ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Hangzhou Meizhi Home Design Co., Ltd ᱨᱮᱱᱟᱜ Oriental Villa ᱟᱹᱠᱷᱨᱤᱧ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Hangzhou Meizhi Home Design Co., Ltd ᱨᱮᱱᱟᱜ Oriental Villa ᱟᱹᱠᱷᱨᱤᱧ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2026

Oriental Villa ᱟᱹᱠᱷᱨᱤᱧ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Hangzhou Meizhi Home Design Co., Ltd ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Hangzhou Meizhi Home Design Co., Ltd

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

20,333

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#174652 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Oriental Villa ᱟᱹᱠᱷᱨᱤᱧ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱚᱨᱤᱭᱮᱱᱴᱟᱞ ᱵᱷᱤᱞᱟ ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱦᱩᱡᱷᱚᱣ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱹᱠᱷᱨᱤᱧ ᱚᱯᱷᱤᱥ ᱨᱮᱱᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱖᱕᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱦᱟᱹᱵᱤᱡ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱟᱨ ᱱᱟᱱᱥᱩᱱ ᱨᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ, ᱵᱟᱜᱟᱱ ᱟᱨ ᱫᱟᱜ ᱟᱛᱩ ᱨᱮᱱᱟᱜ ᱧᱮᱞᱟᱨᱟᱱ ᱠᱷᱚᱱ ᱩᱭᱦᱟᱹᱨ ᱦᱟᱛᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱢᱟᱨᱮ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱫᱚ ᱥᱩᱭᱥᱩᱛᱟᱹᱢ ᱠᱟᱹᱢᱤ, ᱥᱭᱟᱹᱦᱤ ᱛᱷᱚᱠ ᱟᱨ ᱯᱷᱚᱭᱤᱞ ᱞᱚᱞᱚ ᱦᱚᱛᱮᱛᱮ ᱱᱟᱶᱟ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ᱾ ᱯᱞᱟᱴᱤᱱᱟᱢ ᱠᱨᱤᱥᱴᱟᱞ ᱮᱠᱨᱟᱭᱤᱞᱤᱠ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱢᱩᱨᱛᱤ ᱞᱮᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱟᱭᱢᱟ ᱨᱩᱯ ᱛᱮ ᱫᱟᱜ ᱠᱚ ᱩᱫᱩᱜᱟ᱾ ᱢᱮᱬᱦᱮᱫ, ᱢᱟᱨᱵᱚᱞ, ᱠᱟᱴ ᱵᱷᱮᱱᱤᱭᱚᱨ, ᱪᱟᱢᱲᱟ ᱟᱨ ᱠᱤᱪᱨᱤᱡ ᱠᱚ ᱛᱮ ᱴᱮᱠᱥᱪᱚᱨ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ᱾ ᱵᱚᱫᱚᱞᱚᱜ ᱢᱟᱨᱥᱟᱞ ᱟᱨ ᱞᱟᱠᱪᱟᱨ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱫᱚ ᱧᱮᱞᱧᱚᱢᱤᱭᱟᱹ ᱠᱚ ᱛᱷᱤᱨ ᱛᱮ ᱢᱤᱫ ᱛᱟᱭᱚᱢ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱡᱟᱭᱜᱟ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱠᱚ ᱟᱹᱪᱩᱨ ᱤᱫᱤ ᱠᱚᱣᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Oriental Villa ᱟᱹᱠᱷᱨᱤᱧ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Oriental Villa ᱟᱹᱠᱷᱨᱤᱧ ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This project blends Nanxun's traditional architectural features, gardens, and cultural motifs into a contemporary leisure space. Its uniqueness lies in integrating ancient Chinese paintings through refined techniques like embroidery and ink stacking, highlighting cultural richness while using modern materials like crystal acrylic to express water's poetic charm.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The total interior area spans 650 square meters. Materials used include metal, wood veneer, marble, leather, fabric, and platinum crystal acrylic. Decorative elements incorporate traditional Chinese craftsmanship alongside contemporary artistic fabrication methods to achieve cultural and spatial integration.
ᱴᱮᱜ ᱠᱚ
Nanxun Culture, Oriental Leisure Space, Ancient Paintings, Water Town Design, Acrylic Sculpture, Embroidery Technique, Garden Architecture, Modern Aesthetics, Cultural Memory, Immersive Experience
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The project utilizes embroidery, ink layering, and foil burning techniques to reinterpret ancient paintings. Sculptural elements made from platinum crystal acrylic reinterpret water in diverse forms. Main materials include metal, marble, wood veneer, leather, and fabric, all selected to enhance texture and atmosphere.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The main challenge was translating ancient paintings into three dimensional, textural spatial expressions. Adapting embroidery and ink techniques for modern interiors required extensive testing. Balancing authenticity with contemporary aesthetics while preserving emotional depth was also complex but essential.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This was qualitative research focused on cultural integration in spatial design. Field studies in Nanxun were conducted, analyzing architectural features, garden typologies, and traditional artworks. Techniques were tested with artisans to apply painting translations. The result is a culturally immersive, emotionally resonant space with significant influence on heritage-inspired design.
ᱯᱨᱮᱨᱚᱱᱟ
The inspiration comes from Nanxun's local culture, water town landscapes, and historical legacy. The design seeks to translate these emotional and spatial memories into a modern narrative that allows users to journey through curiosity, contemplation, and comfort, evoking a deep connection to place and heritage.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in March 2025 in Huzhou, China and finished in May 2025.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Visitors transition through the space in an emotional sequence from curiosity to tranquility via changing light, textures, and cultural symbols. Artworks and sculptures guide their attention and mood, creating an immersive environment where aesthetics, history, and spatial flow interact organically.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Sheng Menghua
Designer: Cheng Jijun
Designer: Cao Shiming
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer HAMOVISION, Oriental Villa, 2025.
Image #2: Photographer HAMOVISION, Oriental Villa, 2025.
Image #3: Photographer HAMOVISION, Oriental Villa, 2025.
Image #4: Photographer HAMOVISION, Oriental Villa, 2025.
Image #5: Photographer HAMOVISION, Oriental Villa, 2025.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ