ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Nima Nazem Zomorodi ᱨᱮᱱᱟᱜ Green Circ गहना सेट

Nima Nazem Zomorodi ᱨᱮᱱᱟᱜ Green Circ गहना सेट ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱜᱟᱦᱱᱟ· 2024

Green Circ गहना सेट

Nima Nazem Zomorodi ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Zomorrodi Jewelry Gallery

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#161017 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Green Circ गहना सेट ᱵᱟᱵᱚᱛ ᱛᱮ

भवन शिल्प आर् पूरबी परंपरा रे गोल बिसोय ते प्रभावित, कोआ रेन संकलन प्रकृति रेन अनादि चक्र सावित कोड़ा - जनम ते नावा जिउ जाक। हेमोन्त रेन सुथरा आर् बोसोन्त रेन जिउ-सोकत मिसाव ते, कोआ सामंजस्य बुजाव कोड़ा। बिसेस उंगली राखा आर् घुमाव सिकी को नरम सुंदोर ते गाड़ाक डिज़ाइन जुड़ाव कोड़ा, जाहना मौका लागित माड़ाङ। बाहाक् रेखा आर् गेल-गेल पाथोर नाप रे मोनजोग़ ताल सेमोक कोड़ा, बेड़ा सानाम आर् पोण्ड पाथोर रेन खेल चमक चमकाएड़ा।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Green Circ गहना सेट ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Green Circ गहना सेट ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The ring is uniquely positioned on the finger's joint rather than its surface, while the earrings feature a three-dimensional spiral structure starting from the earlobe and concluding at its base. Despite their delicate appearance, these pieces boast a sturdy construction suitable for both everyday wear and formal events.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Ring diameter: 3 centimeters
Pendant diameter: 3 centimeters
Earrings diameter: 2.5 centimeters
ᱴᱮᱜ ᱠᱚ
#greencirc #circleofemerald #زمردی #colombianemerald
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Crafted from white diamond stones with a brilliant cut certified by the Gemological Institute of America (GIA) and Colombian emeralds featuring a rare cut, each piece is meticulously set on bases made of 18-carat gold.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Challenges arose during both the design and production phases. Sourcing emeralds of consistent quality and size posed initial hurdles, as did devising a method to construct the gold settings that ensured both durability and aesthetic appeal. By reimagining the setting as spherical gold cups interconnected by shared clasps, the design achieved both physical cohesion and visual elegance.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Extensive research was conducted to refine the design. Iterative sketches and prototypes were developed, gradually evolving the size and arrangement of stones. Modifications were made to the gold framework to accommodate the unique characteristics of the stones. The final design incorporates four gold clasps, providing both structural integrity and a minimalist aesthetic.
ᱯᱨᱮᱨᱚᱱᱟ
Drawing inspiration from the circular form prevalent in architecture and Eastern culture, it symbolizes endless cycles such as birth, death, and the perpetual succession of seasons, narrating the tale of regeneration. Additionally, it reflects the contrast found in nature between the winter's white snow and the spring's green foliage, blending these hues harmoniously.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was designed and produced in Tehran, Iran, in 2024.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The design exudes a graceful flow, accentuated by the gradual enlargement of the stones, evoking a sense of dynamism and continuity. The juxtaposition of green and white stones enhances their individual brilliance, creating a mesmerizing interplay of light and shadow.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Nima Nazem Zomorodi
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer: Ramin Nateghi
Model: Aida Kamrani

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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