Chiung-Ying Chiu and Keng-Yao Chang ᱨᱮᱱᱟᱜ Between Realms ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2026
Between Realms ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Chiung-Ying Chiu and Keng-Yao Chang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: San.o Interior Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#177063 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Between Realms ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱵᱤᱴᱶᱤᱱ ᱨᱮᱞᱢᱥ ᱫᱚ ᱱᱟᱜᱟᱨ ᱛᱟᱞᱟ ᱨᱮ ᱢᱮᱱᱟᱜ ᱯᱩᱱᱭᱟ ᱢᱟᱦᱞᱟ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱟᱸᱰᱟᱡᱽ ᱒᱕᱔ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱛᱮ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱯᱩᱭᱞᱩ ᱢᱟᱦᱞᱟ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱡᱟᱭᱜᱟ, ᱡᱚᱢ ᱡᱟᱭᱜᱟ, ᱤᱥᱤᱱ ᱚᱲᱟᱜ ᱟᱨ ᱯᱟᱲᱦᱟᱣ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜᱼᱟ, ᱟᱨ ᱜᱤᱛᱤᱡ ᱚᱲᱟᱜ ᱠᱚ ᱟᱨ ᱟᱭᱢᱟ ᱠᱟᱹᱢᱤ ᱚᱲᱟᱜ ᱠᱚ ᱪᱮᱛᱟᱱ ᱢᱟᱦᱞᱟ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱴᱮᱞᱤᱵᱷᱤᱡᱚᱱ ᱫᱚ ᱢᱤᱫᱴᱟᱹᱝ ᱢᱮᱰ ᱯᱷᱨᱮᱢ ᱨᱮ ᱦᱮᱞᱟᱣ ᱟᱠᱟᱱᱟ ᱚᱠᱟ ᱨᱮ ᱥᱟᱞᱟᱜ ᱫᱟᱲᱮᱭᱟᱜ ᱟᱞᱩᱢᱤᱱᱤᱭᱟᱢ ᱞᱩᱵᱷᱚᱨ ᱢᱮᱱᱟᱜᱼᱟ, ᱡᱮᱢᱚᱱ ᱛᱮ ᱚᱛ ᱠᱷᱚᱱ ᱪᱷᱟᱫ ᱦᱟᱹᱵᱤᱡ ᱡᱷᱟᱨᱠᱟ ᱟᱨ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱨᱮ ᱢᱮᱱᱟᱜ ᱡᱟᱯᱟᱱᱤ ᱵᱟᱜᱟᱱ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱠᱮᱴᱮᱡ ᱠᱟᱸᱛᱷ ᱡᱟᱭᱜᱟ ᱨᱮ ᱜᱨᱤᱞ, ᱟᱭᱱᱟ ᱟᱨ ᱟᱞᱢᱟᱨᱤ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ ᱡᱟᱭᱜᱟ ᱵᱷᱮᱜᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱛᱮ᱾ ᱢᱟᱴᱤᱭᱟ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱫᱷᱤᱨᱤ, ᱢᱮᱴ ᱢᱮᱰ ᱟᱨ ᱢᱟᱨᱵᱚᱞ ᱱᱟᱠᱥᱟ ᱥᱞᱮᱵᱽ ᱠᱚ ᱦᱚᱛᱮ ᱛᱮ ᱥᱤᱧ ᱢᱟᱨᱥᱟᱞ ᱟᱨ ᱩᱢᱩᱞ ᱛᱮ ᱚᱲᱟᱜ ᱠᱚ ᱨᱩᱯ ᱧᱟᱢᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Between Realms ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Between Realms ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The main challenge was the overlap of the TV wall and the floor-to-ceiling window overlooking a Japanese garden. Designers used 'the view as the wall,' suspending the TV on a metal frame with adjustable aluminum louvers that conceal wiring while allowing light and scenery. Shadows and daylight transform the wall throughout the day. Stone-wrapped stairs, black mirrors, frosted glass, and integrated display cabinets create depth, rhythm, and a calm, naturally breathing social space.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The site covers approximately 254 square meters with a four-story house layout. The first floor integrates the living, dining, kitchen, and reading area, the second floor houses the master bedroom and dressing room, the third and fourth floors contain the children's rooms and multipurpose spaces. The design employs an 'open instead of divided' strategy, minimizing solid walls and defining zones with grilles, mirrors, and cabinetry. Natural light penetrates through each level, creating continuous visual depth and smoother daily circulation.
- ᱴᱮᱜ ᱠᱚ
- Bringing Scenery Indoors, TV Wall Design, Gray Scale, Natural Symbiosis, Eco-Friendly Materials
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The residence features gray-scale stone and matte metal, highlighting subtle shifts of natural light. Italian marble-pattern slabs and eco-friendly mineral coatings define the main axis, softly reflecting illumination. Stone grain, glass, and titanium trims showcase precise craftsmanship. Gradual tonal transitions and the interplay of light and shadow warm the gray palette, creating a quiet, layered, and richly atmospheric interior.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The main challenge was preserving natural views under limited daylight. Designers created a floating TV wall to maintain the garden view, and a half-height grille separates the reading area while allowing light flow. Stair proportions were adjusted, guided by light strips for circulation. Storage was integrated into the foyer, under stairs, and sofa wall, balancing efficiency with visual clarity and spatial harmony.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- In this urban four-story house, 'bringing scenery indoors' guides the design. Open circulation and a suspended TV wall integrate the Japanese garden, while aluminum louvers preserve light and ventilation. Named 'Between Realms,' the interior uses gray-scale stone, matte metal, and textured surfaces. Italian marble-pattern slabs and eco-friendly coatings reflect light subtly. Daylight, shadows, and soft lighting create a layered, calm, and seasonally responsive social and private space.
- ᱯᱨᱮᱨᱚᱱᱟ
- The four-story city-center house has limited natural light due to its short street frontage. Designers preserved light, wind, and views while maintaining circulation flow. Centered on 'bringing scenery indoors,' the interior engages with exterior light and greenery. Heavy partitions were replaced with translucent and reflective surfaces, allowing air, light, and vision to flow freely. The social area balances calm modern aesthetics with conviviality and visual layering.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in July 2024 in Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The suspended TV wall transformed the space's character. Morning light filters through the louvers, casting clear tree shadows, afternoon sunlight gilds the stone and glass, infusing the home with a gentle warmth. The owner smiled and said, 'The TV wall finally learned how to breathe.' As the children read by the favorite window corner and the evening light softens, the entire area becomes a shared retreat for the family. By day, scenery enters the home, by night, the play of shadows brings serenity, different rhythms interweave into the everyday life of the household.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chiung-Ying Chiu, Keng-Yao Chang
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- SAN.O INTERIOR DESIGN
ᱥᱯᱚᱱᱥᱚᱨᱰ
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