ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Cho Yin Ching ᱨᱮᱱᱟᱜ Fluid Rhythm ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ

Cho Yin Ching ᱨᱮᱱᱟᱜ Fluid Rhythm ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2025

Fluid Rhythm ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ

Cho Yin Ching ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Borg Design interior Renovation Co., Ltd.

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#168269 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Fluid Rhythm ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱷᱽᱞᱩᱭᱤᱰ ᱨᱤᱡᱢ ᱢᱮᱱᱮ ᱢᱤᱫᱴᱟᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱠᱷᱟᱱ ᱚᱠᱟ ᱮᱨᱟ ᱢᱤᱫᱴᱟᱝ ᱥᱚᱨᱩᱢ (showroom) ᱦᱤᱠᱩᱭᱠᱚ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱧᱟᱢᱟᱜ ᱠᱟᱱᱟᱭ᱾ ᱚᱱᱟ ᱡᱟᱭᱜᱟ ᱛᱟᱭᱚᱢ ᱵᱟᱨ ᱠᱷᱚᱸᱡᱽ ᱛᱮ ᱚᱛ 148.5 ᱥᱠᱣᱮᱨ ᱢᱤᱴᱚᱨ ᱠᱚ ᱠᱩᱸᱴᱟᱹ ᱮᱢᱟᱭ᱾ ᱯᱩᱭᱞᱩ ᱠᱷᱚᱸᱡᱽ ᱨᱮ ᱨᱤᱥᱮᱯᱥᱚᱱ ᱡᱟᱭᱜᱟ, ᱡᱚᱢᱟᱭ ᱡᱟᱭᱜᱟ ᱟᱨ ᱟᱛᱨᱟᱜᱤ ᱠᱚᱨᱮᱭᱟᱜ ᱥᱩᱵᱤᱫᱷᱟ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱵᱟᱨᱤᱭᱟ ᱠᱷᱚᱸᱡᱽ ᱨᱮ ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ ᱡᱟᱭᱜᱟ, ᱢᱤᱫᱴᱟᱝ ᱨᱟᱸᱫᱷᱚᱱ ᱡᱟᱭᱜᱟ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱞᱟᱣᱩᱬ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱯᱟᱸᱜᱩᱨᱟᱹ ᱡᱟᱭᱜᱟ ᱠᱚ ᱚᱰᱚᱠ ᱠᱷᱚᱱ ᱴᱚᱯ ᱛᱮᱸ ᱯᱚᱛᱟᱣᱠᱟᱱᱟ, ᱟᱨ ᱦᱤᱛᱟᱹᱲ ᱟᱠᱟᱱ ᱠᱟᱹᱱᱛᱚ ᱥᱮᱱᱥᱚᱨᱠᱚ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱠᱚ ᱠᱚ ᱛᱮ ᱡᱟᱣᱟᱹᱵᱽ ᱮᱢᱟᱭ᱾ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ ᱨᱮ ᱴᱤᱴᱟᱱᱤᱭᱟᱢ ᱟᱠᱥᱟᱭᱰ ᱢᱮᱴᱟᱞ, ᱚᱯᱴᱤᱠᱟᱞ ᱮᱠᱨᱤᱞᱤᱠ ᱟᱨ ᱠᱚᱢ ᱠᱟᱨᱵᱚᱱ ᱠᱚᱢᱯᱚᱡᱤᱴ ᱥᱴᱚᱱ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱛᱟᱦᱮᱸᱱ ᱠᱷᱚᱸᱡᱽ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱟᱝ ᱴᱷᱤᱠ ᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱵᱟᱨᱤᱭᱟ ᱴᱮᱠᱱᱤᱠ ᱟᱨ ᱯᱷᱤᱱᱤᱥ ᱠᱚ ᱛᱩᱞᱚᱱᱟ ᱠᱟᱛᱮ ᱧᱮᱞ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Fluid Rhythm ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fluid Rhythm ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This project reimagines a design studio as a living showroom where materials, craftsmanship, and light converge in an immersive sensory dialogue. Every surface is curated to invite touch, revealing the transition from raw texture to refined finish. Layered curves shape both threshold and narrative, while light traces form and material, blurring the line between process and completion. It becomes a spatial manifesto where design is experienced, not explained.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This interior design studio spans two floors, covering 148.5 square meters, and is structured to balance functionality, aesthetics, and environmental adaptability. The first floor features a reception area, storage, and guest facilities, while the second floor houses the main workspace, kitchen, lounge, and private amenities. A key material choice is Japanese-imported eggshell paint, which regulates humidity, improves air quality, and reduces condensation.
ᱴᱮᱜ ᱠᱚ
Fluid Architecture, Light Layering, Curved Pathways, Material Overlap, Exhibition Space, Workplace Aesthetics, Visual Immersion, Environmental Interaction
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
This design integrates precision craftsmanship and advanced material applications. Key materials include Titanium Oxide Metal, Optical Acrylic, and Low Carbon Composite Stone, chosen for their reflective, translucent, and textural qualities. A custom large scale sliding door seamlessly merges with the space, while Japanese imported eggshell paint regulates humidity and minimizes glare. Embedded LED sensors enhance interactivity, reinforcing the responsive nature of space.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
One of the greatest challenges was the precision engineering of the large-scale sliding door, which had to support the weight of full-surface tiled panels while ensuring seamless movement. The integration of metal framework and ceramic finishes required exact tolerances to prevent fractures. Additionally, the studio itself serves as a live demonstration, showcasing a spectrum of techniques, patterns, and finishes, with some deliberately left unfinished for comparison, demanding careful composition to achieve a cohesive, authentic spatial identity.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This applied design research explores how spatial composition, material interplay, and interactive lighting influence user perception. Using spatial prototyping and user observation, data was collected through movement tracking, material perception studies, and lighting response analysis. Findings revealed that dynamic lighting and contrasting textures enhance spatial awareness, informing more adaptive, sensory-driven workplace and exhibition design.
ᱯᱨᱮᱨᱚᱱᱟ
A space that doesn’t engage the senses is a wasted opportunity. Inspired by the fluidity of water and the interplay of light and reflection, this project transforms space into a sensory driven experience. It explores how light, material, and form create a dialogue between architecture and users, dissolving the boundary between function and emotion. The goal was to design an environment that responds dynamically to movement and perception, engaging users on a visceral level.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project began its design phase in Taichung, Taiwan, in June 2023 and was completed and put into operation in January 2024.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Visitors step into a welcoming expanse where curves flow seamlessly from walls to ceiling, mirroring the fluid rhythm of water in motion. Overhead, sculpted forms catch and refract light, casting shifting waves of shadow. The path unfolds naturally, guided by subtle light cues embedded in the floor, responding to each step. Ascending, daylight filters softly through curved partitions, while the vivid orange restroom offers a sudden, refreshing contrast, setting up an intentional pause within the flow.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Borg Design interior Renovation Co., Ltd.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: LEADER KING INTERNATIONAL CO., LTD.
Image #2: LEADER KING INTERNATIONAL CO., LTD.
Image #3: LEADER KING INTERNATIONAL CO., LTD.
Image #4: LEADER KING INTERNATIONAL CO., LTD.
Image #5: LEADER KING INTERNATIONAL CO., LTD.

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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