱱᱴᱤᱴᱤ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱜᱨᱟᱯᱷᱤᱠ· 2024
Arts Fund ᱵᱷᱤᱡᱩᱭᱟᱞ ᱟᱭᱰᱮᱱᱴᱤᱴᱤ
Zeyu Wu ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Yilin Wang
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#157359 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Arts Fund ᱵᱷᱤᱡᱩᱭᱟᱞ ᱟᱭᱰᱮᱱᱴᱤᱴᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱟᱨᱴᱥ ᱯᱷᱟᱸᱰ ᱫᱚ ᱢᱤᱫ ᱠᱮᱨᱮᱠᱴᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱛᱮᱞᱮᱱᱴ ᱛᱟᱞᱤᱢ ᱯᱨᱚᱜᱽᱨᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨᱟᱠᱟᱱ ᱢᱤᱫ ᱵᱷᱤᱡᱩᱭᱟᱞ ᱟᱭᱰᱮᱱᱴᱤᱴᱤ ᱥᱤᱥᱴᱚᱢ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ CUZ ᱟᱠᱷᱚᱨ ᱠᱚ ᱪᱟᱭᱱᱟ ᱚᱯᱮᱨᱟ ᱨᱮᱭᱟᱜ ᱢᱟᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱥᱟᱶᱛᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱪᱟᱭᱱᱟ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱞᱮᱴᱤᱱ ᱟᱠᱷᱚᱨ ᱥᱟᱶᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱯᱩᱨᱟᱹᱵ ᱟᱨ ᱯᱟᱪᱮ ᱛᱟᱞᱟ ᱨᱮ ᱞᱟᱠᱪᱟᱨ ᱵᱚᱫᱚᱞ ᱩᱫᱩᱜᱚᱜᱼᱟ᱾ ᱡᱚᱛᱚ ᱠᱟᱹᱴᱷᱟᱢ ᱫᱚ ᱥᱩᱭᱤᱥ ᱤᱱᱴᱚᱨᱱᱮᱥᱚᱱᱟᱞᱤᱥᱴ ᱥᱴᱟᱭᱤᱞ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱᱟ, ᱚᱠᱟ ᱫᱚ CUZ ᱟᱠᱷᱚᱨ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱛᱮ ᱨᱟᱹᱯᱩᱫ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱟᱛᱮ ᱢᱤᱫ ᱨᱩᱯ ᱮᱢᱚᱜᱼᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱟᱨ ᱯᱚᱥᱴᱼᱢᱳᱰᱚᱨᱱ ᱵᱟᱨᱭᱟ ᱜᱮ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱥᱤᱥᱴᱚᱢ ᱫᱚ ᱯᱚᱥᱴᱚᱨ, ᱯᱷᱞᱟᱭᱚᱨ, ᱱᱮᱦᱚᱨ ᱪᱤᱴᱷᱤ ᱟᱨ ᱵᱮᱱᱚᱨ ᱨᱮ ᱵᱮᱵᱷᱟᱨᱚᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱩᱫᱮᱥ ᱫᱚ ᱪᱟᱭᱱᱟ ᱚᱯᱮᱨᱟ ᱞᱟᱠᱪᱟᱨ ᱠᱚᱲᱟ ᱠᱩᱲᱤ ᱦᱚᱲ ᱥᱟᱶᱛᱮ ᱦᱟᱹᱴᱤᱧ ᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Arts Fund ᱵᱷᱤᱡᱩᱭᱟᱞ ᱟᱭᱰᱮᱱᱴᱤᱴᱤ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Arts Fund ᱵᱷᱤᱡᱩᱭᱟᱞ ᱟᱭᱰᱮᱱᱴᱤᱴᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This project is a visual system for the Communication University of Zhejiang for the China Arts Foundation's Character Design Talent Training Programme, combining CUZ with the traditional motifs of Chinese opera and combining Chinese elements with Latin letters to express the cultural exchange between East and West. The overall visual framework is built around a Swiss internationalist style, which is broken up by CUZ, making the design both functional and post-modern in its visual form.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The common specifications of posters are A1, A2, A3, etc. The size depends on the need, and can be made of paper, plastic, airbrush and other materials. Flyers are smaller in size, usually A4 or smaller, and are usually made of paper, which can be printed, photographed, airbrushed and other treatments. The specifications of invitations depend on the number of people to be invited and the content, such as postcard type, card type, etc. They are made of paper, plastic and other materials, and can be processed by printing, hot stamping, embossing and so on. The specification of banners depends on the length and usage, such as 1 metre, 2 metres, 3 metres, etc. They are usually made of fabric, and can be processed by printing, heat transfer and so on.
- ᱴᱮᱜ ᱠᱚ
- regional culture，Tangible cultural heritage，Graphic design
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The overall visual framework is built around a Swiss internationalist style through typography that is both functional and post-modern in form. The user can clearly identify the message of the poster from the text and experience the opera from the text and the operatic images.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The use of post-modern design forms of traditional culture in the innovation, forming a very unique visual style, so that it is clearly differentiated from other activities of the main visual, appear more unique and artistic, so as to produce a unique visual charm, but also to better promote the brand.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Through a strong visual impact, the innovation of cultural redesign attracts the attention of more young people to opera, thus continuously creating a kind of propaganda for traditional culture.
- ᱯᱨᱮᱨᱚᱱᱟ
- The aim of the project is to better disseminate the traditional Chinese opera culture. We combine Chinese characters with Latin characters so that the posters can have a good communication, take Chinese opera culture out and show the world the charm of opera culture.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in Hangzhou in February 2023 and will end in October 2023.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The clear message and unique visual format of the campaign's main visual attracted a large number of customers, who were very interested in the campaign, and a series of derivative products, i.e. practical and aesthetic in one, were unanimously well received by users.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chaonan Shen
Wen Zhang
Luyu Wang
Yihan Zhang
Ke Xu
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
