Shanghai Wei Design Co. Ltd ᱨᱮᱱᱟᱜ Shanghai Wzt Aristo Pavilion ᱞᱟᱠᱪᱟᱨ ᱩᱫᱩᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2024
Shanghai Wzt Aristo Pavilion ᱞᱟᱠᱪᱟᱨ ᱩᱫᱩᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Shanghai Wei Design Co. Ltd ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Shanghai Wei Design Co..Ltd
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#161196 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Shanghai Wzt Aristo Pavilion ᱞᱟᱠᱪᱟᱨ ᱩᱫᱩᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱥᱟᱺᱜᱷᱟᱭ WZT ᱮᱨᱤᱥᱴᱚ ᱯᱮᱵᱷᱤᱞᱤᱭᱚᱱ ᱫᱚ ᱥᱟᱺᱜᱷᱟᱭ ᱨᱮᱱᱟᱜ ᱥᱩᱦᱩᱭ ᱡᱤᱞᱟᱹ ᱨᱮ ᱖᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱ ᱢᱤᱫ ᱞᱟᱠᱪᱟᱨ ᱩᱫᱩᱜ ᱵᱷᱤᱛᱨᱤ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱢᱟᱨᱮ ᱪᱤᱱ ᱞᱟᱠᱪᱟᱨ ᱞᱟᱦᱟ ᱤᱫᱤ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤᱭᱮᱫᱟ ᱟᱨ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱡᱤᱭᱟᱝᱱᱟᱱ ᱴᱚᱴᱷᱟ ᱨᱮᱱᱟᱜ ᱦᱩᱭᱡᱚᱣ ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ ᱠᱷᱚᱱ ᱜᱚᱲᱚ ᱦᱟᱛᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱢᱟᱲᱟᱝ ᱨᱮ ᱠᱷᱟᱹᱞᱤ ᱦᱟᱢᱟᱞ ᱥᱟᱦᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱵᱮᱵᱷᱟᱨᱚᱜ ᱠᱟᱱ ᱠᱟᱲᱤ ᱟᱨ ᱠᱷᱟᱢᱵᱟ ᱠᱚ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱨᱮᱱᱟᱜ ᱛᱟᱞᱟ ᱡᱤᱱᱤᱥ ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱩᱫᱩᱜ ᱟᱠᱟᱫᱟ᱾ ᱠᱷᱟᱢᱵᱟ ᱵᱩᱴᱟᱹ ᱠᱚ ᱨᱮ ᱦᱩᱭᱡᱚᱣ ᱫᱷᱤᱨᱤ ᱠᱷᱚᱫᱟᱭ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱛᱮ ᱯᱞᱟᱢ, ᱚᱨᱠᱤᱰ, ᱢᱟᱫ ᱟᱨ ᱪᱨᱤᱥᱟᱱᱛᱷᱤᱢᱟᱢ ᱵᱟᱦᱟ ᱫᱚ ᱯᱩᱱᱭᱟᱹ ᱨᱩᱛᱩ ᱞᱮᱠᱟᱛᱮ ᱠᱷᱚᱫᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱥᱟᱫᱟᱥᱤᱫᱷᱟ ᱡᱤᱞᱤᱧ ᱴᱮᱵᱩᱞ ᱡᱟᱦᱟᱸ ᱨᱮ ᱛᱮᱞᱟᱭᱚᱜ ᱮᱠᱨᱤᱞᱤᱠ ᱯᱟᱴᱟ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱱᱟ ᱫᱚ ᱱᱟᱦᱟᱜ ᱟᱨ ᱢᱟᱨᱮ ᱡᱤᱱᱤᱥ ᱠᱤᱱ ᱡᱚᱲᱟᱣ ᱠᱟᱫ ᱠᱤᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Shanghai Wzt Aristo Pavilion ᱞᱟᱠᱪᱟᱨ ᱩᱫᱩᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Shanghai Wzt Aristo Pavilion ᱞᱟᱠᱪᱟᱨ ᱩᱫᱩᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The interior design of Aristo Mansion, committed to promoting the exchange of traditional Chinese culture, distinguishes itself from the conventional neo-Chinese design style. The project exhibits beams and columns, which are integral load-bearing structures in traditional Chinese architecture, as part of the interior design. This not only embodies the structural aesthetics of Chinese architecture but also ensures the utility of the space. Additionally, it accents the harmonious integration of the functionality of the structure with its ornamental aspects.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The area is 600m²
- ᱴᱮᱜ ᱠᱚ
- Culture, Tradition, Modernity, Space, Design, Chinese Studies
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- To restore the original beam and column structure interiorly, the project reuses components. The column bases are intricately carved using Huizhou stone carving techniques, symbolizing the alternating of four seasons represented by Plum, Orchid, Bamboo, and Chrysanthemum. The desktop crafted from transparent acrylic panels delivers a visually appealing experience where modern and traditional spaces reflect and complement each other.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
- ᱯᱨᱮᱨᱚᱱᱟ
- The project is inspired from the essence of ancient architecture in the Jiangnan region of China, particularly the architectural style of Huizhou. This style has drastically influenced the conceptualization of the project. The design team extensively studied the core components of Huizhou architecture, such as column bases and wax gourd beams, along with other iconic structural elements. This enables them to link traditional with modern design contexts.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- At the entrance of the architectural space, the hanging wall structure, a sort of suspended partition, only unveils a rocky landscape and atomized water beneath the suspended interface. Actually a pine tree is concealed behind this hanging wall which holds great significance in Chinese culture as a symbol of perseverance, nobility and non-corruption. Through the clever installation of this pine tree, it metaphorically embodies the traditional Chinese virtue of a "gentleman" characterized by modesty and reservation.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The project kicked off on March 2021 in Xuhui District, Shanghai, and is scheduled to be finalized and put into operation by September 2021.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Wei Liang, Feng Weiqiang, Yang Hongdan, Huang Weishan, Huang Qinbang
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
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ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
