ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Hsin Ting ᱨᱮᱱᱟᱜ Moonlit Treading ᱴᱷᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Hsin Ting ᱨᱮᱱᱟᱜ Moonlit Treading ᱴᱷᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2025

Moonlit Treading ᱴᱷᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Hsin Ting ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: RIS Collective

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#162648 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Moonlit Treading ᱴᱷᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱩᱱ ᱡᱚᱛᱚᱱ ᱠᱟᱛᱮ ᱦᱟᱴᱤᱧ ᱛᱟᱦᱮᱸᱱ ᱫᱚ ᱢᱤᱫ ᱴᱟᱭᱤᱛᱩᱸᱜ, ᱴᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱮᱴᱦᱚᱵ ᱪᱚᱠᱚ ᱢᱤᱴᱟᱨ (76 sqm) ᱴᱷᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱒᱓ ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱦᱩᱭ ᱮᱱᱟ ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱢ ᱢᱤᱫ ᱢᱤᱱᱤᱢᱟᱞᱤᱥᱴ ᱨᱩᱯ ᱠᱷᱚᱱ ᱮᱛᱦᱚᱵ ᱠᱟᱛᱮ, ᱟᱨ ᱟᱡ ᱨᱮ ᱴᱷᱤᱠ ᱴᱷᱤᱠ ᱫᱚ ᱟᱨᱦᱚᱸ ᱦᱮᱡ ᱮᱴᱦᱚᱵ ᱟᱠᱟᱫ ᱠᱟᱱᱟ ᱾ ᱛᱮᱴᱟᱜ ᱛᱮᱴᱟᱜ ᱡᱤᱚᱢᱮᱴᱨᱤᱠ ᱨᱩᱯ ᱠᱚ ᱢᱤᱫ ᱴᱷᱤᱠ ᱴᱷᱤᱠ ᱪᱮᱛᱟᱱ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱫᱮᱭᱟ, ᱚᱱᱟ ᱠᱷᱟᱱ ᱠᱷᱟᱛᱟᱨ-ᱟᱭᱢᱟ ᱨᱩᱯ ᱠᱚ ᱚᱱᱟ ᱴᱷᱮᱱ ᱠᱚ ᱴᱷᱚᱯ ᱦᱚᱪᱚ ᱮᱫᱟ ᱾ ᱦᱩᱭᱟᱞᱤᱮᱱ ᱠᱷᱚᱱ ᱟᱭᱚᱜ ᱠᱟᱱ ᱥᱚᱨᱯᱮᱱᱴᱤᱱᱟᱭᱤᱴ ᱠᱚ ᱴᱟᱴᱩᱸ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ ᱴᱮᱠᱥᱪᱟᱨ ᱠᱚᱴᱷᱟ ᱥᱟᱶᱛᱮ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱫ ᱠᱟᱱᱟ, ᱟᱨᱦᱚᱸ ᱱᱤᱛ ᱥᱟᱛᱩᱨᱮᱴ ᱨᱚᱸᱜ ᱨᱮ, ᱟᱨ ᱟᱨᱟᱜ ᱨᱚᱸᱜ ᱠᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱴᱮᱞ ᱠᱚ ᱨᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱫᱟ ᱾ ᱚᱠᱛᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱨᱮ ᱯᱟᱨᱴᱤᱥᱚᱱ ᱠᱚ ᱚᱪᱚᱜ ᱠᱟᱛᱮ ᱦᱟᱴᱟᱣ ᱟᱠᱟᱫ ᱠᱟᱱᱟ, ᱟᱨ ᱟᱨ ᱚᱱᱟ ᱛᱮ ᱚᱪᱚᱜ ᱟᱨ ᱪᱟᱞᱟᱣ ᱦᱟᱲᱟᱢ ᱛᱮ ᱵᱟᱦᱟᱞ ᱠᱟᱛᱮ ᱵᱟᱦᱟ ᱮᱫᱟ, ᱟᱨ ᱟᱭᱢᱟ ᱠᱚᱴᱷᱟ ᱠᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱟᱠᱟᱱ ᱴᱷᱤᱠ ᱴᱷᱤᱠ ᱠᱚ ᱦᱮᱡ ᱮᱫᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Moonlit Treading ᱴᱷᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Moonlit Treading ᱴᱷᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The project is inspired by the client's personal style exhibits a myriad of complexities, beginning with a minimalist impression, carefully delineating the complexity within. We try to translate the multiplicity into architectural vocabulary and spatial techniques.
By showcasing a contradictory cohesion and delving into the complex needs of living spaces. This design highlights personal reflection and a pursuit of geometry and art.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
76 square meters
ᱴᱮᱜ ᱠᱚ
GeometricDynamics,DeconstructiveMinimalism,SpiritualIntrospection
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
In a low-saturation color scheme setting, the juxtaposition of serpentinite flooring and stainless steel textured walls creates a strong atmospheric presence. The curved cracked TV wall, along with the classical decorative columns with modern pedestal replacement, exudes a sculptural artistic effect. Red is used as the accent color in furniture details, embodying delicate emotional nuances.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Through the fusion and clash of architectural vocabularies, we artfully create a contradictory yet cohesive ambiance in this residence. We boldly challenge the notion of serene minimalism, exploring its nuanced response to the essential need for emotional stability and its intricate relationship with self-actualization and personal fulfillment.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The project aims to create a pure and unique residential atmosphere, utilizing relatively simple building materials predominantly sourced locally. This includes ivory-white paint for walls and ceilings, eco-friendly clay made from sediment in Taiwan's reservoirs, and shattered serpentinite from Hualien. Large tiles are not considered due to usage waste. Most furniture designs incorporate considerations for future disassembly and reassembly, utilizing easy-to-maintain and durable materials such as metal and glass to prolong furniture lifespan.
ᱯᱨᱮᱨᱚᱱᱟ
Curves and angles are often viewed as distinct stylistic languages, yet in geometry, the trigonometric functions are also called circular functions because the same referring of the arc on a circle. In this project, geometric forms arranged in a scattered manner repeatedly appear, highlighting the sense of order in structure, and breaking the rules with unexpected asymmetrical forms. The resulting "deconstructive minimalism" is this project's interpretation of multiplicity.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Completed on Sep 2023, Taichung city, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
To accommodate various activities like socializing, dining, entertainment, and meetings while maintaining flexibility for future layout changes, we eliminated partitions in common areas, allowing free flow of light and movement. Material defines zones without restricting mobility. Columns subtly divide areas and mark the beginning of the corridor. The entrance of master bedroom is concealed by the dark corridor, preserving user privacy.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Hsin Ting Weng
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Hey!Cheese

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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