ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Peng Guo, Ka Ping Kwok and Bin Li ᱨᱮᱱᱟᱜ Hua Chenyu Mars Concert ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ

Peng Guo, Ka Ping Kwok and Bin Li ᱨᱮᱱᱟᱜ Hua Chenyu Mars Concert ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ· 2025

Hua Chenyu Mars Concert ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ

Peng Guo, Ka Ping Kwok and Bin Li ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Beijing Yamei Times Culture Media Co. Ltd

ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

94,333

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#162058 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Hua Chenyu Mars Concert ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

Hua Chenyu Mars Concert ᱫᱚ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱵᱟᱦᱨᱮ ᱡᱟᱭᱜᱟ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱠᱷᱩᱞᱟᱹ ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱡᱟᱣ ᱫᱚ ᱯᱩᱱᱭᱟᱹ ᱴᱚᱴᱷᱟ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱟᱠᱟᱱᱟ: ᱢᱤᱫ ᱢᱩᱬᱩᱛ ᱮᱥᱴᱮᱡᱽ ᱡᱟᱦᱟᱸ ᱫᱚ 106 ᱢᱤᱴᱚᱨ ᱚᱥᱟᱨ ᱟᱨ 28.5 ᱢᱤᱴᱚᱨ ᱩᱥᱩᱞ ᱚᱠᱟ ᱨᱮ ᱢᱚᱬᱮ ᱛᱟᱞᱟ ᱨᱮᱭᱟᱜ ᱮᱱᱮᱡ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜᱼᱟ, ᱢᱤᱫ ᱜᱚᱞᱮᱭᱟᱜ ᱦᱚᱢ ᱮᱥᱴᱮᱡᱽ ᱡᱟᱦᱟᱸ ᱨᱮᱭᱟᱜ ᱰᱟᱭᱟᱢᱤᱴᱚᱨ 19 ᱢᱤᱴᱚᱨ, ᱢᱤᱫ 30 ᱢᱤᱴᱚᱨ ᱡᱤᱞᱤᱧ ᱮᱠᱥᱴᱮᱱᱥᱚᱱ ᱮᱥᱴᱮᱡᱽ ᱡᱟᱦᱟᱸ ᱫᱚ ᱧᱮᱞᱧᱤᱭᱟᱹ ᱠᱚᱣᱟᱜ ᱴᱚᱴᱷᱟ ᱯᱟᱨᱚᱢ ᱟᱠᱟᱫᱼᱟ, ᱟᱨ ᱢᱤᱫ 100 ᱢᱤᱴᱚᱨ ᱰᱟᱭᱟᱢᱤᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱜᱚᱞᱮᱭᱟᱜ ᱛᱮᱭᱟᱨ ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱚᱛᱚ ᱥᱟᱡᱟᱣ ᱮ ᱜᱮᱨᱮᱫ ᱟᱠᱟᱫᱼᱟ᱾ ᱟᱭᱱᱟ ᱞᱮᱠᱟᱱ LED ᱥᱠᱨᱤᱱ ᱠᱚ ᱫᱚ ᱪᱟᱞᱟᱜ ᱫᱟᱲᱮᱭᱟᱜ ᱯᱞᱟᱴᱯᱷᱚᱨᱢ ᱟᱨ ᱢᱮᱠᱟᱱᱤᱠᱟᱞ ᱡᱤᱱᱤᱥ ᱠᱚ ᱥᱟᱶ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱡᱷᱚᱞᱚᱜ ᱟᱨ ᱧᱮᱞ ᱯᱟᱨᱚᱢᱚᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱮᱥᱴᱮᱡᱽ ᱠᱚ ᱵᱮᱨ ᱨᱟᱠᱟᱵ ᱫᱤᱥᱚᱢ ᱥᱟᱶ ᱡᱚᱲᱟᱣ ᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Hua Chenyu Mars Concert ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Hua Chenyu Mars Concert ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
To present this visually stunning effect, the design team ingeniously integrates the performance area, installations, and structures within the venue, collectively creating a "Martian civilization" that is both epic and futuristic. Here, every audience member can feel the charm of Hua Chenyu's music and his dedication and passion for music.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
In terms of stage layout, we meticulously planned four major zones: the main stage, the "home stage," the extension stage connecting the main stage and the "home stage," and a massive circular structure enveloping the entire setup. The main stage is 106 meters wide and reaches a height of 28.5 meters, divided into 5 levels of performance space. The background consists of 10 sets of movable platform mechanisms, creating a versatile spatial effect. The "home stage" is a circular stage with a diameter of 19 meters and a top structure height of 16 meters, resembling an "interstellar device" from the "Martian civilization." The extension stage, serving as a bridge in the "Martian civilization," spans the audience seating area, naturally connecting the main stage and the "home stage," with a total length of 30 meters and an internal mechanical slope of 11 meters. The massive circular structure has a diameter of 100 meters, encompassing all the aforementioned spatial structures, presenting a rich and vibrant stage effect.
ᱴᱮᱜ ᱠᱚ
Stage, Hua Chenyu, Concert, Shandong
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The main stage combines state-of-the-art self-developed mirrored LED screens with mechanical elements, forming a stable and poised structure imbued with infinite possibilities for transformation. On the "home stage," a blend of natural and science fiction atmospheres triggers a magical chemical reaction. The viewing angle tends towards a miniature "four-sided stage," offering a broader perspective for the audience and facilitating interactive and relaxed performances. Serving as a bridge connecting the main stage, the extension stage features a massive circular structure enveloping the entire venue, enhancing immersion and symbolizing the mutual dedication between Hua Chenyu and his fans. The immense circular installation in the fourth section embraces the entire stage, providing the audience with a sense of departing from home, wandering, and returning to their own abode.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The stage has a very high load-bearing capacity, numerous transformation effects, and the plan needs to be adjusted according to weather changes.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In the process of stage design, safety has always been our top priority. From the initial stages of the design concept, we completed safety technology assessments for the structure, mechanics, and other hardware to ensure that all designs meet safety standards. During the construction process, we strictly adhere to safety regulations and conduct rigorous fire safety certification for all materials used. Additionally, we continuously monitor natural weather conditions such as rain and wind in real-time and have developed corresponding emergency plans.
ᱯᱨᱮᱨᱚᱱᱟ
This concert is the realization of a three-year promise between Hua Chenyu and his fans, as well as a heartfelt tribute to their mutual emotions. The theme of the stage design echoes Hua Chenyu's classic masterpiece "Born to Be Wild," drawing inspiration from the magnificent cities of mythological realms, evoking a sense of harmony with nature and a longing for the unknown.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
It is published on 02, April, 2024 and in Shandong, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In terms of implementation, we have adopted a variety of innovative technologies. Firstly, we have independently developed the technology that combines mirrored LED screens with mechanical elements, allowing the stage to accommodate infinite changes and possibilities within a stable and poised structure. Secondly, we have utilized a large amount of reflective and transparent materials to seamlessly integrate the stage with the natural sunrise landscape. Additionally, by combining conventional movable platforms with unconventional moving forms and utilizing unconventional materials, we have created an extremely rich stage transformation. The application of these innovative technologies has enabled the realization of the entire stage design and the presentation of unique effects.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Beijing Yamei Times Culture Media Co Ltd
Peng Guo
Ka Ping Kwok
Bin Li

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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