Satoshi Fujinaka ᱨᱮᱱᱟᱜ Crossing Walls ᱚᱲᱟᱜ, ᱚᱯᱷᱤᱥ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2026
Crossing Walls ᱚᱲᱟᱜ, ᱚᱯᱷᱤᱥ
Satoshi Fujinaka ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Daijiro Yoshihara
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#174571 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Crossing Walls ᱚᱲᱟᱜ, ᱚᱯᱷᱤᱥ ᱵᱟᱵᱚᱛ ᱛᱮ
Crossing Walls ᱫᱚ ᱢᱤᱫᱴᱟᱹᱝ ᱚᱲᱟᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸᱨᱮ ᱞᱟᱛᱟᱨ ᱛᱟᱞᱟᱨᱮ ᱚᱯᱷᱤᱥ ᱟᱨ ᱪᱮᱛᱟᱱ ᱛᱟᱞᱟᱨᱮ ᱚᱲᱟᱜ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱯᱮᱭᱟ L ᱨᱩᱯᱟᱱ ᱠᱟᱸᱛᱷ ᱠᱚ ᱵᱮᱜᱚᱨ ᱟᱨ ᱢᱮᱥᱟᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱢᱤᱫ ᱠᱤᱭᱩᱵ ᱨᱩᱯ ᱨᱟᱹᱯᱩᱫ ᱠᱟᱛᱮ ᱡᱷᱤᱡᱽ ᱟᱨ ᱵᱚᱸᱫᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱛᱮᱭᱟᱨᱚᱜ ᱠᱟᱱᱟ᱾ ᱠᱟᱸᱛᱷ ᱠᱚ ᱥᱩᱨ ᱥᱟᱶᱛᱮ ᱢᱟᱡᱷᱚᱞᱤ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱫᱚᱦᱚᱭᱟ, ᱢᱟᱨᱥᱟᱞ ᱟᱨ ᱦᱚᱭ ᱵᱚᱞᱚ ᱮᱢᱚᱜ ᱠᱟᱱᱟ ᱡᱚᱛᱚᱱ ᱛᱮ ᱩᱠᱩ ᱛᱟᱦᱮᱸᱱ ᱦᱚᱸ ᱫᱚᱦᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ᱾ ᱡᱷᱟᱨᱚᱠᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱫᱚ ᱥᱤᱧ ᱪᱟᱸᱫᱚ ᱨᱮᱭᱟᱜ ᱢᱟᱨᱥᱟᱞ, ᱞᱚᱞᱚ ᱟᱨ ᱵᱟᱦᱨᱮ ᱨᱮᱭᱟᱜ ᱧᱮᱞ ᱠᱚᱱᱴᱨᱚᱞ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱥᱮᱨᱢᱟ ᱥᱮᱫ ᱡᱷᱤᱡᱽ ᱢᱤᱫ ᱠᱷᱟᱹᱞᱤ ᱡᱟᱭᱜᱟ ᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱟᱨ ᱵᱟᱦᱨᱮ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱛᱮᱭᱟᱨ ᱫᱚ 910 ᱢᱤᱞᱤᱢᱤᱴᱟᱨ ᱜᱽᱨᱤᱰ ᱨᱮ ᱡᱟᱯᱟᱱᱤ ᱫᱚᱥᱛᱩᱨ ᱠᱟᱴ ᱛᱮᱭᱟᱨ ᱞᱮᱠᱟ ᱦᱩᱭ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱡᱤᱱᱤᱥ ᱵᱟᱧᱪᱟᱣᱜ ᱠᱟᱱᱟ ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ ᱠᱷᱩᱞᱟᱹ ᱛᱮ ᱧᱮᱞᱚᱜ ᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Crossing Walls ᱚᱲᱟᱜ, ᱚᱯᱷᱤᱥ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Crossing Walls ᱚᱲᱟᱜ, ᱚᱯᱷᱤᱥ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- We will try to solve the problem by manipulating the wall so that the office on the first floor and the life on the second floor, communication and privacy, can be compatible with each other.
The cube is disassembled and the three L shaped walls separate and intertwine with each other.
These three L shaped walls manipulate the open and closed spaces and maintain a moderate relationship with their surroundings.
Light and wind enter the building and begin to vaguely connect it to the outside. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- wooden Site area 176.34㎡ Total Floor area 138.37㎡ The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
- ᱴᱮᱜ ᱠᱚ
- House , Oficce , Japan , Walls , Wood
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The building uses a standard Japanese wooden structure with a span of 910 mm.
Most building materials in Japan follow this module, resulting in significant material and energy savings.
The wooden structure is shown in a cosmetic manner to pursue beauty and rationality. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- While keeping the space needed by the client within a limited area and budget,
While considering the position of sunlight and adjusting the position of windows to control the heat load,
The window arrangement is planned to control the external line of sight and to create an ambiguous connection with the outside. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- The research for this project is divided into two themes.
The first is a study of how to maximize the natural environment and required space on a limited site area.
The second is to consider total cost management and cost management of each material within a limited budget.
How to solve these two themes in architecture is both an interesting and difficult challenge. - ᱯᱨᱮᱨᱚᱱᱟ
- The planned site is a borderline location where new places and old places mix.
By opening the walls to the outside, the office tried to create appropriate and diverse relationships to maintain the community and revitalize the city.
The living space blends with the exterior space through the gaps in the walls while ensuring privacy and bringing light into the interior.
And by creating a void to the sky, the entire building breathes and releases its spirit to the sky. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Design began in Hiroshima in 2022 and construction was completed in December 2024.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This building was planned as a boundary between the newly developed environment in the newly rezoned area and the old shopping area, where the old and the new mix.
The project was planned to solve the problem of how to realize an architecture that allows people to feel close to nature while ensuring privacy, while reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself in such a location. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Satoshi Fujinaka
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photo , Kenji Masunaga
ᱥᱯᱚᱱᱥᱚᱨᱰ
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