B'in Live ᱨᱮᱱᱟᱜ Enno Cheng Daughters ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ· 2025
Enno Cheng Daughters ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ
B'in Live ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: B'in Live
ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#163893 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Enno Cheng Daughters ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱰᱚᱴᱚᱨᱥ (Daughters) ᱫᱚ ᱢᱤᱫᱴᱮᱱ ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱨᱚᱲ ᱥᱚᱢᱵᱟᱫᱽ ᱮᱢ ᱨᱮᱭᱟᱜ ᱵᱤᱥᱚᱭ ᱨᱮ ᱛᱤᱸᱜᱩ ᱟᱠᱟᱱᱟ ᱾ ᱢᱩᱬᱩᱛ ᱮᱥᱴᱮᱡᱽ ᱨᱮ ᱯᱚᱱ ᱛᱷᱟᱠ ᱨᱮᱱᱟᱜ ᱪᱟᱨᱠᱚᱬᱮ ᱮᱞ.ᱤ.ᱰᱤ (LED) ᱥᱠᱨᱤᱱ ᱢᱮᱱᱟᱜ-ᱟ, ᱡᱟᱦᱟᱸ ᱡᱷᱚᱛᱚ ᱫᱚ ᱖ ᱮᱠᱚᱲ ᱖ ᱢᱤᱴᱟᱨ ᱦᱩᱭᱩᱜ-ᱟ ᱟᱨ ᱡᱷᱚᱛᱚ ᱫᱚ ᱓ ᱮᱠᱚᱲ ᱖ ᱢᱤᱴᱟᱨ ᱨᱮᱱᱟᱜ ᱤᱨᱟᱹᱞ ᱜᱚᱴᱟᱝ ᱯᱮᱱᱟᱞ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱥᱠᱨᱤᱱ ᱠᱚ ᱫᱚ ᱡᱷᱤᱡᱽ, ᱵᱚᱸᱫᱚ, ᱡᱤᱞᱤᱧ ᱟᱨ ᱢᱤᱫ ᱪᱮᱛᱟᱱ ᱢᱤᱫ ᱦᱩᱭᱩᱜ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ, ᱟᱨ ᱡᱷᱚᱛᱚ ᱦᱟᱹᱴᱤᱧ ᱞᱮᱠᱟᱛᱮ ᱪᱮᱛᱟᱱ-ᱞᱟᱛᱟᱨ ᱟᱨ ᱫᱟᱲᱮ-ᱡᱚᱡᱚᱢ ᱥᱮᱫ ᱠᱚ ᱪᱟᱞᱟᱜ-ᱟ ᱾ ᱟᱨᱦᱚᱸ ᱯᱷᱟᱨᱪᱟ ᱢᱟᱨᱥᱟᱞ ᱟᱨ ᱩᱢᱩᱞ ᱮᱯᱷᱮᱠᱴ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱴᱨᱟᱱᱥᱯᱟᱨᱮᱱᱴ ᱯᱮᱱᱟᱞ ᱵᱟᱝ ᱢᱮᱱᱛᱮ ᱯᱩᱭᱞᱩ ᱨᱮᱱᱟᱜ ᱮᱞ.ᱤ.ᱰᱤ ᱯᱮᱱᱟᱞ ᱠᱚ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱮᱥᱴᱮᱡᱽ ᱨᱮ ᱚᱞ, ᱦᱚᱲᱢᱚ ᱨᱮᱭᱟᱜ ᱯᱟᱹᱨᱥᱤ, ᱥᱟᱰᱮ ᱟᱨ ᱪᱤᱱᱦᱟᱹ ᱢᱤᱫ ᱡᱟᱭᱜᱟ ᱨᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱫᱩᱜ-ᱟ ᱡᱮ ᱠᱷᱚᱵᱚᱨ ᱫᱚ ᱯᱟᱹᱨᱥᱤ ᱨᱮᱭᱟᱜ ᱟᱲᱟ ᱟᱫᱮᱨ ᱛᱮ ᱦᱚᱸ ᱥᱮᱴᱮᱨ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ ᱾ ᱱᱚᱶᱟ ᱠᱚᱱᱥᱚᱨᱴ ᱫᱚ ᱒᱐᱒᱒ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱚᱜᱚᱥᱴ ᱪᱟᱸᱫᱚ ᱨᱮ ᱛᱟᱭᱯᱮᱭᱤ (Taipei) ᱨᱮ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Enno Cheng Daughters ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Enno Cheng Daughters ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Communication evolves through various methods and media, making it increasingly diverse. The program showcases different communication modes via music and stage design, ensuring messages are conveyed effectively.
By blending music, visuals, body language, and text, the concert captures each song's essence and instills deeper meanings like human compassion, encouraging reflection and letting profound messages resonate long after. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- To enhance stage dynamics, the screens open, close, stretch, and overlap based on the segment, sometimes forming a complete square for added visual depth. Traditional LED screens are used instead of transparent ones to achieve clearer light and shadow effects through better lighting integration.
The main stage features four 6m x 6m screens divided into eight 3m x 6m rectangles. These screens can move vertically to adapt to different segments and music styles, maximizing their visual impact. - ᱴᱮᱜ ᱠᱚ
- Concert, Daughters, Enno, Communication, Language, Music, Message
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Effective communication occurs when the sender can express and the receiver can understand. The music arrangement encourages audience interaction, including clapping and movement. Additionally, dancers use sign language and Taiwanese Hokkien to highlight diverse forms of self-expression and understanding. This approach enriches the concert by showcasing how various mediums enhance experiences and convey messages uniquely.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- One major technical challenge is the ceiling load issue. The four layers of LED screens, consisting of eight rectangular panels, need to open horizontally and move vertically.
Balancing screen movement and ceiling load becomes a key concern, making pre-show inspections crucial. Additionally, discussions with the lighting designer lead to choosing Fine Art 156 lights. This choice, due to its unlimited rotation capability, maximizes LED screen configuration while meeting safety load limits. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- The concert features four main elements: body language, text, sound, and symbols. Rather than following a traditional sequence, these elements are combined in various ways to create new possibilities. Using four layers of square LED screens that move individually, both horizontally and vertically, creating diverse visual forms. This symbolizes neutral communication elements, where different combinations turn simple messages into unexpected reactions, highlighting endless interaction potential.
- ᱯᱨᱮᱨᱚᱱᱟ
- The Daughters concert, inspired by Wu Ming-Yi's chapter "How the Brain Got Language" from "The Land of Little Rain", complements Enno Cheng's album on communication.
The stage features four square LED screens that move independently, symbolizing communication beyond language barriers. Combining words, gestures, and sounds, it creates dynamic visuals and a chemistry of shared messages, offering a profound and thought-provoking experience focused on human compassion. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The concert was held in August 2022 in Taipei.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Communication evolves with technology and time, from an infant's cry and facial expressions to sign language, Morse code, and more.
The "Daughters" concert's stage design and program aim to not only soothe with music but also prompt a re-evaluation of communication's significance. Beyond conveying messages, diverse forms of communication can transcend borders and language barriers, fostering unexpected love and strength for individuals and society. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Creative Director：Crystal Chuang
Show Director：Wenyu Shih
Show Crew：Genie Hsiao / Genie Hsiao / Kelly Wang / Doris Li / Ruby Lin
Technical Coordination：B’in Live
Stage Manager：Shiuan Min Pam
Stage & Set Design：Roni Wu / Nia Chen
Lighting Design：(ANH Design) Hwua Hwua Shen / Ashton Wu / Suschi Chen
Video Content Director：Bonnie Kuo
Video Content Design：Bonnie Kuo / Jessic Chen / Ruby Chi / Nas Weng / Minting Lin / (Phototaxi) Nelson Wu, Mo Lee, Caca Ma
Camera Director：Phoebe Lu
Assistant Camera Director：Sing-ru Lin
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
