Hsin Ting ᱨᱮᱱᱟᱜ Counterpoint Poetry Baba Rehet Kami: Oṛak Bhitri Nakśa ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2025
Counterpoint Poetry Baba Rehet Kami: Oṛak Bhitri Nakśa
Hsin Ting ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: RIS Collective
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#163057 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Counterpoint Poetry Baba Rehet Kami: Oṛak Bhitri Nakśa ᱵᱟᱵᱚᱛ ᱛᱮ
Book Text: Counterpoint Poetry ge Taiwan reyaʼ Changhua Sahar hisir gaṛaʼ re taham akan oṛak bhitri nakśa kanae. Neʼ oṛak 121 borgo mitar bandobosto arah re thaṛiya akana, jahan mit oṛak re 1980 saal reaʼ khũṭi ar tolgi ko cakoṛ deyaḷ ko bena akana. Nakśa aʼ Mandala Chart reaʼ area cakoṛ khonda pathiyaʼ kate cale akana, jahan mūl jayga ge lita re thaṛiya akana. Rakhi deyaḷ ko mit ẽṭel path bena kate a̠ḍi-bãḍi ko lukuʼ akana. Hasa rong dhoṛom hasaʼ bharpur being ko cinha akana, ar mit emerald hariyaʼ deyaḷ mūl basaʼ jayga ko cinha akaʼa. Mit sāntiʼ computer koṭha, futon saṇge, hormo bebohar lagit dohoṛa akana.
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Counterpoint Poetry Baba Rehet Kami: Oṛak Bhitri Nakśa ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Counterpoint Poetry Baba Rehet Kami: Oṛak Bhitri Nakśa ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Located in countryside, this project is the second generation's return to agriculture industry. Surrounded by farmland, the building's 1980s beams and columns form square walls. Inspired by the Mandala Chart, we introduce Chinese architectural concepts into the design.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Contruction area 121 square meter.
- ᱴᱮᱜ ᱠᱚ
- emeralddesign,oriental classic
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The general tone uses earthy browns to represent fruitfulness of the soil. The main living area wall is emerald green, symbolizing the family's united business support. In the dining area, golden leaves drop from the ceiling reflect the topographic art and field view. The Chinese gathering ambience is maintained with marble veining in the western servery, guiding vision inward through cascading layers of detail.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Due to the existing plumbing system, as well as the consideration of Feng Shui, the relative positions of the room were restricted.
The precise placement of the walls are set after distinguishing the respective relationships of the position. By placing the core space at the center, we can learn a centralized space that inwardly focuses towards the center and interconnected areas around it. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- The traditional layout of courtyard houses features a winding path, with a wall composed of storage units serving as a screen. This design element functions to conceal and organize clutter. The extended and winding pathways enhance the grandeur of the residence. Not only is the integrity of the nine-square grid pattern maintained, but the spirit of elegant layered narratives is also embodied in the spatial design.
- ᱯᱨᱮᱨᱚᱱᱟ
- In an era of information overload, the young homeowner's choice of the apartment is safe and conventional, akin to architect Wang Da-hung's blend of Western and Chinese traditions in the Hong Ying Apartment. We expect to practice such tradition through a more modernized and a more down-to-earth method.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The design was completed in Changhua City, Taiwan, in November 2022.
With specified combination, highlights the interdependent relationship between coldness, organic, order, and freedom, also supports personal characteristics and functional utility, symbolizing the harmonious coexistence of rationality and sensibility. - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Due to Feng Shui considerations, the master bedroom couldn’t be connected to the walk-in closet and bathroom. Instead, the young homeowner prioritized a quiet computer room for practical use, complete with a futon for naps and relaxation after showers, while the bedroom was reserved solely for sleep. The tones and textures of the materials were carefully balanced to create harmony, with earthy tones and darker textures reflecting the essence of Chinese culture.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Ｗeng, Hsin-Ting
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Sujyu Studio
ᱥᱯᱚᱱᱥᱚᱨᱰ
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